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A splendid tagging database of the complete Beatles catalogue – for the scholars, the dreamers, and the ones who've listened to Abbey Road more times than they can count.

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© 2026 Nadav (Nahdi) Lazar. Beatles music © Apple Corps. Fan-made – not affiliated with The Beatles or Apple Corps.

“In the end, the love you take is equal to the love you make.”

I–V–vi–IVMusic · Chord degree · 4 songs
CategoriesMusicChord degreeI–V–vi–IV
Music · Chord degree

I–V–vi–IV

Axis of awesome

Ubiquitous four-chord pop loop, named after the comedy group's mashup demonstrating its prevalence (e.g. C → G → Am → F).

4
songs
See alsoHarmony:Axis of awesomeChord shape:C → G → Am → FChord shape:C → Dm → B♭Chord shape:C → G → AmHarmony:Deceptive cadenceSection transition:I to IVRecurring words:needChord shape:Am → F
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Analysis

By Year

Song count per year

By Songwriter

% of each member's catalogue with this tag (by writing credit)

By Era

Early1 · 20%
Mid-period1 · 20%
Late3 · 60%

By Album

A Hard Day's Night1
Revolver1
Yellow Submarine1
Abbey Road1
Let It Be1
Past Masters1

Songs(4)

Year
Album
Writer
Lead vocal(s)
#TitleYearAlbumLead Vocal(s)Notes
1Any Time at All1964A Hard Day's NightJohnas D → A → Bm → G
2Yellow Submarine1966RevolverRingoas G → D → Em → C
3Oh! Darling1969Abbey RoadPaulas A → E → F♯m → D
4Let It Be1970Let It BePaulas C → G → Am → F

Any Time at All

1964·A Hard Day's Night·John

as D → A → Bm → G

Yellow Submarine

1966·Revolver·Ringo

as G → D → Em → C

Oh! Darling

1969·Abbey Road·Paul

as A → E → F♯m → D

Let It Be

1970·Let It Be·Paul

as C → G → Am → F

Updated 2026-09-02

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