CategoriesMusicChord degree
Music

Chord degree

Chord progressions expressed as scale degrees (roman numerals). Key-aware patterns showing harmonic function.

723
values
4830
total uses

Values Over Time

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All Values(723)

#ValueSongs% of total
1V–I

The strongest harmonic resolution, dominant moving to tonic. The most fundamental cadence in Western music (e.g. E → A, A7 → D).

148
3.1%
2IV–I

The 'Amen' cadence, resolving from the subdominant to the tonic. Softer and more hymn-like than a perfect cadence (e.g. B♭ → F, C → G).

136
2.8%
3I–IV

2-chord degree progression (e.g. A7 → D; D → G)

127
2.6%
4I–V

2-chord degree progression (e.g. A → E; D → A)

103
2.1%
5IV–V

2-chord degree progression (e.g. F/A → G; D → E)

82
1.7%
6V–IV

2-chord degree progression (e.g. G → F; A7 → G)

65
1.3%
7IV–I–V

3-chord degree progression (e.g. F6 → C → G; B♭ → F → C7)

64
1.3%
8ii–V

2-chord degree progression (e.g. Dm7 → G7; Em7 → A7)

63
1.3%
9I–vi

2-chord degree progression (e.g. D → Bm; A7 → F♯m7)

62
1.3%
10I–IV–I–V

4-chord degree progression (e.g. F → B♭ → F → C7; C/G → F → C → G)

52
1.1%
11IV–V–I

3-chord degree progression (e.g. E♭/B♭ → F7 → B♭; A → B7 → E6)

52
1.1%
12I–I

2-chord degree progression (e.g. A → A7; F → F7)

45
0.9%
13II–V

2-chord degree progression (e.g. C → F; D7 → G7)

43
0.9%
14vi–IV

2-chord degree progression (e.g. C♯m → A; F♯m → D)

43
0.9%
15ii–V–I

The most common jazz progression, building tension through the supertonic and dominant before resolving to the tonic (e.g. Em7 → A7 → D, Gm6 → C7 → F).

42
0.9%
16V–I–IV

3-chord degree progression (e.g. A7 → D → G; C7 → F → B♭)

40
0.8%
17V–IV–I

Reversed plagal motion through the dominant, common in rock and blues. The IV creates a mixolydian pull to the tonic (e.g. D → C → G, A7 → G → D).

40
0.8%
18V–I–vi

3-chord degree progression (e.g. A7 → D → Bm; D → G → Em)

38
0.8%
19I–ii

2-chord degree progression (e.g. D → Em; E6 → F♯m7)

36
0.7%
20vi–ii

2-chord degree progression (e.g. C♯m → F♯m; Dm/A → Gm)

35
0.7%
21♭VII–I

Resolving to the major tonic from the flat seventh, bypassing the usual dominant. Common in jazz and Beatles songs (e.g. G → A, D → E).

35
0.7%
22I–V–IV

3-chord degree progression (e.g. D → A7 → G; C → G → F)

34
0.7%
23I–IV–V

3-chord degree progression (e.g. G → C → D; A → D → E7)

34
0.7%
24I–♭VII

2-chord degree progression (e.g. E → D; A → G)

32
0.7%
25V–vi

The dominant resolves to the relative minor instead of the expected tonic, creating surprise and extending the phrase (e.g. G → Am, E → F♯m).

32
0.7%
26iv–I

2-chord degree progression (e.g. Dm → A; Gm → D)

31
0.6%
27IV–I–V–I

4-chord degree progression (e.g. G → D → A → D; D7 → A7 → E7 → A7)

29
0.6%
28I–I–IV

3-chord degree progression (e.g. F → F7 → B♭; Cmaj7 → C7 → F)

27
0.6%
29vi–IV–V

3-chord degree progression (e.g. C♯m → A → B7; Dm → B♭ → C7)

26
0.5%
30I–iii

2-chord degree progression (e.g. A → C♯m/G♯; B♭ → Dm/A)

25
0.5%
31I–II

2-chord degree progression (e.g. B♭ → C; F → G7)

24
0.5%
32I–vi–IV

3-chord degree progression (e.g. G → Em → C; C → Am → F)

24
0.5%
33vi–I

2-chord degree progression (e.g. F♯m → A; F♯m → A)

24
0.5%
34vi–II

2-chord degree progression (e.g. F♯m → B7; Dm7 → G7)

24
0.5%
35V–I–IV–I

4-chord degree progression (e.g. C7 → F → B♭ → F; D → G → C → G)

23
0.5%
36IV–iv

2-chord degree progression (e.g. D → Dm; C → Cm)

21
0.4%
37IV–♭VII

2-chord degree progression (e.g. D → G; C → F)

21
0.4%
38II–V–I

3-chord degree progression (e.g. C → F → B♭; A7 → D7sus4 → G)

21
0.4%
39I–IV–I–V–IV

5-chord degree progression (e.g. D7 → G7 → D7 → A7 → G7; E7 → A7 → E7 → B7 → A7)

21
0.4%
40vi–ii–V

3-chord degree progression (e.g. Dm → Gm → C; Am7 → Dm → G7)

20
0.4%
41V–V

2-chord degree progression (e.g. B → B7; E → E7)

20
0.4%
42♭VII–IV

2-chord degree progression (e.g. B♭ → F/A; G → D)

20
0.4%
43IV–iv–I

Major subdominant darkening to minor before resolving, creating a bittersweet color shift (e.g. D → Dm → A, C → Cm → G/B).

20
0.4%
44iii–vi

2-chord degree progression (e.g. G♯m → C♯m; Dm/A → Gm)

19
0.4%
45I–vi–IV–V

The classic 1950s cycle through major brightness, relative minor warmth, and subdominant-dominant tension (e.g. G → Em → C → D, C → Am → F → G).

19
0.4%
46♭VI–V

2-chord degree progression (e.g. D♭maj7 → C; E♭ → D)

19
0.4%
47V–i

2-chord degree progression (e.g. E → Am; A7 → Dm)

18
0.4%
48I–II–V

3-chord degree progression (e.g. B♭ → C → F; C/E → D7 → G7)

17
0.4%
49vi–IV–V–I

Rotation of the 50s progression starting from the relative minor, creating a minor-to-major resolution arc (e.g. Dm → B♭ → C7 → F, Em → C → D → G).

17
0.4%
50I–vi–ii

3-chord degree progression (e.g. F → Dm → Gm; F → Dm → Gm7)

17
0.4%
51III–vi

2-chord degree progression (e.g. A7 → Dm; E7 → Am)

16
0.3%
52vi–iii

2-chord degree progression (e.g. C♯m → G♯m; Bm → F♯m)

16
0.3%
53I–ii–V

3-chord degree progression (e.g. E6 → F♯m7 → B13; F6 → Gm → C)

16
0.3%
54I–VI

2-chord degree progression (e.g. D → B7; A → F♯7)

16
0.3%
55iii–IV

2-chord degree progression (e.g. Em → F; Bm → C)

16
0.3%
56II–IV

2-chord degree progression (e.g. D9/F♯ → F; Asus2 → Cmaj7)

15
0.3%
57I–IV–I

3-chord degree progression (e.g. C/G → F → C; F → B♭ → F)

15
0.3%
58i–♭VI

2-chord degree progression (e.g. Em → C)

15
0.3%
59ii–I

2-chord degree progression (e.g. F♯m → E6; Dm7 → C)

15
0.3%
60I–V–vi

3-chord degree progression (e.g. A → E → F♯m; C → G → Am)

15
0.3%
61IV–I–I

3-chord degree progression (e.g. D7 → A → A7; A♭ → E♭ → E♭7/D)

15
0.3%
62I–IV–iv

3-chord degree progression (e.g. C7 → F → Fm6; F7 → B♭ → B♭m6)

15
0.3%
63IV–V–I–vi

4-chord degree progression (e.g. A♭ → B♭ → E♭ → Cm; B♭ → C7 → F → Dm)

15
0.3%
64I–♭III

2-chord degree progression (e.g. A7 → C; A → C)

15
0.3%
65vi–V

2-chord degree progression (e.g. Bm → A; C♯m → B)

14
0.3%
66IV–II

2-chord degree progression (e.g. D → B; C → Asus2)

14
0.3%
67♭VII–♭III

2-chord degree progression (e.g. G → C; G7 → C)

14
0.3%
68VI–ii

2-chord degree progression (e.g. C7 → Fm; B7 → Em)

13
0.3%
69♭VII–IV–I

3-chord degree progression (e.g. E♭6 → B♭ → F; B♭ → F → C)

13
0.3%
70V–II

2-chord degree progression (e.g. A → E7; G7 → D7)

13
0.3%
71V–ii

2-chord degree progression (e.g. B♭ → Fm; B7 → F♯m7)

13
0.3%
72I–♭VII–IV

Two plagal motions chained together, descending by fourths. Common in rock and folk (e.g. C → B♭ → F, F → E♭6 → B♭).

13
0.3%
73V–I–vi–IV

4-chord degree progression (e.g. B♭ → E♭ → Cm → A♭; B7 → E → C♯m → A)

12
0.2%
74I–IV–♭VII

3-chord degree progression (e.g. F → B♭7♯9 → E♭6; A/E → D → G)

12
0.2%
75♭VII–V

2-chord degree progression (e.g. G → E7; D → B7)

12
0.2%
76♭III–V

2-chord degree progression (e.g. E♭ → G7/D; E♭7 → G7)

12
0.2%
77♭III–IV

2-chord degree progression (e.g. C → D; B♭6 → C)

12
0.2%
78V–I–I

3-chord degree progression (e.g. C/E → F → F7; C7 → Fsus4 → F)

12
0.2%
79IV–V–vi

3-chord degree progression (e.g. A♭ → B♭ → Cm; B♭ → C7 → Dm)

11
0.2%
80IV–I–IV–I–V

5-chord degree progression (e.g. D → A → D → A → E; A7 → E7 → A7 → E7 → B7)

11
0.2%
81VI–II

2-chord degree progression (e.g. F♯ → B; A7 → D7)

11
0.2%
82IV–♭VI

2-chord degree progression (e.g. D/F♯ → F)

11
0.2%
83IV–vi

2-chord degree progression (e.g. B♭ → Dm/A; C → Em/F♯)

11
0.2%
84vi–IV–I

3-chord degree progression (e.g. Gm → E♭/B♭ → B♭; Em → C → G6)

11
0.2%
85ii–V–I–vi

The A-section turnaround from Gershwin's 'I Got Rhythm', foundational to jazz standards (e.g. Dm7 → G7 → C → Am).

11
0.2%
86I–iii–vi

3-chord degree progression (e.g. A → C♯m/G♯ → F♯m; B♭ → Dm/A → Gm)

11
0.2%
87I–vi–ii–V

Circle-of-fifths descent from tonic, a smooth jazz-pop turnaround named for its sweet, easy-listening quality (e.g. C → Am → Dm7 → G7).

11
0.2%
88i–iv

2-chord degree progression (e.g. Am → Dm6; Am7 → Dm7)

11
0.2%
89I–III

2-chord degree progression (e.g. C → E7; D → F♯/A♯)

11
0.2%
90V–I–ii

3-chord degree progression (e.g. B13 → E6 → F♯m7; D7 → G → Am7)

11
0.2%
91IV–I–♭VII

3-chord degree progression (e.g. A → E → D; F → C → B♭)

11
0.2%
92V–I–iii

3-chord degree progression (e.g. G7 → C → Em; B♭7 → E♭ → Gm/D)

11
0.2%
93i–V

2-chord degree progression (e.g. Dm7 → A)

10
0.2%
94V–V–I

3-chord degree progression (e.g. E → E7 → A; A → A7 → D)

10
0.2%
95i–IV

2-chord degree progression (e.g. Em → A; Am → D/F♯)

10
0.2%
96vi–ii–V–I

Full circle-of-fifths descent arriving at the tonic, common in jazz and classical harmony (e.g. Am → Dm7 → G7 → C).

10
0.2%
97I–V–I–IV

4-chord degree progression (e.g. D → A → D → G; E → B7 → E → A)

10
0.2%
98V–I–♭VII

3-chord degree progression (e.g. B → E → D; B7 → E → D/E)

10
0.2%
99♭VI–V–I

3-chord degree progression (e.g. D♭maj7 → C7 → F; C7 → B7 → E)

10
0.2%
100IV–ii

2-chord degree progression (e.g. A♭ → Fm; A → F♯m)

10
0.2%
101VI–ii–V

3-chord degree progression (e.g. C7 → Fm → B♭sus4; B7 → Em → A9)

10
0.2%
102IV–I–vi

3-chord degree progression (e.g. A → E → C♯m; F → C → Am)

10
0.2%
103vi–II–V

3-chord degree progression (e.g. C♯m → F♯ → B; C♯m → F♯9 → B9)

10
0.2%
104IV–I–ii

3-chord degree progression (e.g. Amaj7/B → E → F♯m; G → D → Em)

10
0.2%
105ii–iii

2-chord degree progression (e.g. Am → Bm; Em/G → F♯m)

10
0.2%
106II–I

2-chord degree progression (e.g. B → A; B7 → A)

10
0.2%
107ii–IV

2-chord degree progression (e.g. Dm7/F → F; B♭m → D♭)

10
0.2%
108♭III–I

2-chord degree progression (e.g. C → A7; E♭7 → C7)

10
0.2%
109I–IV–iv–I

4-chord degree progression (e.g. C7 → F → Fm6 → C; F7 → B♭ → B♭m6 → F/A)

10
0.2%
110iii–ii

2-chord degree progression (e.g. Em → Dm; F♯m → Em7)

10
0.2%
111V–I–vi–ii

4-chord degree progression (e.g. C7 → F → Dm → Gm7; E7 → A → F♯m → Bm7)

10
0.2%
112IV–I–IV–V

4-chord degree progression (e.g. B♭ → F → B♭ → C; D → A → D → E)

10
0.2%
113iii–V

2-chord degree progression (e.g. Em → G7; Bm → D7)

10
0.2%
114I–IV–I–IV–V

5-chord degree progression (e.g. F → B♭ → F → B♭ → C; A → D → A → D → E)

9
0.2%
115IV–♭III

2-chord degree progression (e.g. F → E♭; C → B♭6)

9
0.2%
116V–I–II

3-chord degree progression (e.g. F → B♭ → C; G7 → C → D)

9
0.2%
117♭VI–i

2-chord degree progression (e.g. F → Am)

9
0.2%
118I–IV–I–V–IV–I–V

7-chord degree progression (e.g. G7 → C7 → G7 → D7♯9 → C7 → G7 → D7; G7 → C7 → G → D7 → C7 → G → D7)

9
0.2%
119I–vi–iii

3-chord degree progression (e.g. C → Am → Em; C → Am → Em)

9
0.2%
120V–IV–V–I

4-chord degree progression (e.g. A → G → A → D; D → C → D → G)

9
0.2%
121ii–♭VII

2-chord degree progression (e.g. Bm → G; F♯m → D)

9
0.2%
122V–I–VI

3-chord degree progression (e.g. A → D → B7; E7 → A → F♯7)

9
0.2%
123I–♭VI

2-chord degree progression (e.g. E6 → C; E → C)

9
0.2%
124♭VI–I

2-chord degree progression (e.g. D♭7 → F; F → A7)

8
0.2%
125vi–I–IV

3-chord degree progression (e.g. F♯m → A7 → D; Am → C/G → F)

8
0.2%
126iv–♭VII

2-chord degree progression (e.g. Dm7 → G7; B♭m7 → E♭)

8
0.2%
127IV–I–II

3-chord degree progression (e.g. F7 → C → D7; E → B → C♯)

8
0.2%
128V–vi–IV

3-chord degree progression (e.g. G → Am → Fmaj7; F7 → Gm → E♭/B♭)

8
0.2%
129VI–II–V

3-chord degree progression (e.g. F♯7 → B7 → E7; C♯7 → F♯7 → B7)

8
0.2%
130I–VI–ii

3-chord degree progression (e.g. D → B7 → Em; F → D7 → Gm7)

8
0.2%
131IV–ii–V

3-chord degree progression (e.g. A♭ → Fm → B♭; A → F♯m → B7)

8
0.2%
132IV–II–V

3-chord degree progression (e.g. D → B → E; D → B7 → E)

8
0.2%
133iii–IV–I

3-chord degree progression (e.g. Em → F → C; Em → Fmaj7 → C6)

8
0.2%
134♭VI–♭VII

2-chord degree progression (e.g. B♭ → C; F7 → G7)

8
0.2%
135I–I–IV–I–V

5-chord degree progression (e.g. A → A7 → D → A → E7; G → G7 → C7 → G → D7)

8
0.2%
136IV–V–I–IV–I

5-chord degree progression (e.g. C → D → G → C → G; C → D → G → C9 → G)

8
0.2%
137I–IV–I–IV–I–V

6-chord degree progression (e.g. A → D → A → D → A → E; E7 → A7 → E7 → A7 → E7 → B7)

8
0.2%
138IV–♭VII–I

3-chord degree progression (e.g. D → G → A; D → Gadd9 → A)

7
0.1%
139iv–♭VII–♭III

3-chord degree progression (e.g. Dm7 → G7 → C)

7
0.1%
140II–IV–I

3-chord degree progression (e.g. G7 → B♭ → F; A7 → C → G6)

7
0.1%
141♭VI–♭III

2-chord degree progression (e.g. F → C; C → G)

7
0.1%
142vi–II–IV

3-chord degree progression (e.g. Dm7 → G7 → B♭; Am7/G → D9/F♯ → F)

7
0.1%
143♭III–♭VI

2-chord degree progression (e.g. C → Fmaj7; A♭7 → D♭)

7
0.1%
144♭III–♭VII

2-chord degree progression (e.g. C → G/B; G → D)

7
0.1%
145I–IV–II

3-chord degree progression (e.g. A → D → B; A → D → B7)

7
0.1%
146i–i

2-chord degree progression (e.g. Em → Em7; Am7 → Am6)

7
0.1%
147I–iv

2-chord degree progression (e.g. F → B♭m7; C7 → Fm)

7
0.1%
148I–VII

2-chord degree progression (e.g. A → G♯7; E♭ → D7)

7
0.1%
149vi–III

2-chord degree progression (e.g. Dm → A7; Am → E7)

7
0.1%
150IV–iii

2-chord degree progression (e.g. F → Em; B♭ → Am)

7
0.1%
151iii–IV–V

3-chord degree progression (e.g. F♯m → G → A; Bm → C → D)

7
0.1%
152IV–I–IV–I–IV–V

6-chord degree progression (e.g. B♭ → F → B♭ → F → B♭ → C; D → A → D → A → D → E)

7
0.1%
153I–III–vi

3-chord degree progression (e.g. C → E7 → Am; D → F♯/A♯ → Bm)

7
0.1%
154♭VII–I–IV

3-chord degree progression (e.g. B♭ → C → F; F → G → C)

7
0.1%
155III–vi–ii

3-chord degree progression (e.g. A7 → Dm → Gm; E7 → Am → Dm9)

7
0.1%
156I–VI–ii–V

4-chord degree progression (e.g. D → B7 → Em → A9; F → D7 → Gm7 → C7)

7
0.1%
157I–I–IV–iv

4-chord degree progression (e.g. C → C7 → F → Fm6; F → F7 → B♭ → B♭m6)

7
0.1%
158V–IV–I–IV

4-chord degree progression (e.g. E7 → D7 → A → D; D → C → G → C)

7
0.1%
159iii–I

2-chord degree progression (e.g. Bm → G)

7
0.1%
160I–IV–I–IV–I–IV–V

7-chord degree progression (e.g. A → D → A → D → A → D → E; A → D6 → A → D6 → A → D6 → E7)

6
0.1%
161V–I–I–IV

4-chord degree progression (e.g. B♭ → E♭ → E♭7/D → A♭; C7 → F → F7 → B♭)

6
0.1%
162ii–V–I–I

4-chord degree progression (e.g. Fm → B♭ → E♭ → E♭7/D; Gm7 → C7 → F → F7)

6
0.1%
163♭VII–V–I

3-chord degree progression (e.g. G → E7 → A; D → B7 → E)

6
0.1%
164I–vi–II

3-chord degree progression (e.g. A → F♯m → B7; F → Dm7 → G7)

6
0.1%
165I–VI–II–V

4-chord degree progression (e.g. A → F♯7 → B7 → E7; E7 → C♯7 → F♯7 → B7)

6
0.1%
166V–I–VI–ii

4-chord degree progression (e.g. A → D → B7 → Em; C7 → F → D7 → Gm7)

6
0.1%
167ii–vi

2-chord degree progression (e.g. Dm → Am7; F♯m7 → C♯m)

6
0.1%
168VI–IV

2-chord degree progression (e.g. G7 → E♭; A → F)

6
0.1%
169V–♭VI

2-chord degree progression (e.g. A → B♭; B7 → C7)

6
0.1%
170V–I–IV–I–IV

5-chord degree progression (e.g. A → D → G → D → G; D → G → C → G → C)

6
0.1%
171ii–IV–I

3-chord degree progression (e.g. Dm7/F → F → C/E; F♯m7 → Amaj7/B → E)

6
0.1%
172II–V–IV

3-chord degree progression (e.g. B7 → E7 → D; B7 → E7 → D7)

6
0.1%
173I–♭III–IV

3-chord degree progression (e.g. F → A♭ → B♭; D → F → G)

6
0.1%
174♭III–IV–I

3-chord degree progression (e.g. A♭ → B♭ → F; C → D → A)

6
0.1%
175V–♭VII

2-chord degree progression (e.g. D → F; E → G)

6
0.1%
176I–ii–iii

3-chord degree progression (e.g. G → Am7 → Bm7; C → Dm → Em)

6
0.1%
177I–iii–IV

3-chord degree progression (e.g. D → F♯m → G; G → Bm → C)

6
0.1%
178III–VI

2-chord degree progression (e.g. E7 → A7; E → A)

6
0.1%
179V–I–vi–iii

4-chord degree progression (e.g. A7 → D → Bm → F♯m; D → G → Em → Bm)

6
0.1%
180iii–ii–V

3-chord degree progression (e.g. Gm/D → Fm/C → B♭7; G♯m7 → F♯m7 → B7)

6
0.1%
181IV–IV

2-chord degree progression (e.g. D → D7; E → E7)

6
0.1%
182i–♭III

2-chord degree progression (e.g. Fm → A♭; Am → C)

6
0.1%
183I–V–V

3-chord degree progression (e.g. F → C → C7; E → Bsus4 → B7)

6
0.1%
184IV–♭VII–♭III

3-chord degree progression (e.g. D → G → C)

6
0.1%
185III–IV

2-chord degree progression (e.g. G♯ → A; C7 → D♭)

6
0.1%
186iv–V

2-chord degree progression (e.g. Fm → G7; Dm → E7)

6
0.1%
187iv–i

2-chord degree progression (e.g. Em7 → Bm7; Dm → Am)

6
0.1%
188IV–I–IV–V–I

5-chord degree progression (e.g. B♭ → F → B♭ → C → F; F → C → F → G → C)

6
0.1%
189♭VII–♭III–I

3-chord degree progression (e.g. D → G → E; G7 → C7 → A7)

6
0.1%
190I–IV–I–♭VII

4-chord degree progression (e.g. C/E → F → C/E → B♭; G7 → C → G → F)

6
0.1%
191V–I–V

3-chord degree progression (e.g. E → A → E; C/E → F → C)

5
0.1%
192I–ii–iii–IV

4-chord degree progression

5
0.1%
193I–IV–II–V

4-chord degree progression (e.g. A → D → B → E)

5
0.1%
194vi–♭VI

2-chord degree progression (e.g. F♯m7 → F; Dm7♭5 → D♭maj7)

5
0.1%
195♭VII–IV–V

3-chord degree progression (e.g. G → D → E; B♭ → F/A → G)

5
0.1%
196iv–I–vi

3-chord degree progression (e.g. Gm → D → Bm; Fm7 → C → Am)

5
0.1%
197♭VII–VI

2-chord degree progression (e.g. B♭ → A7)

5
0.1%
198V–i–IV

3-chord degree progression (e.g. E → Am → D/F♯; A7 → Dm → G)

5
0.1%
199V–VI

2-chord degree progression (e.g. F → G7)

5
0.1%
200V–I–iii–vi

4-chord degree progression (e.g. F7 → B♭ → Dm/A → Gm; E → A → C♯m → F♯m)

5
0.1%
Showing the 200 most-used of 723 values. The rest are reachable from the songs that use them.