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© 2026 Nadav (Nahdi) Lazar. Beatles music © Apple Corps. Fan-made – not affiliated with The Beatles or Apple Corps.

“In the end, the love you take is equal to the love you make.”

♭III–♭VIMusic · Chord degree · 7 songs
CategoriesMusicChord degree♭III–♭VI
Music · Chord degree

♭III–♭VI

2-chord degree progression (e.g. C → Fmaj7; A♭7 → D♭)

7
songs
See alsoRecurring words:in the middle ofScale degree:♭III7Chord literal:G → C → AChord shape:C7 → E♭7Scale degree:♭VImaj7Lyric shape:in the [ADJ] ofOpening chord:iHarmony:Picardy third
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Analysis

By Year

Song count per year

By Songwriter

% of each member's catalogue with this tag (by writing credit)

By Era

Early0 · 0%
Mid-period3 · 43%
Late4 · 57%

By Album

Rubber Soul2
Abbey Road2
Revolver1
The Beatles (The White Album)1
Past Masters1

Songs(7)

Year
Album
Writer
Lead vocal(s)
#TitleYearAlbumLead Vocal(s)Notes
1Michelle1965Rubber SoulPaulas A♭ → D♭
2Wait1965Rubber SoulJohn, Paulas A → D
3I'm Only Sleeping1966RevolverJohnas G → C
4Lady Madonna1968Past MastersPaulas C → F
5Glass Onion1968The Beatles (The White Album)Johnas C7 → F7
6You Never Give Me Your Money1969Abbey RoadPaulas Cmaj7 → Fmaj7
7Carry That Weight1969Abbey RoadPaul, John, George, Ringoas C → Fmaj7

Michelle

1965·Rubber Soul·Paul

as A♭ → D♭

Wait

1965·Rubber Soul·John

as A → D

I'm Only Sleeping

1966·Revolver·John

as G → C

Lady Madonna

1968·Past Masters·Paul

as C → F

Glass Onion

1968·The Beatles (The White Album)·John

as C7 → F7

You Never Give Me Your Money

1969·Abbey Road·Paul

as Cmaj7 → Fmaj7

Carry That Weight

1969·Abbey Road·Paul

as C → Fmaj7

Updated 2026-08-09

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