Abbey Road album cover

Carry That Weight

1969 · Abbey Road

“I never give you my pillow”

McCartney composition for the Abbey Road side-two medley, sung by all four Beatles in unison on the chorus. The verse reprises the 'out of college' melody from 'You Never Give Me Your Money'; George Martin scored the strings and brass.

What is unique about this song?

This song is one of three in all that reach for gospel, in company with 'Hey Jude' and 'Let It Be', and one of the nine songs that make up a medley. It also shows the mark of classical music. This is one of seven Beatles records with the Fender Bass VI on it, and the band put it down with 'Golden Slumbers'.

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What happened around it?

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'Golden Slumbers' and 'Her Majesty' share the session with it. By the time the Beatles cut it, work on Abbey Road had been going four months. Six days before Abbey Road's release, Lennon privately announced he was leaving.

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This song is the only Beatles song with the BCCB song form.

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Text86 tags

Thematically it touches on childhood, time and sadness. It refers to another Beatles record (verse quotes 'You Never Give Me Your Money'), a habit 5 years old by this point, and 12 songs deep. A single multi-syllabic rhyme arrives ("invitations/celebrations"), and the language is sparse and dark (burden of fame, band tensions). Curiously, the title is worded as a command and also is sung in the chorus. Interestingly, the line "And in the middle of" turns up in one other Beatles song, 'You Never Give Me Your Money'. By contrast, "celebrations" turns up in no other Beatles lyric.

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Music162 tags

'Carry That Weight' is a gospel and rock song, classical music influences showing through (orchestral medley scoring), played at roughly 96 BPM in the key of C major. Then, it reaches for a min9 chord, which four Beatles songs use, such as 'Happiness Is a Warm Gun' and 'Julia'. It never settles into verses and choruses, which is unusual for them, and the key moves from C major to A minor in the bridge. As it happens, the chords run E7 → Am → Dm9 → G7, the same move 'Baby It's You' makes as A7 → Dm → Gm → C7.

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Studio13 tags

Backing track cut alongside Golden Slumbers in EMI Studio 2. The orchestral overdub by George Martin was added in mid-August 1969. The Steinway Vertegrand was played by Paul McCartney. The session was set up with the Fender Bass VI, in use since 1968 and heard on seven Beatles records in all, such as 'Helter Skelter' and 'Rocky Raccoon'. Three songs share the day with this one among them, the 202nd to the 204th of their career.

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People20 tags

McCartney wrote it, and shares the lead with Lennon, Harrison and Starr. What is added on top of the usual lineup is Starr on timpani, as on 'Golden Slumbers' and 'Every Little Thing'. George is off his usual instrument here, playing bass, Paul on rhythm guitar. George Martin plays on this one as well as producing it, less common for a Beatles record, as he does on 'Devil in Her Heart' and 'And I Love Her'. Strings, brass and woodwind sit behind the track. All four Beatles sing chorus in unison, on backing vocals.

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Info14 tags

This song was released September 26, 1969, as part of Abbey Road. This song was the 22nd of the 26 records the Beatles released in that year, and the 198th they ever made.

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Sources & references

Tags on this page are original analysis, transcribed and cross-checked against the fine work of others: Alan W. Pollack's “Notes on…” series, the Beatles Complete Scores (Hal Leonard), Mark Lewisohn's session histories, Ian MacDonald's Revolution in the Head, Dave Rybaczewski's Beatles Music History and Andy Babiuk's Beatles Gear for the instruments and studio equipment, and others besides - then verified by ear against the recordings. Full bibliography: Sources & thanks.

External entity links: Wikipedia · MusicBrainz recording · MusicBrainz work · Wikidata

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