| 1 | Misery | 1963 | Please Please Me | John, Paul | – |
| 2 | Don't Bother Me | 1963 | With The Beatles | George | – |
| 3 | Not a Second Time | 1963 | With The Beatles | John | – |
| 4 | Little Child | 1963 | With The Beatles | John, Paul | – |
| 5 | This Boy | 1963 | Past Masters | John, Paul, George | – |
| 6 | I Call Your Name | 1964 | Past Masters | John | – |
| 7 | You Can't Do That | 1964 | A Hard Day's Night | John | – |
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| 8 | I'll Be Back | 1964 | A Hard Day's Night | John | – |
| 9 | I'll Cry Instead | 1964 | A Hard Day's Night | John | – |
| 10 | Tell Me Why | 1964 | A Hard Day's Night | John | – |
| 11 | I'll Follow the Sun | 1964 | Beatles For Sale | Paul | – |
| 12 | Baby's in Black | 1964 | Beatles For Sale | John, Paul | – |
| 13 | I'm a Loser | 1964 | Beatles For Sale | John | – |
| 14 | No Reply | 1964 | Beatles For Sale | John | – |
| 15 | What You're Doing | 1964 | Beatles For Sale | Paul | – |
| 16 | I Don't Want to Spoil the Party | 1964 | Beatles For Sale | John | – |
| 17 | Ticket to Ride | 1965 | Help! | John | – |
| 18 | Yes It Is | 1965 | Past Masters | John, Paul, George | – |
| 19 | I'm Down | 1965 | Past Masters | Paul | – |
| 20 | Help! | 1965 | Help! | John | – |
| 21 | I Need You | 1965 | Help! | George | – |
| 22 | The Night Before | 1965 | Help! | Paul | – |
| 23 | Yesterday | 1965 | Help! | Paul | – |
| 24 | You've Got to Hide Your Love Away | 1965 | Help! | John | – |
| 25 | Day Tripper | 1965 | Past Masters | John, Paul | Cynical put-down of a teaser and a fake hippie |
| 26 | Girl | 1965 | Rubber Soul | John | – |
| 27 | I'm Looking Through You | 1965 | Rubber Soul | Paul | – |
| 28 | Norwegian Wood (This Bird Has Flown) | 1965 | Rubber Soul | John | – |
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| 29 | Nowhere Man | 1965 | Rubber Soul | John | – |
| 30 | Run for Your Life | 1965 | Rubber Soul | John | – |
| 31 | Think for Yourself | 1965 | Rubber Soul | George | – |
| 32 | What Goes On | 1965 | Rubber Soul | Ringo | – |
| 33 | You Won't See Me | 1965 | Rubber Soul | Paul | – |
| 34 | For No One | 1966 | Revolver | Paul | Bleak portrait of a relationship's end |
| 35 | Eleanor Rigby | 1966 | Revolver | Paul | – |
| 36 | Taxman | 1966 | Revolver | George | – |
| 37 | And Your Bird Can Sing | 1966 | Revolver | John | Put-down framed as polite address |
| 38 | She Said She Said | 1966 | Revolver | John | Dissociation, madness, no resolution |
| 39 | Love You To | 1966 | Revolver | George | – |
| 40 | Good Morning Good Morning | 1967 | Sgt. Pepper's Lonely Hearts Club Band | John | Bleak suburban ennui under cheerful greeting |
| 41 | A Day in the Life | 1967 | Sgt. Pepper's Lonely Hearts Club Band | John, Paul | Detached despair beneath the dream-middle |
| 42 | She's Leaving Home | 1967 | Sgt. Pepper's Lonely Hearts Club Band | Paul, John | Painful generational rupture; sympathetic but sad |
| 43 | Blue Jay Way | 1967 | Magical Mystery Tour | George | – |
| 44 | Yer Blues | 1968 | The Beatles (The White Album) | John | Despair frames the song despite parodic register |
| 45 | Don't Pass Me By | 1968 | The Beatles (The White Album) | Ringo | Anxious waiting; partner may have left |
| 46 | I'm So Tired | 1968 | The Beatles (The White Album) | John | Exhaustion, frustration, insomnia |
| 47 | Piggies | 1968 | The Beatles (The White Album) | George | Satirical contempt for the establishment |
| 48 | Sexy Sadie | 1968 | The Beatles (The White Album) | John | Bitter accusation of betrayal |
| 49 | While My Guitar Gently Weeps | 1968 | The Beatles (The White Album) | George | Lament over dormant love and world's failures |
| 50 | Only a Northern Song | 1969 | Yellow Submarine | George | Sarcastic self-deprecation masking resentment |
| 51 | The Ballad of John and Yoko | 1969 | Past Masters | John | – |
| 52 | I Want You (She's So Heavy) | 1969 | Abbey Road | John | Obsession, madness, oppressive weight |
| 53 | Carry That Weight | 1969 | Abbey Road | Paul, John, George, Ringo | Burden imagery; 'I break down' |
| 54 | Oh! Darling | 1969 | Abbey Road | Paul | Desperate pleading, fear of abandonment |
| 55 | Mean Mr. Mustard | 1969 | Abbey Road | John | Squalor and contempt undercut the comic tone |
| 56 | You Never Give Me Your Money | 1969 | Abbey Road | Paul | – |
| 57 | The Long and Winding Road | 1970 | Let It Be | Paul | Yearning unresolved; pleading from loneliness |
| 58 | I Me Mine | 1970 | Let It Be | George | Cynical observation of ego |