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© 2026 Nadav (Nahdi) Lazar. Beatles music © Apple Corps. Fan-made – not affiliated with The Beatles or Apple Corps.

“In the end, the love you take is equal to the love you make.”

SongsPast MastersDay Tripper
I'm Down·We Can Work It Out
Day Tripper1965 · Past Masters
Past Masters album cover

Day Tripper

1965 · Past Masters

“She's a big teaser, she took me half the way there”

Lennon's blues-tinged rocker built around one of rock's most famous guitar riffs, with the title slyly mocking weekend hippies and casual acid users. Issued as a Double A-side with 'We Can Work It Out' – the band's first single not drawn from an album.
VinylCD

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This song is the earliest Beatles song to use double meaning as a lyrical device.

1965Double meaning
Year1965
AlbumPast Masters
Track19
Duration2:48
Songwriter(s)Lennon, McCartney
Lead VocalJohn, Paul
RecordedOctober 16, 1965
ReleasedDecember 3, 1965 (Single)March 7, 1988 (Past Masters)

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Text143 tags

Motif

DrugsRelationshipSexWomenTravelNumbersTime

Influence

Drugs influence

Title

Day or night in title

Vocabulary

Negative toneCasual language

Narrative

First personThird personObservational

Lyrical device

WordplayDouble meaning

Rhyme type

Extrametrical rhymeIdentical rhymeFeminine rhymeHalf rhyme

Song form

Verse-chorus

Sections

Standard verses (2-4)Standard choruses (1-3)Has outroHas introHas bridge

Section links

Outro based on chorusSolo based on bridgeOutro based on verseIntro based on verse

Repetition

Consecutive wordRecurring fade lineRecurring lineConsecutive line
Word cloud

Recurring words

drivereasyfindreasonstandstakingtickettrieda daya goodhalf thei foundit tookout andshe wasshe's ataking theto findtried toand i foundit took meshe was athe way there

Cover-shared words

bigdayfoundgoodgothalfheritlongmenowonepleaseshesundaytheretookwayyeaha bigand igot ame soso longthe way

Lyric shape

[VERB] outonly [VERB]out [ADV][VERB] out andi [VERB] outit [VERB] meto [VERB] herto [VERB] outwas a [NOUN][VERB] to [VERB] hera [WORD] [NOUN] [WORD]it [VERB] me soshe was a [NOUN]to [VERB] out and[VERB] me [WORD] the [NOUN]she [VERB] me [WORD] the [NOUN]

Cover-shared shape

[VERB] a[VERB] her[VERB] me[VERB] the[VERB] to[WORD] thea [ADJ]a [NOUN]a [WORD]for [VERB]i [VERB]it [VERB]me [WORD]one [NOUN]she [VERB]so [VERB]the [ADJ]the [NOUN]to [VERB][ADJ] [NOUN] out[VERB] a [ADJ][VERB] me [WORD][VERB] me so[VERB] the [ADJ][VERB] to [VERB][WORD] the [NOUN]a [ADJ] [NOUN]a [ADJ] [WORD]a [NOUN] [WORD]a [WORD] [NOUN]and i [VERB]one [NOUN] [NOUN]she [VERB] methe [ADJ] [NOUN]the [NOUN] [ADV][VERB] a [ADJ] [NOUN][VERB] the [ADJ] [NOUN]

Rhyme scheme

AAAAAABABABCDAABC

Line length

5-8-5-85-7-5-73-3-3-3-3Unique line length

Distinctive word

one-nightplayedteasertripper

Music144 tags

Arrangement

Lead vocalsBacking vocalsElectric guitarLead guitarRhythm guitarBass guitarDrumsPercussionTambourineMaracasOther percussion

Instrument group

GuitarsPercussion

Guitar work

Guitar and bass doublingGuitar soloGuitar riff

Bass work

Guitar and bass doublingBass riff

Music genre

BluesBlues rockPopRock

Influence

Blues influenceRoy Orbison influenceBobby Parker influenceMotown influence

Vocal work

Aah vocalsVocal harmoniesTwo-part harmonyThree-part harmony

Solo / Riff

Defining riffBass riffGuitar soloGuitar riffSolo based on bridgeSolo on bridge

Melody

OstinatoDefining riff

Tempo

Fast

Key

E majorKey change

Time signature

4/4

Song form

Verse-chorusABABCAB

Sections

Standard verses (2-4)Standard choruses (1-3)Has outroHas introHas bridgeHas riffHas solo

Section links

Outro based on chorusSolo based on bridgeOutro based on verseIntro based on verseSolo on bridge

Section transition

I to IIV to IV to V

Harmony

DroneModal mixtureSecondary dominantBorrowed chordHalf cadencePerfect cadenceChromatic mediantPlagal cadence

Composition

Tonic openingTonic endingSectional modulationVerse in IBridge in VChorus in IITonic verseNon-tonic chorusNon-tonic bridge

Mode

Ionian

Chord type

majorminordom7slash chord6

Scale degree

I7III7iiIIIIV7IVVV7V6VI

Chord degree

I–IVIV–III–IVV–Iii–VV–IVIV–VI–ii–VIII–VIIV–IIIV–IV–Vii–V–IVVI–Vii–V–IV–VII–IV–IIIV–I–iiI–ii

Chord shape

C7 → F7C → FC → GC → E♭C7 → E♭C → BC → B♭C → DmAm → DC → DC → B♭ → CC → Dm → GC7 → G7C → F → E♭Am → D → CAm → D → C → DC → E♭ → DC → E♭ → D → GC → B → E → DC7 → F/CC/D → D7C → B → EC → F → Gm

Chord literal

E → AA → EB → EF♯m → BB → AA → BE7 → A7B → E → F♯mF♯7 → AF♯ → AE → F♯m → BF♯m → B → AF♯m → B → A → BC♯ → BE → F♯mA7 → E7A → G♯
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Studio9 tags

Studio technique

Double tracked vocal

Equipment

Rickenbacker 4001SStuder J37 4-track recorderLudwig Super ClassicEMI REDD.51 consoleSonic Blue Fender Stratocaster

Recording location

EMI Studio 2EMI Studios

Session duration

Single day

People14 tags

Unique personnel
Classic formationBeatles onlyTrue Lennon-McCartneyRole swap
Line-up
John Lennon
Lead vocalsBacking vocalsElectric lead guitarElectric rhythm guitarTambourine
Paul McCartney
Lead vocalsBacking vocalsBass guitar
George Harrison
Backing vocalsElectric lead guitar
Ringo Starr
DrumsTambourineMaracas
Songwriter
John LennonPaul McCartney
Producer
George Martin
Recording engineer
Norman Smith
Assistant engineer
Ken Scott

Info20 tags

Release type

SingleUS singleA-Side singleDouble A-SideSong on compilation

US release

Identical releaseYesterday and Today

Release mix

StereoMono

Label

CapitolParlophone

Publisher

Northern Songs

Song type

Original

Duration

Medium

Chart performance

Top 10 USNumber one UK

Cultural impact

Promotional video
Sources & references

Tags on this page are original analysis, transcribed and cross-checked against the fine work of others: Alan W. Pollack's “Notes on…” series, the Beatles Complete Scores (Hal Leonard), Mark Lewisohn's session histories, Ian MacDonald's Revolution in the Head, Dave Rybaczewski's Beatles Music History and Andy Babiuk's Beatles Gear for the instruments and studio equipment, and others besides – then verified by ear against the recordings. Full bibliography: Sources & thanks.

Updated 2026-06-03

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Past Masters album cover
VinylCD

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Year1965
AlbumPast Masters
Track19
Duration2:48
Songwriter(s)Lennon, McCartney
Lead VocalJohn, Paul
RecordedOctober 16, 1965
ReleasedDecember 3, 1965 (Single)March 7, 1988 (Past Masters)
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