| 1 | Love Me Do | 1962 | Please Please Me | Paul, John | Music influence | Mixolydian inflection, bent notes |
| 2 | Can't Buy Me Love | 1964 | A Hard Day's Night | Paul | Music influence | 12-bar verse form |
| 3 | You Can't Do That | 1964 | A Hard Day's Night | John | Genre | 12-bar verse frame, dom7 vocabulary |
| 4 | You Can't Do That | 1964 | A Hard Day's Night | John | Music influence | Dominant-7 verse cycle |
| 5 | I Feel Fine | 1964 | Past Masters | John | Music influence | Riff modeled on Bobby Parker's 'Watch Your Step' |
| 6 | She's a Woman | 1964 | Past Masters | Paul | Music influence | – |
| 7 | Day Tripper | 1965 | Past Masters | John, Paul | Genre | – |
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| 8 | Day Tripper | 1965 | Past Masters | John, Paul | Music influence | Dominant 7th riff vocabulary |
| 9 | Flying | 1967 | Magical Mystery Tour | – | Genre | 'Flying' is built on a straightforward twelve-bar blues chord progression (I-IV7-V7 in C). |
| 10 | Lady Madonna | 1968 | Past Masters | Paul | Music influence | Boogie-woogie / 'Bad Penny Blues' |
| 11 | Revolution | 1968 | Past Masters | John | Genre | – |
| 12 | Revolution | 1968 | Past Masters | John | Music influence | – |
| 13 | I'm So Tired | 1968 | The Beatles (The White Album) | John | Genre | – |
| 14 | Why Don't We Do It in the Road? | 1968 | The Beatles (The White Album) | Paul | Genre | – |
| 15 | Revolution 1 | 1968 | The Beatles (The White Album) | John | Genre | – |
| 16 | Yer Blues | 1968 | The Beatles (The White Album) | John | Genre | 12-bar blues form |
| 17 | While My Guitar Gently Weeps | 1968 | The Beatles (The White Album) | George | Genre | – |
| 18 | Yer Blues | 1968 | The Beatles (The White Album) | John | Text influence | 12-bar blues lyric idioms ("yes I'm lonely") |
| 19 | Why Don't We Do It in the Road? | 1968 | The Beatles (The White Album) | Paul | Music influence | – |
| 20 | Revolution 1 | 1968 | The Beatles (The White Album) | John | Music influence | – |
| 21 | Happiness Is a Warm Gun | 1968 | The Beatles (The White Album) | John | Music influence | A blues tonality in 'Mother Superior' section |
| 22 | Helter Skelter | 1968 | The Beatles (The White Album) | Paul | Music influence | Pentatonic with blue 3rd |
| 23 | I'm So Tired | 1968 | The Beatles (The White Album) | John | Music influence | – |
| 24 | Birthday | 1968 | The Beatles (The White Album) | Paul, John | Music influence | – |
| 25 | While My Guitar Gently Weeps | 1968 | The Beatles (The White Album) | George | Music influence | Clapton's blues-scale solo phrasing |
| 26 | Hey Bulldog | 1969 | Yellow Submarine | John | Genre | – |
| 27 | Hey Bulldog | 1969 | Yellow Submarine | John | Music influence | – |
| 28 | Get Back | 1969 | Let It Be | Paul | Genre | – |
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| 29 | Get Back | 1969 | Let It Be | Paul | Music influence | – |
| 30 | The Ballad of John and Yoko | 1969 | Past Masters | John | Music influence | – |
| 31 | Old Brown Shoe | 1969 | Past Masters | George | Music influence | – |
| 32 | I Want You (She's So Heavy) | 1969 | Abbey Road | John | Genre | – |
| 33 | I Want You (She's So Heavy) | 1969 | Abbey Road | John | Music influence | – |
| 34 | Come Together | 1969 | Abbey Road | John | Genre | – |
| 35 | Come Together | 1969 | Abbey Road | John | Music influence | – |
| 36 | For You Blue | 1970 | Let It Be | George | Genre | – |
| 37 | I've Got a Feeling | 1970 | Let It Be | Paul, John | Genre | – |
| 38 | Dig It | 1970 | Let It Be | John | Genre | – |
| 39 | For You Blue | 1970 | Let It Be | George | Text influence | 12-bar blues form invoked in lyric |
| 40 | I Me Mine | 1970 | Let It Be | George | Music influence | – |
| 41 | I've Got a Feeling | 1970 | Let It Be | Paul, John | Music influence | – |
| 42 | Dig It | 1970 | Let It Be | John | Music influence | – |