“He got ju-ju eyeball, he one holy roller”
What is unique about this song?
The track is the one song that reaches for swamp rock, and one of two that have a drum riff, the other being 'Birthday'. It is also one of the songs written for somebody else to sing, alongside 'I Call Your Name', 'I Wanna Be Your Man' and 'Something', as well as one of the Paul-is-dead songs. This is the one song on Abbey Road that is rock and roll, out of the seventeen tracks it holds. This song is where the Fender Rhodes leaves the Beatles' records, after six before it, such as 'Dig a Pony' and 'The Long and Winding Road'.
What happened around it?
see full timeline →The same stretch of studio time also produced 'The End' and 'Sun King', and it went down five months after work on Abbey Road started. With Abbey Road's release only just out, "Paul was dead" rumor broke, detroit DJ Russ Gibb took a call on WKNR-FM claiming Paul died in 1966 and was replaced by a lookalike.
This song is the only Beatles song in the Swamp rock style.
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Text227 tags
Food and drink ('He shoot Coca-Cola') get more attention here than the Beatles usually do in a pop lyric, alongside the motifs of character and surrealism. The lyric is written in stream of consciousness. 27 songs use it, the first of them 6 years before this one. There is wordplay in the writing ('Toe-jam football', 'walrus gumboot'), which also turns up in 'Matchbox', 5 years earlier. The title is sung again at the end and is an instruction, and the writing takes after the drug culture and Chuck Berry. Chance or not, the line "I can tell you is" turns up in one other Beatles song, 'Revolution'. In 1969, more of their songs give an instruction in the title than in any other year: 4 of them, 'Carry That Weight', this song, 'Don't Let Me Down', and 'Get Back'.
Recurring words
Lyric shape
Cover-shared shape
Distinctive word
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Music112 tags
This track is one of 3 Beatles songs in D minor (the earliest of them is 'The Fool on the Hill' in 1967), a blues rock and rock and roll piece taken at about 83 BPM. The tune carries musical quotation, a quotation from another tune (Chuck Berry - You Can't Catch Me), 6 songs use it, the first of them 6 years before this one. Also, listen for the defining riff, bass figure across the verse. The record features a melodic bass and singing across the solo ('Come, come, come, come, come' during solo). Its chorus is short next to the verse, which is uncommon for them (only two short lines).
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Studio19 tags
Tracked in Studio 3 over eight takes with take six marked best, then overdubbed in Studio 2 with handclaps, tambourine, wah-wah lead and ADT chorus vocals, 28 songs use it, the first of them 4 years before this one. The Rickenbacker 4001S was McCartney's bass. Eight Beatles recordings use vocal effect in all, this among them. Counting the 30 songs they began recording in 1969, this was the 24th, and the 207th they ever made.
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People10 tags
The track was written and sung by Lennon, who plays electric piano on four Beatles records in all, such as 'The Night Before' and 'I Am the Walrus'. The drums have tea towels over the toms to damp them. You can hear 'Shoot me' whispered between sections on it.
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Info26 tags
The record was issued as a double A-side with 'Something', and it topped the US Billboard Hot 100 and reached #4 in the UK. In the running order it opens Abbey Road. The BBC would not play it, having banned it for naming a brand ('Coca-Cola'), which its rules barred from airplay. The Beatles have 4 songs written by a Beatle for another artist to record, and they are 'I Wanna Be Your Man', 'I Call Your Name', 'Something' and this one. This song was the 25th of the 26 records they released in 1969, and the 201st in the order they were recorded.
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Sources & references
Tags on this page are original analysis, transcribed and cross-checked against the fine work of others: Alan W. Pollack's “Notes on…” series, the Beatles Complete Scores (Hal Leonard), Mark Lewisohn's session histories, Ian MacDonald's Revolution in the Head, Dave Rybaczewski's Beatles Music History and Andy Babiuk's Beatles Gear for the instruments and studio equipment, and others besides - then verified by ear against the recordings. Full bibliography: Sources & thanks.
External entity links: Wikipedia · MusicBrainz recording · MusicBrainz work · Wikidata
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