Text · Motif

Surrealism

Dreamlike, irrational, or subconscious imagery that resists literal interpretation

19
songs
Nineteen songs use it, from 1966 to 1970. 'Yellow Submarine' is the earliest, from 1966, and 'Dig a Pony' the last, from 1970, with the Magical Mystery Tour album leaning on it hardest, four of its eleven tracks. This one is John's to sing, and he takes eleven of the nineteen, three for Paul, and the two of them together on two, with George on one and Ringo on one. Lennon wrote fifteen of the nineteen, such as 'Strawberry Fields Forever' and 'Come Together', 15% of his songs against 6% of McCartney's. On 'Penny Lane': rain and sun simultaneous, and play-within-play. On 'Being for the Benefit of Mr. Kite!': horse dancing the waltz and dreamlike circus. Of those, 'Strawberry Fields Forever' has swarmandal, and only one other recording does.
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The Surrealism motif is rare for George Harrison - it appears in just 5% of his sole-written songs (1 of 22), against 17% for John and 5% for Paul: 'It's All Too Much'.

Analysis

By Year

Song count per year

By Songwriter

% of each member's catalogue with this tag (by writing credit)

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Songs(19)

Year
Album
Writer
Lead vocal(s)

Yellow Submarine

1966·Revolver·Ringo

Living beneath waves in a submarine

Strawberry Fields Forever

1967·Magical Mystery Tour·John

Dreamlike, perception-bending imagery

Penny Lane

1967·Magical Mystery Tour·Paul

Rain and sun simultaneous; play-within-play

Fixing a Hole

1967·Sgt. Pepper's Lonely Hearts Club Band·Paul

Hole metaphor for mental space

Lucy in the Sky with Diamonds

1967·Sgt. Pepper's Lonely Hearts Club Band·John

Dreamlike impossible images throughout

Being for the Benefit of Mr. Kite!

1967·Sgt. Pepper's Lonely Hearts Club Band·John

Horse dancing the waltz; dreamlike circus

A Day in the Life

1967·Sgt. Pepper's Lonely Hearts Club Band·John

Dream-state shift into bridge

I Am the Walrus

1967·Magical Mystery Tour·John

Dreamlike absurd images throughout

Magical Mystery Tour

1967·Magical Mystery Tour·Paul

Magical destination unspecified

Revolution 9

1968·The Beatles (The White Album)

Dreamlike juxtaposition of unrelated images

Glass Onion

1968·The Beatles (The White Album)·John

'Bent back tulips', 'cast iron shore', 'dovetail joint'

Happiness Is a Warm Gun

1968·The Beatles (The White Album)·John

Lizard, velvet hand, soap impression imagery

Cry Baby Cry

1968·The Beatles (The White Album)·John

Séance with voices from nowhere

It's All Too Much

1969·Yellow Submarine·George

'Sail me on a silver sun'

Come Together

1969·Abbey Road·John

Nonsensical imagery throughout character sketch

Across the Universe (Wildlife version)

1969·Past Masters·John

Dreamlike images, words slithering

You Know My Name (Look Up the Number)

1970·Past Masters·John

Slaggers nightclub, Denis O'Bell persona

Dig a Pony

1970·Let It Be·John

Dreamlike phrases like 'I roll a stoney'

Across the Universe

1970·Let It Be·John

Dreamlike cosmic imagery

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