Studio · Studio technique

Tape splicing

Physically cutting and rejoining magnetic tape to assemble or edit a recording.

41
songs

Analysis

By Year

Song count per year

By Songwriter

% of each member's catalogue with this tag (by writing credit)

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Songs(40 of 41)

Year
Album
Writer
Lead vocal(s)

From Me to You

1963·Past Masters·John

7 takes plus 6 edit pieces

This Boy

1963·Past Masters·John

Edit at 1:28 between bridge and final verse

Eight Days a Week

1964·Beatles For Sale·John

Fade-in intro edited in from separate session

Doctor Robert

1966·Revolver·John

43-second outro jam edited off

Yellow Submarine

1966·Revolver·Ringo

Spoken intro removed, brass band inserted

Penny Lane

1967·Magical Mystery Tour·Paul

Final mix assembled from multiple takes

Strawberry Fields Forever

1967·Magical Mystery Tour·John

Takes 7 and 26 joined at 1:00

Good Morning Good Morning

1967·Sgt. Pepper's Lonely Hearts Club Band·John

Animal SFX edited to chase each other; segue to Sgt. Pepper Reprise

A Day in the Life

1967·Sgt. Pepper's Lonely Hearts Club Band·John

Lennon/McCartney sections joined with 24-bar bridge

Being for the Benefit of Mr. Kite!

1967·Sgt. Pepper's Lonely Hearts Club Band·John

Random reassembly of cut tape fragments

With a Little Help from My Friends

1967·Sgt. Pepper's Lonely Hearts Club Band·Ringo

Spliced to Sgt. Pepper reprise via crowd noise

Sgt. Pepper's Lonely Hearts Club Band (Reprise)

1967·Sgt. Pepper's Lonely Hearts Club Band·Paul

Crossfade segue into 'A Day in the Life'

I Am the Walrus

1967·Magical Mystery Tour·John

Magical Mystery Tour

1967·Magical Mystery Tour·Paul

Edited from multiple takes

Your Mother Should Know

1967·Magical Mystery Tour·Paul

Edited from multiple takes

Flying

1967·Magical Mystery Tour

Edited from 9:38 to 2:17

Cry Baby Cry

1968·The Beatles (The White Album)·John

McCartney 'Can You Take Me Back' fragment spliced as hidden coda

Ob-La-Di, Ob-La-Da

1968·The Beatles (The White Album)·Paul

Revolution 1

1968·The Beatles (The White Album)·John

Final chorus has uncorrected extra beats from edit

Revolution 9

1968·The Beatles (The White Album)

Yer Blues

1968·The Beatles (The White Album)·John

Audible splice joins two takes at the outro

Happiness Is a Warm Gun

1968·The Beatles (The White Album)·John

Released version spliced from two takes

Glass Onion

1968·The Beatles (The White Album)·John

Edit before final outro

Back in the U.S.S.R.

1968·The Beatles (The White Album)·Paul

Jet SFX edited in; segue to 'Dear Prudence'

Sexy Sadie

1968·The Beatles (The White Album)·John

Original fadeout edited shorter before mix

Get Back

1969·Let It Be·Paul

Take 11 spliced with Jan 28 coda

I Want You (She's So Heavy)

1969·Abbey Road·John

Takes 9, 20 and 32 edited into master

You Never Give Me Your Money

1969·Abbey Road·Paul

Crossfade into 'Sun King'

Her Majesty

1969·Abbey Road·Paul

Spliced after The End with 14s leader tape

Maxwell's Silver Hammer

1969·Abbey Road·Paul

Instrumental intro edited out

Golden Slumbers

1969·Abbey Road·Paul

Takes 13 and 15 edited

Sun King

1969·Abbey Road·John

Edited as one piece with Mean Mr. Mustard

Polythene Pam

1969·Abbey Road·John

Cross-faded into 'She Came in Through the Bathroom Window'

She Came in Through the Bathroom Window

1969·Abbey Road·Paul

Crossfade from Polythene Pam

Carry That Weight

1969·Abbey Road·Paul

Edited into medley between Golden Slumbers and The End

You Know My Name (Look Up the Number)

1970·Past Masters·John

Single edit omits ska section

Two of Us

1970·Let It Be·Paul

Spoken intro spliced in during mix

Dig a Pony

1970·Let It Be·John

False start trimmed on Spector mix

I Me Mine

1970·Let It Be·George

Spector extended song by 51 seconds

Dig It

1970·Let It Be·John

50s edit from 12-min jam

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