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© 2026 Nadav (Nahdi) Lazar. Beatles music © Apple Corps. Fan-made – not affiliated with The Beatles or Apple Corps.

“In the end, the love you take is equal to the love you make.”

SongsThe Beatles (The White Album)Cry Baby Cry
Savoy Truffle·Revolution 9
Cry Baby Cry1968 · The Beatles (The White Album)
The Beatles (The White Album) album cover

Cry Baby Cry

1968 · The Beatles (The White Album)

“The king of Marigold was in the kitchen”

A Lennon composition for the White Album in nursery-rhyme style, with verses sketching a storybook royal court. The track ends with a hidden, uncredited McCartney fragment ('Can You Take Me Back') spliced on as a coda.
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Whistling first appears on a Beatles record on 'Cry Baby Cry' (1968).

1968Whistling
Year1968
AlbumThe Beatles (The White Album)
Track28 · Side 4
Duration3:01
Songwriter(s)LennonCredited as Lennon–McCartney
Lead VocalJohn
RecordedJuly 16 – October 18, 1968
ReleasedNovember 22, 1968

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Text244 tags

Motif

CommunicationSadnessMagicWomenChildhoodQuestionAnimalsFood and drinksMotherFamilyTime referencePlace namesSurrealismStorytellingCharacterRoyaltyFound inspirationNursery rhymeMusical instrumentsLoveNatureHomeTime

Influence

Lewis Carroll influenceMusic hall influenceDonovan influence

Title

Title in chorusImperative in title

Vocabulary

Neutral toneCasual language

Narrative

VignetteFirst personSecond personConversationalObservationalThird person

Lyrical device

AnaphoraRing composition

Rhyme type

Perfect rhymeIdentical rhymeExtrametrical rhyme

Song form

Verse-chorus

Sections

Many choruses (4+)Standard verses (2-4)Has introHas outroHas coda

Section links

Chorus variationIntro based on chorus

Repetition

Recurring line
Word cloud

Recurring words

arrivingbirdchildrendarkenoughflowersfriendgardenkingmeetingmothernowhereo'clockpaintingpicturesqueenroundsightableteavoicesa friendback wherecan youenough tofor teai cameme backme whereround thetake methe childrenthe darkthe gardenthe kitchenthe localthe queenthe tablewhere iyou takeyour motherenough to knowin the darkme where iwho came to

Cover-shared words

alwaysbabybackbettercamecryknowlatelocalmakemeoldpianoplayplayingputtakeyouyourcame toout ofto knowto play

Lyric shape

[ADJ] the[ADV] where[NOUN] was[WORD] can[WORD] wasand [NOUN]for [NOUN]the [VERB]who [VERB]with [WORD][ADJ] [WORD] to[ADJ] the [NOUN][ADV] for [NOUN][NOUN] and [NOUN][NOUN] at the[NOUN] for a[NOUN] of [WORD][NOUN] who [VERB][VERB] [NOUN] for[VERB] me where[VERB] of the[WORD] [WORD] in[WORD] out ofa [NOUN] [ADJ]a [NOUN] atat [WORD] [WORD]can you [VERB]of [WORD] [WORD]she's [ADJ] [WORD]the [NOUN] ofthe [NOUN] wasthe [VERB] ofthe [WORD] wasto [VERB] [ADJ]where i [VERB]with a [NOUN]your [NOUN] [VERB][ADJ] [WORD] to [VERB][NOUN] for a [NOUN][NOUN] who [VERB] to[VERB] and [VERB] and[VERB] me where i[VERB] of the [NOUN][VERB] your [NOUN] [VERB][WORD] of [WORD] [WORD]a [NOUN] who [VERB]can you [VERB] mefor the [WORD] [NOUN]the [NOUN] of [WORD]the [WORD] of [WORD][NOUN] who [VERB] to [VERB]a [NOUN] who [VERB] tocan you [VERB] me wherethe [WORD] of [WORD] [WORD]

Cover-shared shape

[ADV] for[NOUN] and[NOUN] at[NOUN] for[NOUN] of[VERB] and[VERB] for[VERB] from[VERB] me[VERB] of[VERB] on[VERB] to[VERB] your[WORD] a[WORD] for[WORD] in[WORD] of[WORD] out[WORD] toa [NOUN]a [WORD]and [VERB]at [WORD]i [VERB]me [ADV]of [WORD]she's [ADJ]so [VERB]the [ADJ]the [NOUN]the [WORD]to [VERB]you [VERB]your [NOUN][ADJ] [NOUN] and[VERB] [ADV] for[VERB] and [VERB][VERB] for a[VERB] me [ADV][VERB] on [ADV][VERB] to [VERB][VERB] your [NOUN][WORD] [WORD] a[WORD] a [NOUN][WORD] for the[WORD] in the[WORD] of [WORD][WORD] to [VERB]a [WORD] [WORD]for a [NOUN]for a [WORD]for the [NOUN]for the [WORD]i [VERB] fromin the [NOUN]in the [WORD]of the [NOUN]the [ADJ] [NOUN]the [WORD] [NOUN]the [WORD] ofyou [VERB] me[NOUN] for the [NOUN][WORD] [WORD] a [NOUN][WORD] for the [WORD][WORD] in the [NOUN]you [VERB] me [ADV]

Rhyme scheme

AABABCBAABAABCDUnique rhyme scheme

Line length

Unique line length

Distinctive word

ancebeebrahmabreakfastchildren'scookingduchessdukeholidaykircaldylarkmarigoldmessageparlourpickingplayroomproblemssmilingspeciallytwelve

Music145 tags

Arrangement

Lead vocalsBacking vocalsElectric guitarAcoustic guitarBass guitarPianoOrganHarmoniumDrumsPercussionTambourineWhistling

Instrument group

GuitarsKeyboardsPercussion

Bass work

Chromatic bass lineStepwise bass line

Music genre

Folk rockRockFolk

Vocal work

Vocal harmonies

Melody

Blue note

Tempo

Moderate

Key

G majorKey change

Time signature

4/4

Song form

Verse-chorusABABABAB

Sections

Many choruses (4+)Standard verses (2-4)Has introHas outroHas coda

Section traits

Unique coda

Section links

Chorus variationIntro based on chorus

Section transition

I to viI to I

Harmony

Modal mixtureBorrowed chordBackdoor cadencePlagal cadenceLine cliché

Composition

Rich harmonyNo dominantTonic openingNon-tonic endingVerse in viChorus in INon-tonic verseTonic chorus

Mode

AeolianMixolydian

Chord type

majorminordom7min7slash chordmin6min(maj7)

Scale degree

IiII7iiIV7vi6vivi7♭VIIvim(M7)

Chord degree

♭VII–II–vivi–III–vi–IIvi–vivi–IVIV–Ivi–IV–IIV–I–viI–iiii–♭VII♭VII–I–viii–♭VII–Iii–♭VII–I–vi♭VII–I–vi–II♭VII–I–iivi–vi–IVvi–vi–viI–vi–viII–♭VII

Chord shape

C → DmAm → FC → DC → AmAm → DAm7 → D7C → Dm → B♭Am → F → GC → Am → DC → Am7 → D7Am → AmC → GAm → F → CC → A♭C7 → A♭C → A♭ → B♭C → G → EmC → Am7C7 → GC → D → EmAm → Am → AmAm → Am → FAm → Am → Am → FC → D → BmAm → Am → Am → Am → FAm → D → B♭Am → Am(maj7)/A♭ → Am7/GAm → Am → Am → AmAm → F → G → EmAm → D → B♭ → CC → D → Bm → EC → Am → Am

Chord literal

G → AmAm → FF → GEm → AEm7 → A7Em → EmEm → CC → GG → EmC7 → GA → FEm → C → GAm → F → GF → G → AmEm → Em → EmEm → Em → CG → Am → FG → Em → AA7 → FEm → Em → Em → Em → CEm → A → FA → F → G

Studio15 tags

Studio technique

Tape splicingReduction mixDouble tracked vocal

Equipment

Martin D-28Gibson J-160ERickenbacker 4001SStuder J37 4-track recorderLudwig Super ClassicHammond L-100Hamburg SteinwaySonic Blue Fender StratocasterEMI REDD.51 console

Recording location

EMI Studio 2EMI Studios

Session duration

Multi-month
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People15 tags

Unique personnel
Classic formationProducer playsRole swap
Line-up
John Lennon
Lead vocalsAcoustic guitarPianoHarmonium
Paul McCartney
Lead vocalsBacking vocalsAcoustic guitarBass guitarPiano
George Harrison
Backing vocalsElectric guitar
Ringo Starr
DrumsTambourine
George Martin
ProducerPianoHarmonium
Songwriter
John Lennon
Producer
George MartinChris Thomas
Recording engineer
Ken ScottGeoff Emerick
Assistant engineer
John SmithRichard Lush

Info15 tags

Release type

Song on albumSong on AnthologySong on Giles Martin remix

US release

Identical release

Release mix

MonoStereo

Label

AppleApple US

Publisher

Northern Songs

Song type

Original

Duration

Medium
Sources & references

Tags on this page are original analysis, transcribed and cross-checked against the fine work of others: Alan W. Pollack's “Notes on…” series, the Beatles Complete Scores (Hal Leonard), Mark Lewisohn's session histories, Ian MacDonald's Revolution in the Head, Dave Rybaczewski's Beatles Music History and Andy Babiuk's Beatles Gear for the instruments and studio equipment, and others besides – then verified by ear against the recordings. Full bibliography: Sources & thanks.

Updated 2026-06-03

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The Beatles (The White Album) album cover
VinylCD

affiliate link – supports this wiki

Year1968
AlbumThe Beatles (The White Album)
Track28 · Side 4
Duration3:01
Songwriter(s)Lennon
Credited asLennon–McCartney
Lead VocalJohn
RecordedJuly 16 – October 18, 1968
ReleasedNovember 22, 1968
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