| 1 | Love Me Do | 1962 | Please Please Me | Paul, John | Direct declaration and plea for love |
| 2 | P.S. I Love You | 1962 | Please Please Me | Paul | Devotion across distance |
| 3 | Ask Me Why | 1963 | Please Please Me | John | Devotion makes him cry with happiness |
| 4 | Please Please Me | 1963 | Please Please Me | John, Paul | Love, heart |
| 5 | I Saw Her Standing There | 1963 | Please Please Me | Paul | Falling in love at first sight |
| 6 | There's a Place | 1963 | Please Please Me | John, Paul | 'I love only you' quoted within the refuge |
| 7 | Do You Want to Know a Secret | 1963 | Please Please Me | George | Whispered declaration of love |
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| 8 | From Me to You | 1963 | Past Masters | John, Paul | Devoted offering to a sweetheart |
| 9 | Thank You Girl | 1963 | Past Masters | John, Paul | Devotion expressed as gratitude |
| 10 | She Loves You | 1963 | Past Masters | Paul, John | Reassuring a friend his girl still loves him |
| 11 | I'll Get You | 1963 | Past Masters | John, Paul | Confident pursuit of a love interest |
| 12 | I Wanna Be Your Man | 1963 | With The Beatles | Ringo | Declaration of devotion |
| 13 | Little Child | 1963 | With The Beatles | John, Paul | Baby |
| 14 | All My Loving | 1963 | With The Beatles | Paul | Devotion during separation |
| 15 | Hold Me Tight | 1963 | With The Beatles | Paul | Possessive devotion plea |
| 16 | All I've Got to Do | 1963 | With The Beatles | John | Mutual romantic availability |
| 17 | I Want to Hold Your Hand | 1963 | Past Masters | John, Paul | Innocent first-touch romance |
| 18 | This Boy | 1963 | Past Masters | John, Paul, George | Yearning to win back lost lover |
| 19 | Sie Liebt Dich | 1964 | Past Masters | John, Paul | Reassuring friend of partner's love |
| 20 | Komm, Gib Mir Deine Hand | 1964 | Past Masters | John, Paul | Earnest declaration of devotion |
| 21 | Can't Buy Me Love | 1964 | A Hard Day's Night | Paul | Love above material wealth |
| 22 | You Can't Do That | 1964 | A Hard Day's Night | John | Jealous possessive love |
| 23 | I'm Happy Just to Dance with You | 1964 | A Hard Day's Night | George | Modest, dance-floor declaration of devotion |
| 24 | A Hard Day's Night | 1964 | A Hard Day's Night | John, Paul | Devotion despite exhaustion |
| 25 | And I Love Her | 1964 | A Hard Day's Night | Paul | Pure devotion declaration |
| 26 | I Should Have Known Better | 1964 | A Hard Day's Night | John | Sudden realization of love |
| 27 | If I Fell | 1964 | A Hard Day's Night | John, Paul | Conditional vow of devotion |
| 28 | Tell Me Why | 1964 | A Hard Day's Night | John | Wounded romantic confusion |
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| 29 | Things We Said Today | 1964 | A Hard Day's Night | Paul | Devotion across separation |
| 30 | When I Get Home | 1964 | A Hard Day's Night | John | Eager devotion to waiting partner |
| 31 | I'll Cry Instead | 1964 | A Hard Day's Night | John | Loving |
| 32 | I'll Be Back | 1964 | A Hard Day's Night | John | Reluctant devotion: 'I hate to leave you' |
| 33 | Any Time at All | 1964 | A Hard Day's Night | John | Devotion via unconditional availability |
| 34 | I Feel Fine | 1964 | Past Masters | John | Mutual happy devotion |
| 35 | She's a Woman | 1964 | Past Masters | Paul | Devoted, undemanding partner |
| 36 | I'll Follow the Sun | 1964 | Beatles For Sale | Paul | Love |
| 37 | What You're Doing | 1964 | Beatles For Sale | Paul | Love |
| 38 | Every Little Thing | 1964 | Beatles For Sale | John | Devotion to constant partner |
| 39 | I'm a Loser | 1964 | Beatles For Sale | John | Love |
| 40 | Baby's in Black | 1964 | Beatles For Sale | John, Paul | Dear |
| 41 | I Don't Want to Spoil the Party | 1964 | Beatles For Sale | John | Love |
| 42 | Eight Days a Week | 1964 | Beatles For Sale | John | Total devotion via hyperbolic time |
| 43 | Ticket to Ride | 1965 | Help! | John | Baby |
| 44 | I'm Down | 1965 | Past Masters | Paul | Baby |
| 45 | I Need You | 1965 | Help! | George | Pleading devotion to absent lover |
| 46 | Tell Me What You See | 1965 | Help! | John, Paul | Devotion and persuasion to a lover |
| 47 | You Like Me Too Much | 1965 | Help! | George | Mutual attachment despite friction |
| 48 | The Night Before | 1965 | Help! | Paul | Lover changed her mind overnight |
| 49 | You've Got to Hide Your Love Away | 1965 | Help! | John | Love |
| 50 | It's Only Love | 1965 | Help! | John | Difficulty of loving despite feeling |
| 51 | Another Girl | 1965 | Help! | Paul | Boast of new lover replacing old |
| 52 | Yesterday | 1965 | Help! | Paul | Love |
| 53 | I've Just Seen a Face | 1965 | Help! | Paul | Love at first sight |
| 54 | If I Needed Someone | 1965 | Rubber Soul | George | Conditional, hedged – 'too much in love' with someone else |
| 55 | Drive My Car | 1965 | Rubber Soul | Paul, John | Baby, love, heart |
| 56 | What Goes On | 1965 | Rubber Soul | Ringo | Heart |
| 57 | I'm Looking Through You | 1965 | Rubber Soul | Paul | Love, baby |
| 58 | Girl | 1965 | Rubber Soul | John | Painful, ambivalent infatuation |
| 59 | The Word | 1965 | Rubber Soul | John, Paul | Universal love as gospel/philosophy |
| 60 | Michelle | 1965 | Rubber Soul | Paul | Tender devotion across the language barrier |
| 61 | Wait | 1965 | Rubber Soul | John, Paul | Reunion after long absence |
| 62 | In My Life | 1965 | Rubber Soul | John | Present love outweighs the remembered past |
| 63 | Got to Get You into My Life | 1966 | Revolver | Paul | Ode to a beloved discovered |
| 64 | For No One | 1966 | Revolver | Paul | Love |
| 65 | Love You To | 1966 | Revolver | George | Carpe diem urging mutual lovemaking |
| 66 | Tomorrow Never Knows | 1966 | Revolver | John | 'That love is all and love is everyone' |
| 67 | Here, There and Everywhere | 1966 | Revolver | Paul | Devotional love song |
| 68 | Good Day Sunshine | 1966 | Revolver | Paul | 'I love her and she's loving me' |
| 69 | Within You Without You | 1967 | Sgt. Pepper's Lonely Hearts Club Band | George | 'The love we all could share' |
| 70 | With a Little Help from My Friends | 1967 | Sgt. Pepper's Lonely Hearts Club Band | Ringo | Need for 'somebody to love' |
| 71 | When I'm Sixty-Four | 1967 | Sgt. Pepper's Lonely Hearts Club Band | Paul | Lifelong devotion projected into old age |
| 72 | All You Need Is Love | 1967 | Magical Mystery Tour | John | Title word repeated as mantra throughout |
| 73 | Baby, You're a Rich Man | 1967 | Magical Mystery Tour | John | Baby |
| 74 | Hey Jude | 1968 | Past Masters | Paul | Pursuit of a romantic interest urged on Jude |
| 75 | Long, Long, Long | 1968 | The Beatles (The White Album) | George | Devotional reunion after long absence |
| 76 | Don't Pass Me By | 1968 | The Beatles (The White Album) | Ringo | Devotion to absent partner |
| 77 | I Will | 1968 | The Beatles (The White Album) | Paul | Pure devotional love song |
| 78 | Savoy Truffle | 1968 | The Beatles (The White Album) | George | Heart |
| 79 | Honey Pie | 1968 | The Beatles (The White Album) | Paul | Longing for distant beloved |
| 80 | Julia | 1968 | The Beatles (The White Album) | John | Song of love to absent mother and Yoko |
| 81 | Wild Honey Pie | 1968 | The Beatles (The White Album) | Paul | Term-of-endearment address; explicit only in outro 'I love you, honey pie' |
| 82 | Dear Prudence | 1968 | The Beatles (The White Album) | John | Dear |
| 83 | Cry Baby Cry | 1968 | The Beatles (The White Album) | John | Baby |
| 84 | Martha My Dear | 1968 | The Beatles (The White Album) | Paul | Dear, love |
| 85 | While My Guitar Gently Weeps | 1968 | The Beatles (The White Album) | George | Love |
| 86 | It's All Too Much | 1969 | Yellow Submarine | George | Universal love, not romantic |
| 87 | All Together Now | 1969 | Yellow Submarine | Paul, John | 'I love you' refrain |
| 88 | Don't Let Me Down | 1969 | Past Masters | John, Paul | Awestruck declaration of true love |
| 89 | Old Brown Shoe | 1969 | Past Masters | George | Declaration to a transforming partner |
| 90 | Golden Slumbers | 1969 | Abbey Road | Paul | – |
| 91 | The End | 1969 | Abbey Road | Paul | Karmic reciprocity of love |
| 92 | Something | 1969 | Abbey Road | George | Devotional address to a woman |
| 93 | Here Comes the Sun | 1969 | Abbey Road | George | Darling |
| 94 | Oh! Darling | 1969 | Abbey Road | Paul | Desperate plea to a leaving lover |
| 95 | Her Majesty | 1969 | Abbey Road | Paul | Mock-declaration of love for the Queen |
| 96 | Because | 1969 | Abbey Road | John, Paul, George | Bridge meditates on love's universality |
| 97 | I Want You (She's So Heavy) | 1969 | Abbey Road | John | Obsessive desire for Yoko |
| 98 | Across the Universe (Wildlife version) | 1969 | Past Masters | John | 'Limitless undying love' as cosmic |
| 99 | Dig a Pony | 1970 | Let It Be | John | Refrain 'All I want is you' written for Yoko |
| 100 | I've Got a Feeling | 1970 | Let It Be | Paul, John | Paul's half: devotion and intuition |
| 101 | For You Blue | 1970 | Let It Be | George | Devotion to Pattie Boyd |
| 102 | One After 909 | 1970 | Let It Be | John, Paul | Baby |
| 103 | Across the Universe | 1970 | Let It Be | John | 'Limitless undying love' |
| 104 | Real Love | 1996 | Reunion singles | John | Recognition of true love after a wait |
| 105 | Now and Then | 2023 | Reunion singles | John | Devotion sustained across separation |