Past Masters album cover

Old Brown Shoe

1969 · Past Masters

“I want a love that's right”

A Harrison composition, sung by Harrison, released as the B-side of 'The Ballad of John and Yoko'. Notable for its heavily distorted bass riff doubling the lead guitar on the bridges and its dominant-seventh-driven verses.

What is unique about this song?

The record is one of three that show the mark of ska, the others are 'I Call Your Name' and 'Ob-La-Di, Ob-La-Da'. This is the only Beatles song on which Harrison plays piano, and the only one with him on tack piano.

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What happened around it?

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The same run of sessions produced 'I Want You (She's So Heavy)' and 'Let It Be'. Worth noting, 2 weeks after the session, Paul married Linda Eastman. Meanwhile, 8 days later, John married Yoko Ono.

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Paul McCartney played drums on 7 Beatles songs, taking over for Ringo on tracks like 'Wild Honey Pie', 'Don't Pass Me By', 'Mother Nature's Son'. This song is one of them.

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Text345 tags

This song deals in the motifs of jewelry, relationship and love. It uses extended metaphor (old brown shoe = old self), something the Beatles had already used on 'I'm a Loser' 5 years earlier. A single eye rhyme arrives ("imperfect/reject"), and the language is full of nonsense words ('Doo-dah, doo-doo-doo' outro). For anyone keeping count, the title mentions a colour ("brown") and also turns up in the chorus. Fun fact, the line "I'm in love with you" turns up in 4 Beatles songs, among them 'Do You Want to Know a Secret', 'I'll Get You' and 'I'm Happy Just to Dance with You'. The other way round, "thoughtless" turns up in no other Beatles lyric.

Word cloud

Distinctive word

comfortdoo-dahdoo-dawdoo-doo-dooescapingfasterhairedimperfectlipqueuerejectreplacingshoethoughtlessweatherworrying

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Music124 tags

'Old Brown Shoe' is a pop and rock piece, and it borrows from ska and blues, where the rhythm runs partly in a ska feel, rare for a Beatles record. The key is C major, and it moves at about 125 BPM. Listen for the bass riff, heavy distorted bass on bridges. Then, listen to a descending bass (chromatic bass arpeggiations) and a vocal ad-lib (scat vocables fade). The harmony takes in a dim7 chord, which five Beatles songs use, such as 'Michelle' and 'Glass Onion'.

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Studio16 tags

The band cut it at EMI Studio 3. Harrison first demoed the song solo on his birthday, then the band cut the basic track in four takes. He added Hammond organ and a new guitar solo two days later. The Hammond RT-3 was played by George Harrison. Eight Beatles recordings use vocal effect in all, this among them. The Beatles began recording 30 songs in 1969, and this was the 13th of them, the 196th record of their career.

People12 tags

The track is Harrison’s, both the writing and the voice, and the record has a role swap on it, McCartney on drums and Harrison on piano and tack piano. The bass is heavily distorted, doubled by the lead guitar through the bridges (The lead guitar you hear is a solo on instrumental verse), a habit that peaked in 1968.

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Info13 tags

The record was issued as the B-side of the UK number-one single 'The Ballad of John and Yoko'. Did not chart independently in the US. Hey Jude gathered it up in America nine months later, on Capitol, with 10 tracks collecting non-album singles from 1964-1969. This song was the 8th of the 26 records the Beatles released in that year, and the 184th counting from the start.

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Sources & references

Tags on this page are original analysis, transcribed and cross-checked against the fine work of others: Alan W. Pollack's “Notes on…” series, the Beatles Complete Scores (Hal Leonard), Mark Lewisohn's session histories, Ian MacDonald's Revolution in the Head, Dave Rybaczewski's Beatles Music History and Andy Babiuk's Beatles Gear for the instruments and studio equipment, and others besides - then verified by ear against the recordings. Full bibliography: Sources & thanks.

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