Studio · Studio technique
Vocal effect
An audible studio effect applied to a vocal - reverb, delay, distortion, processing.
8
songs
Analysis
By Year
Song count per year
By Songwriter
% of each member's catalogue with this tag (by writing credit)
By Era
Early0 · 0%
Mid-period2 · 29%
Late5 · 71%
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Songs(7 of 8)
Year
Album
Writer
Lead vocal(s)
| # | Title | Year | Album | Lead Vocal(s) | Notes |
|---|---|---|---|---|---|
| 1 | Tomorrow Never Knows | 1966 | Revolver | John | Leslie speaker rotation on lead vocal |
| 2 | Strawberry Fields Forever | 1967 | Magical Mystery Tour | John | VariSpeed pitch shifting on vocal |
| 3 | Lady Madonna | 1968 | Past Masters | Paul | Cupped hands over mouths simulating brass |
| 4 | Honey Pie | 1968 | The Beatles (The White Album) | Paul | Megaphone EQ on intro vocal; Megaphone; Crackles from a 78 RPM record |
| 5 | Old Brown Shoe | 1969 | Past Masters | George | Intentional distortion by Jarratt |
| 6 | Come Together | 1969 | Abbey Road | John | Heavy echo on lead vocal |
| 7 | You Know My Name (Look Up the Number) | 1970 | Past Masters | John, Paul | Megaphone |
Tomorrow Never Knows
1966·Revolver·John
Leslie speaker rotation on lead vocal
Strawberry Fields Forever
1967·Magical Mystery Tour·John
VariSpeed pitch shifting on vocal
Lady Madonna
1968·Past Masters·Paul
Cupped hands over mouths simulating brass
Honey Pie
1968·The Beatles (The White Album)·Paul
Megaphone EQ on intro vocal; Megaphone; Crackles from a 78 RPM record
Old Brown Shoe
1969·Past Masters·George
Intentional distortion by Jarratt
Come Together
1969·Abbey Road·John
Heavy echo on lead vocal
You Know My Name (Look Up the Number)
1970·Past Masters·John
Megaphone
Updated