Conversational

P.S. I Love You

Addressed to absent lover

Love Me Do

Direct address to 'you'

Ask Me Why

Direct address to 'you'

Please Please Me

Addresses 'girl' directly

There's a Place

'Don't you know that it's so?' addresses 'you'

Do You Want to Know a Secret

Direct address to 'you'

From Me to You

Direct address to 'you'

Thank You Girl

Direct address to 'you'/'girl'

I'll Get You

Direct address to 'you'

She Loves You

Direct address to friend

All I've Got to Do

Direct address to 'you'

Don't Bother Me

Addresses an intruder directly

All My Loving

Addressed directly to 'you'

Not a Second Time

Direct address to ex-lover

I Wanna Be Your Man

Direct address to 'you'

Little Child

Direct address to 'little child'

It Won't Be Long

Addresses 'you' throughout

Hold Me Tight

Direct address to 'you'

This Boy

Addresses 'you' directly

I Want to Hold Your Hand

Direct address to 'you'

Komm, Gib Mir Deine Hand

Direct address to 'du'

Sie Liebt Dich

I Call Your Name

Addresses absent 'you'

Can't Buy Me Love

Direct address: 'my friend', 'I'll buy you'

You Can't Do That

Direct address to 'you'

Things We Said Today

Direct address to partner

I'll Cry Instead

Addresses 'you' (the lost girl)

Tell Me Why

Direct address to 'you'

Any Time at All

Narrator addresses 'you'

I'll Be Back

Direct address to 'you'

A Hard Day's Night

Narrator addresses 'you'

I Should Have Known Better

Direct address to 'you'

If I Fell

Direct address to 'you'

I'm Happy Just to Dance with You

Direct address to 'you' throughout

When I Get Home

Addresses bystanders in his way

I Feel Fine

Addresses 'you know' throughout

Eight Days a Week

Directly addresses 'babe'/'girl'

I'll Follow the Sun

Addresses departing partner

Baby's in Black

Addresses 'baby' / listener directly

No Reply

Direct address to unfaithful lover

What You're Doing

Direct address to 'you'

Yes It Is

Addresses 'you' directly

I'm Down

Addressed to the laughing lover

Help!

Direct address to 'you'

I Need You

Direct address to 'you'

The Night Before

Direct address to former lover

You've Got to Hide Your Love Away

10 first + 6 second person

It's Only Love

Direct address to 'you'

You're Going to Lose That Girl

Addresses rival directly

Another Girl

Addressed to ex: 'you'd better stop'

Tell Me What You See

Direct address to 'you'

You Like Me Too Much

Direct address to 'you'

Run for Your Life

Direct address to 'little girl'

Wait

Direct address to partner

In My Life

Final bridge addresses 'you' directly

If I Needed Someone

Direct address to 'you'

Drive My Car

Quoted exchange with the girl

Nowhere Man

'Isn't he a bit like you and me?'

Think for Yourself

You Won't See Me

Direct address to 'you'

What Goes On

Addresses unfaithful 'you' throughout

I'm Looking Through You

Directly addresses 'you' throughout

Girl

Addresses listener directly

The Word

Addresses 'you' throughout

Michelle

Addresses Michelle directly

We Can Work It Out

Direct address to estranged partner

Rain

Direct 'Can you hear me?' to listener

Paperback Writer

Addresses 'Sir or Madam' directly

Doctor Robert

Directly addresses 'you' throughout

Taxman

7 first + 6 second person

Love You To

Direct address to lover

I Want to Tell You

Direct address to 'you'

Good Day Sunshine

Direct address to the day/sunshine

And Your Bird Can Sing

Spoken at a 'you' throughout

She Said She Said

Direct exchange with 'she'

Got to Get You into My Life

Direct address to 'you'

Strawberry Fields Forever

'Let me take you down'

Sgt. Pepper's Lonely Hearts Club Band

Direct address to audience

When I'm Sixty-Four

Addresses partner directly

With a Little Help from My Friends

Direct address to 'you' throughout

Sgt. Pepper's Lonely Hearts Club Band (Reprise)

Direct address to audience

Getting Better

Addresses 'you' as partner

Within You Without You

Frames verses as recalled conversation

Baby, You're a Rich Man

Direct address to 'you'

Hello, Goodbye

I Am the Walrus

15 first + 13 second person

Magical Mystery Tour

Direct pitch to audience

Your Mother Should Know

Music-hall MC tone

Blue Jay Way

7 first + 6 second person

The Inner Light

4 first + 4 second person

Revolution

Direct address to 'you' throughout

Hey Jude

Speaker counsels the addressee

While My Guitar Gently Weeps

Addresses 'you' in bridges

Honey Pie

Addresses Honey Pie directly

Cry Baby Cry

10 first + 14 second person

Good Night

Speaker addresses listener directly

Piggies

'Have you seen...' addresses listener

Why Don't We Do It in the Road?

Direct proposal to the addressee

Don't Pass Me By

Direct address to 'you'

I Will

Direct address to 'you'

Yer Blues

14 first + 6 second person

Savoy Truffle

Julia

Addressing Julia throughout

Birthday

Direct address to 'you'

Helter Skelter

31 first + 21 second person

Wild Honey Pie

Direct address to the 'honey pie' addressee

Sexy Sadie

Glass Onion

'I told you...', 'here's another clue for you all'

Dear Prudence

Revolution 1

Addresses 'you' throughout

I'm So Tired

Addresses 'you' throughout chorus

Everybody's Got Something to Hide Except Me and My Monkey

'Come on' direct address

Long, Long, Long

Direct address to 'you' throughout

Blackbird

Back in the U.S.S.R.

16 first + 13 second person

Martha My Dear

Speaker pleads with the addressee

Hey Bulldog

Only a Northern Song

Addresses the listener directly

All Together Now

Direct address; questions to listener

It's All Too Much

Addresses 'you' throughout

Old Brown Shoe

Addresses 'you' / 'baby'

The Ballad of John and Yoko

11 first + 21 second person

I Want You (She's So Heavy)

You Never Give Me Your Money

Addresses 'you' (manager/business)

Polythene Pam

Here Comes the Sun

Addresses 'little darling'

Carry That Weight

5 first + 2 second person

Oh! Darling

Directly addresses 'darling'

Something

Bridge addresses 'you'

Octopus's Garden

'Knowing they're happy and they're safe'

The End

Direct address to 'you'

Golden Slumbers

Addresses 'pretty darling'

You Know My Name (Look Up the Number)

34 first + 53 second person

Dig a Pony

Addresses 'you' throughout

I've Got a Feeling

Paul addresses 'you' directly

For You Blue

Direct address to 'girl'

Two of Us

Direct address: 'You and me'

The Long and Winding Road

Direct address to 'you'

One After 909

Addresses baby directly: 'Move over, honey'

Free as a Bird

'Can we really live without each other'

Real Love

Addresses 'you' directly

Now and Then

Direct address to 'you'