With The Beatles album cover

It Won't Be Long

1963 · With The Beatles

“Till I belong to you”

Lennon's call-and-response rocker opening With The Beatles - the band's first major exercise in chromatic harmony, with a surprise Cmaj7 final chord that earned critical attention. Built around the 'be long'/'belong' wordplay.

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What happened around it?

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'All My Loving' and 'Please Mr. Postman' were cut at the same session, and it was taped two weeks into the making of With The Beatles. In the background, 3 weeks before the session, the Twist and Shout EP came out. While that was going on, 6 weeks later, the She Loves You / I'll Get You single also came out. The day With The Beatles' release came, President Kennedy was assassinated.

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This song is the only Beatles song with the BABCABCAB song form.

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Text210 tags

The words touch on the motifs of happiness, plea and relationship. The writing reaches for wordplay ('Be long' / 'belong' pun), a habit that peaked in 1968. The title is phrased in the negative, and nothing earlier in the catalogue was like it. The language is built on a limited vocabulary. A small coincidence, but the line "Yeah yeah yeah yeah yeah" turns up in one other Beatles song, 'While My Guitar Gently Weeps'.

Word cloud

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Music131 tags

'It Won't Be Long' is a merseybeat and rock and roll piece that moves at about 140 BPM, in E major. The tune carries call and response, the lead singer answered by the backing vocals (lead 'yeah' answered by backing 'yeah'), and 1963 is the year the Beatles reached for it most. It has a defining riff, and you can hear yeah vocals. Also, the chords bring in maj7, a first for them. Worth a footnote, the chords run E → C♯m → E → C♯m → A → B, the same move 'When I Get Home' makes as C → Am → C → Am → F9 → G.

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Studio11 tags

Cut in seven takes at EMI Studio 2 over a single afternoon, with edit pieces overdubbed the same day. McCartney reached for the Hofner 500/1, his bass. The session was set up with the Ludwig Downbeat, heard on 17 songs that year. It was made with double tracked vocal, most at home in their 1964 writing. Four songs were recorded the day this one was, the 23rd to the 26th of their career.

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Info15 tags

This track reached the public on November 22, 1963, with With The Beatles, and was never a single. On the record it starts the album. America got it eight weeks later, on Meet The Beatles!, put out by Capitol. This is their 19th record, and the 17th of the 32 they released in that year.

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Sources & references

Tags on this page are original analysis, transcribed and cross-checked against the fine work of others: Alan W. Pollack's “Notes on…” series, the Beatles Complete Scores (Hal Leonard), Mark Lewisohn's session histories, Ian MacDonald's Revolution in the Head, Dave Rybaczewski's Beatles Music History and Andy Babiuk's Beatles Gear for the instruments and studio equipment, and others besides - then verified by ear against the recordings. Full bibliography: Sources & thanks.

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