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© 2026 Nadav (Nahdi) Lazar. Beatles music © Apple Corps. Fan-made – not affiliated with The Beatles or Apple Corps.

“In the end, the love you take is equal to the love you make.”

SongsWith The BeatlesNot a Second Time
Devil in Her Heart·Money (That's What I Want)
Not a Second Time1963 · With The Beatles
With The Beatles album cover

Not a Second Time

1963 · With The Beatles

“You're giving me the same old line”

Lennon's spare Smokey Robinson pastiche, famed for The Times critic William Mann's December 1963 review that compared its V–vi turnaround to Mahler's 'Aeolian cadence' – the article that helped legitimize the Beatles for the broadsheet press.
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The Anger motif first appears in the Beatles catalogue on 'Not a Second Time' (1963).

1963Anger
Year1963
AlbumWith The Beatles
Track13 · Side 2
Duration2:03
Songwriter(s)LennonCredited as Lennon–McCartney
Lead VocalJohn
RecordedSeptember 11, 1963
ReleasedNovember 22, 1963
Song familyFragile LennonHurt admission beneath the refusal

● hover for more info● long-press tags for more info

Text144 tags

Motif

RelationshipSadnessAngerTimeSelf reflectionCommunication

Influence

R&B influence

Title

Negation in titleNumber in title

Vocabulary

Casual languageNegative tone

Narrative

ConversationalSecond personFirst person

Rhyme type

Half rhymePerfect rhyme

Song form

Verse-chorus

Sections

Has outroStandard choruses (1-3)Standard verses (2-4)

Section links

Solo based on chorusOutro based on chorusVerse variationOutro based on verse

Repetition

Recurring verseConsecutive wordConsecutive lineRecurring lineConsecutive versesConsecutive choruses
Word cloud

Recurring words

changechangedgivinglinemindreasonsamesecondwonderingback againi seemade meme cryme thenot asame oldsecond timesee nothe samethen you'reto changeyou hurtyou yeahyou've changedyour mindchanged your mindyou made meme the same old

Cover-shared words

backcryhurtknowmadememinenowoholdseetimeuseyeahyouyourand nowfor youhurt mei cryknow youno noyou knowyou madeno no noyou know youno no no no

Lyric shape

[ADV] again[NOUN] no[VERB] mine[VERB] whyin [VERB]through [WORD]you've [VERB][VERB] for you[VERB] in [VERB][VERB] me thea [NOUN] [NOUN]for you [WORD]i [VERB] fori [VERB] it'si [VERB] nono [NOUN] tonot a [NOUN]to [VERB] minei [VERB] no [NOUN]you [VERB] me [VERB]you've [VERB] your [NOUN]me the [ADJ] [ADJ] [NOUN]

Cover-shared shape

[NOUN] to[VERB] for[VERB] in[VERB] it's[VERB] me[VERB] no[VERB] you[VERB] youra [NOUN]and [ADV]i [VERB]i'm [VERB]me [VERB]no [NOUN]the [ADJ]to [VERB]you [VERB]you [WORD]you're [ADV]you're [VERB]your [NOUN][NOUN] to [VERB][VERB] me [VERB][VERB] no [NOUN][VERB] you [VERB][VERB] your [NOUN]you [VERB] meyou [VERB] youyou're [VERB] me[VERB] you [VERB] methe [ADJ] [ADJ] [NOUN]you [VERB] you [VERB]you [VERB] you [VERB] me

Rhyme scheme

AABAABCAAAB

Line length

Unique line length

Music137 tags

Arrangement

Lead vocalsBacking vocalsElectric guitarAcoustic guitarRhythm guitarBass guitarPianoDrums

Instrument group

GuitarsKeyboards

Keyboard work

Piano soloKeyboard solo

Music genre

PopBalladR&B

Influence

Classical music influence

Solo / Riff

Piano soloKeyboard soloSolo based on chorusSolo on chorus

Tempo

Moderate

Key

G major

Time signature

4/4

Song form

Verse-chorusUnique structure

Sections

Has outroStandard choruses (1-3)Standard verses (2-4)Has solo

Section links

Solo based on chorusOutro based on chorusVerse variationOutro based on verseSolo on chorus

Repetition

Consecutive versesConsecutive choruses

Section transition

V to iivi to I

Harmony

Perfect cadenceHalf cadenceDeceptive cadence

Composition

No subdominantTonic openingNon-tonic endingChorus in iiVerse in ITonic verseNon-tonic chorus

Mode

Ionian

Chord type

majorminordom7min7

Scale degree

Iiiii7iii7iiiVV7vi

Chord degree

I–vivi–VV–II–VV–I–Vii–Viii–Ivi–iiV–viV–iiV–ii–Vvi–I–vi–Vvi–ii–iii–Vii–iiivi–II–vi–iiiii–VI–vi–Vvi–V–Ivi–ii–iiiii–iii–Viii–I–vi

Chord shape

Am → CC → AmAm → GC → FC → GC → G7Am → G → CC → F → CC → GmAm → DAm → D7Am → FAm → DmC → DmC7 → DmAm → BmAm → C → DmAm → G → Dm → GAm → Dm → Em → G7C → Am → C → Am → GC → Am → DmC → Am → GAm → C7Am → F → DmAm → C → Am → GAm → G → C → GC → Gm → CAm7 → FAm → Dm → EmAm7 → Bm7Am → Bm → D7C → F → C7

Chord literal

D → GG → DBm → GBm → D7G → EmEm → AmG → D7D → AmD7 → EmBm7 → GAm7 → Bm7Em → D → GG → Em → AmBm → G → EmD → EmEm → Am → Bm → DAm → DEm → Am → Bm → D7Bm → DEm → DAm → BmAm → D7Em → GD → G → D

Studio11 tags

Studio technique

Double tracked vocal

Equipment

Gibson J-160EHofner 500/1EMI BTR2 twin-track recorderLudwig DownbeatGretsch 6122 Country GentlemanEMI REDD.37 consoleBaldwin Satin Ebony Grand

Recording location

EMI Studio 2EMI Studios

Session duration

Single day

People10 tags

Unique personnel
Producer plays
Line-up
John Lennon
Lead vocalsBacking vocalsAcoustic rhythm guitar
Paul McCartney
Bass guitar
George Harrison
Electric guitarAcoustic guitar
Ringo Starr
Drums
George Martin
ProducerPiano
Songwriter
John Lennon
Producer
George Martin
Recording engineer
Norman Smith
Assistant engineer
Richard LanghamB.T.Geoff Emerick

Info14 tags

Release type

Song on album

US release

Meet The Beatles!

Release mix

MonoStereo

Label

ParlophoneCapitol

Publisher

Northern Songs

Song family

Fragile Lennon

Song type

Original

Duration

Short
Sources & references

Tags on this page are original analysis, transcribed and cross-checked against the fine work of others: Alan W. Pollack's “Notes on…” series, the Beatles Complete Scores (Hal Leonard), Mark Lewisohn's session histories, Ian MacDonald's Revolution in the Head, Dave Rybaczewski's Beatles Music History and Andy Babiuk's Beatles Gear for the instruments and studio equipment, and others besides – then verified by ear against the recordings. Full bibliography: Sources & thanks.

Updated 2026-05-27

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With The Beatles album cover
CD

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Year1963
AlbumWith The Beatles
Track13 · Side 2
Duration2:03
Songwriter(s)Lennon
Credited asLennon–McCartney
Lead VocalJohn
RecordedSeptember 11, 1963
ReleasedNovember 22, 1963
Song family
Fragile Lennon

Hurt admission beneath the refusal

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