“You were in a car crash, and you lost your hair”

Ringo Starr's first solo Beatles songwriting credit - a country-style lament about a narrator waiting for a partner who may have left. Recorded for The Beatles (White Album) with prominent country fiddle by guest violinist Jack Fallon.

What is unique about this song?

This is one of the Paul-is-dead songs, that 'You were in a car crash and you lost your hair' read as the crash. It also has a Beatle away (no Lennon, no Harrison). It is the one Beatles recording with Starr on tack piano, and the one with him on sleigh bells. Oddly, the mono and the stereo versions differ (mono mix is faster and has different violin arrangement on fade).

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What happened around it?

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'Blackbird' and 'Revolution 1' were being made at the same time. In passing, 4 weeks before the session, Apple Corps was launched. And another thing, 11 days later, after a night recording tape experiments at Kenwood (released later as Two Virgins), John's wife Cynthia returned from holiday to find Yoko living there.

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Paul McCartney played drums on 7 Beatles songs, taking over for Ringo on tracks like 'Wild Honey Pie', 'Don't Pass Me By', 'Mother Nature's Son'.

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Text339 tags

The lyric keeps measuring time ('Clock a'ticking on the mantel shelf'), and it deals in the motifs of relationship and love too. Formally it is confessional, and it is on more of the Beatles' 1964 records than any other year's. The writing reaches for anaphora ('Don't pass me by / Don't make me cry / Don't make me blue'). Curiously, the title is phrased as an instruction and also has a negative. Interestingly, the line "One two three four five six seven" turns up in one other Beatles song, 'You Never Give Me Your Money'.

Word cloud

Distinctive word

a'movinga'tickingclockcrashdoubtedfootstepsit--doesmantelshelf

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Music118 tags

'Don't Pass Me By' is a country rock piece, written in C major and taken at about 100 BPM. It features bowed strings, and it is on more of the Beatles' 1967 records than any other year's. You can hear singing over the instrumental break.

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People11 tags

Starr wrote and sang it. The record has McCartney on drums and Starr on tack piano and piano, a role swap. The violin part is a country-style fiddle obbligato, and it is on more of their 1967 records than any other year's.

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Sources & references

Tags on this page are original analysis, transcribed and cross-checked against the fine work of others: Alan W. Pollack's “Notes on…” series, the Beatles Complete Scores (Hal Leonard), Mark Lewisohn's session histories, Ian MacDonald's Revolution in the Head, Dave Rybaczewski's Beatles Music History and Andy Babiuk's Beatles Gear for the instruments and studio equipment, and others besides - then verified by ear against the recordings. Full bibliography: Sources & thanks.

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