VariSpeed
Recording tape sped up or slowed down to alter pitch or tempo
Analysis
By Year
Song count per year
By Songwriter
% of each member's catalogue with this tag (by writing credit)
By Era
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Songs(25)
| # | Title | Year | Album | Lead Vocal(s) | Notes |
|---|---|---|---|---|---|
| 1 | Misery | 1963 | Please Please Me | John, Paul | Piano recorded at half-speed, octave lower |
| 2 | A Hard Day's Night | 1964 | A Hard Day's Night | John, Paul | George Martin's piano was cut at half speed for the instrumental break and played back up to pitch |
| 3 | In My Life | 1965 | Rubber Soul | John | Piano solo recorded at half speed, one octave lower; replayed at normal speed for harpsichord-like timbre |
| 4 | Rain | 1966 | Past Masters | John | Track cut fast, slowed on playback; vocal slow, sped up |
| 5 | Tomorrow Never Knows | 1966 | Revolver | John | Backing track sped up on playback; loops varied in pitch |
| 6 | Here, There and Everywhere | 1966 | Revolver | Paul | Lead vocal recorded slow/low and played back faster to lift pitch and create wispy quality |
| 7 | Yellow Submarine | 1966 | Revolver | Ringo | Vocal slowed for deeper Ringo tone |
| 8 | Good Day Sunshine | 1966 | Revolver | Paul | Piano solo recorded slow, sped up for ragtime feel |
| 9 | I'm Only Sleeping | 1966 | Revolver | John | Backing track slowed on playback; song sounds in E♭ minor though played in E minor |
| 10 | Penny Lane | 1967 | Magical Mystery Tour | Paul | Backing track recorded slow to sound brighter on playback |
| 11 | Strawberry Fields Forever | 1967 | Magical Mystery Tour | John | Take 7 sped up; take 26 slowed to match |
| 12 | Lucy in the Sky with Diamonds | 1967 | Sgt. Pepper's Lonely Hearts Club Band | John | Lennon's two lead-vocal overdubs were cut at 45 and 48.5 cycles per second against a standard 50 |
| 13 | She's Leaving Home | 1967 | Sgt. Pepper's Lonely Hearts Club Band | Paul, John | Strings recorded fast; played back slower for lower pitch |
| 14 | Lovely Rita | 1967 | Sgt. Pepper's Lonely Hearts Club Band | Paul | Played in E; tape ran slow so record sounds in E♭ |
| 15 | When I'm Sixty-Four | 1967 | Sgt. Pepper's Lonely Hearts Club Band | Paul | Recorded in C, sped up to D♭ to lift Paul's voice |
| 16 | Good Morning Good Morning | 1967 | Sgt. Pepper's Lonely Hearts Club Band | John | Rhythm track sped up |
| 17 | While My Guitar Gently Weeps | 1968 | The Beatles (The White Album) | George | Used with ADT on the lead-guitar mix |
| 18 | Revolution 9 | 1968 | The Beatles (The White Album) | - | Some loops sped up or slowed |
| 19 | Don't Pass Me By | 1968 | The Beatles (The White Album) | Ringo | Vocal sped up after recording |
| 20 | Everybody's Got Something to Hide Except Me and My Monkey | 1968 | The Beatles (The White Album) | John | Tape at 43 Hz, raising key from D to E |
| 21 | Rocky Raccoon | 1968 | The Beatles (The White Album) | Paul | George Martin's honky-tonk solo was cut at half speed, so it plays back faster and brighter |
| 22 | Here Comes the Sun | 1969 | Abbey Road | George | Acoustic guitar varispeeded slightly higher |
| 23 | Across the Universe (Wildlife version) | 1969 | Past Masters | John | Sped up; raised key from D to E♭ |
| 24 | Across the Universe | 1970 | Let It Be | John | Tape slowed ~semitone for Let It Be release |
| 25 | Real Love | 1996 | Reunion singles | John | Time-correction applied to demo, 3-4% compression/expansion |
Misery
Piano recorded at half-speed, octave lower
A Hard Day's Night
George Martin's piano was cut at half speed for the instrumental break and played back up to pitch
In My Life
Piano solo recorded at half speed, one octave lower; replayed at normal speed for harpsichord-like timbre
Rain
Track cut fast, slowed on playback; vocal slow, sped up
Tomorrow Never Knows
Backing track sped up on playback; loops varied in pitch
Here, There and Everywhere
Lead vocal recorded slow/low and played back faster to lift pitch and create wispy quality
Yellow Submarine
Vocal slowed for deeper Ringo tone
Good Day Sunshine
Piano solo recorded slow, sped up for ragtime feel
I'm Only Sleeping
Backing track slowed on playback; song sounds in E♭ minor though played in E minor
Penny Lane
Backing track recorded slow to sound brighter on playback
Strawberry Fields Forever
Take 7 sped up; take 26 slowed to match
Lucy in the Sky with Diamonds
Lennon's two lead-vocal overdubs were cut at 45 and 48.5 cycles per second against a standard 50
She's Leaving Home
Strings recorded fast; played back slower for lower pitch
Lovely Rita
Played in E; tape ran slow so record sounds in E♭
When I'm Sixty-Four
Recorded in C, sped up to D♭ to lift Paul's voice
Good Morning Good Morning
Rhythm track sped up
While My Guitar Gently Weeps
Used with ADT on the lead-guitar mix
Revolution 9
Some loops sped up or slowed
Don't Pass Me By
Vocal sped up after recording
Everybody's Got Something to Hide Except Me and My Monkey
Tape at 43 Hz, raising key from D to E
Rocky Raccoon
George Martin's honky-tonk solo was cut at half speed, so it plays back faster and brighter
Here Comes the Sun
Acoustic guitar varispeeded slightly higher
Across the Universe (Wildlife version)
Sped up; raised key from D to E♭
Across the Universe
Tape slowed ~semitone for Let It Be release
Real Love
Time-correction applied to demo, 3-4% compression/expansion
Updated