Studio · Studio technique

VariSpeed

Recording tape sped up or slowed down to alter pitch or tempo

25
songs

Analysis

By Year

Song count per year

By Songwriter

% of each member's catalogue with this tag (by writing credit)

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Songs(25)

Year
Album
Writer
Lead vocal(s)

Misery

1963·Please Please Me·John

Piano recorded at half-speed, octave lower

A Hard Day's Night

1964·A Hard Day's Night·John

George Martin's piano was cut at half speed for the instrumental break and played back up to pitch

In My Life

1965·Rubber Soul·John

Piano solo recorded at half speed, one octave lower; replayed at normal speed for harpsichord-like timbre

Rain

1966·Past Masters·John

Track cut fast, slowed on playback; vocal slow, sped up

Tomorrow Never Knows

1966·Revolver·John

Backing track sped up on playback; loops varied in pitch

Here, There and Everywhere

1966·Revolver·Paul

Lead vocal recorded slow/low and played back faster to lift pitch and create wispy quality

Yellow Submarine

1966·Revolver·Ringo

Vocal slowed for deeper Ringo tone

Good Day Sunshine

1966·Revolver·Paul

Piano solo recorded slow, sped up for ragtime feel

I'm Only Sleeping

1966·Revolver·John

Backing track slowed on playback; song sounds in E♭ minor though played in E minor

Penny Lane

1967·Magical Mystery Tour·Paul

Backing track recorded slow to sound brighter on playback

Strawberry Fields Forever

1967·Magical Mystery Tour·John

Take 7 sped up; take 26 slowed to match

Lucy in the Sky with Diamonds

1967·Sgt. Pepper's Lonely Hearts Club Band·John

Lennon's two lead-vocal overdubs were cut at 45 and 48.5 cycles per second against a standard 50

She's Leaving Home

1967·Sgt. Pepper's Lonely Hearts Club Band·Paul

Strings recorded fast; played back slower for lower pitch

Lovely Rita

1967·Sgt. Pepper's Lonely Hearts Club Band·Paul

Played in E; tape ran slow so record sounds in E♭

When I'm Sixty-Four

1967·Sgt. Pepper's Lonely Hearts Club Band·Paul

Recorded in C, sped up to D♭ to lift Paul's voice

Good Morning Good Morning

1967·Sgt. Pepper's Lonely Hearts Club Band·John

Rhythm track sped up

While My Guitar Gently Weeps

1968·The Beatles (The White Album)·George

Used with ADT on the lead-guitar mix

Revolution 9

1968·The Beatles (The White Album)

Some loops sped up or slowed

Don't Pass Me By

1968·The Beatles (The White Album)·Ringo

Vocal sped up after recording

Everybody's Got Something to Hide Except Me and My Monkey

1968·The Beatles (The White Album)·John

Tape at 43 Hz, raising key from D to E

Rocky Raccoon

1968·The Beatles (The White Album)·Paul

George Martin's honky-tonk solo was cut at half speed, so it plays back faster and brighter

Here Comes the Sun

1969·Abbey Road·George

Acoustic guitar varispeeded slightly higher

Across the Universe (Wildlife version)

1969·Past Masters·John

Sped up; raised key from D to E♭

Across the Universe

1970·Let It Be·John

Tape slowed ~semitone for Let It Be release

Real Love

1996·Reunion singles·John

Time-correction applied to demo, 3-4% compression/expansion

Updated