“Somewhere in the Black Mountain hills of Dakota”

McCartney's comic Western ballad written in India, telling a saloon-showdown story over a circular folk progression. Features George Martin's honky-tonk tack piano solo and John Lennon's harmonica.

What is unique about this song?

Among the 217, it is one of two songs that reach for ragtime, with 'Honey Pie' for company, and one of the character songs, as well as one of the songs written in India. It also shows the mark of music hall. It is the only song on The Beatles (The White Album) with harmonica on it, where the catalogue has fourteen others.

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What happened around it?

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The same stretch of studio time also produced 'Yer Blues' and 'Wild Honey Pie'. By the time the Beatles cut it, work on The Beatles (The White Album) had been going three months. Also 11 days after the session, the Hey Jude / Revolution single came out. In the same stretch, 8 days later, Ringo returned to the band, 12 days after he quit during White Album sessions. One other thing, the next day, the band filmed the promo for 'Hey Jude'.

Did you know?more like this →

John Lennon played bass on 6 Beatles songs - including 'Fixing a Hole', 'Back in the U.S.S.R.', 'Helter Skelter'. This song is one of them.

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Text380 tags

The lyric mentions real places (Black Mountain hills of Dakota), and it deals in the motifs of religion and relationship too. The writing is sung in a persona, something the Beatles started 4 years before and went on doing for 18 songs. There is pastiche in the writing (western/cowboy ballad parody). A multi-syllabic rhyme arrives once, "fancy/Nancy". The title gives a person's name, and the language is dense on the page and tonally neutral. In 1968, 4 of their songs pack in the most words, more than in any other year: 'Hey Jude', 'Ob-La-Di, Ob-La-Da', 'Revolution 9' and this one.

Word cloud

Lyric shape

[ADJ] i'll[ADV] the[NOUN] he[NOUN] this[VERB] had[VERB] out[VERB] was[WORD] as[WORD] it's[WORD] wasas [ADV]as [WORD]by [VERB]his [ADJ]his [WORD]in [VERB]was [ADJ]was [WORD]who [VERB]with [WORD][ADJ] and [WORD][ADV] the [NOUN][NOUN] [VERB] her[NOUN] [VERB] in[NOUN] [WORD] in[NOUN] at the[NOUN] he [VERB][NOUN] in the[NOUN] of his[NOUN] who [VERB][VERB] had [VERB][VERB] i'm gonna[VERB] in [VERB][VERB] in and[VERB] in the[VERB] of [WORD][VERB] on the[VERB] out and[VERB] was [WORD][VERB] with a[WORD] [NOUN] he[WORD] [VERB] in[WORD] [VERB] out[WORD] [WORD] it[WORD] didn't [VERB][WORD] it [VERB][WORD] was [ADJ]a [NOUN] [NOUN]and [WORD] [NOUN]and [WORD] [VERB]and she [VERB]as [ADV] asat the [WORD]be [ADJ] [WORD]but [NOUN] [VERB]didn't [VERB] thathe [VERB] ithis [NOUN] [VERB]i am [ADJ]i'll be [ADJ]in his [NOUN]in the [ADJ]only a [NOUN]only to [VERB]the [ADJ] [VERB]the [NOUN] ofto [VERB] onwith [WORD] [NOUN]with a [NOUN][ADV] the [NOUN] [VERB][VERB] [WORD] [WORD] it[VERB] [WORD] of [WORD][VERB] [WORD] you [VERB][VERB] a [NOUN] [NOUN][VERB] in the [NOUN][VERB] on the [NOUN][VERB] the [NOUN] of[VERB] to [VERB] on[WORD] [VERB] in the[WORD] [VERB] on [VERB][WORD] it's only aa [NOUN] [NOUN] [VERB]a [NOUN] in theand [VERB] a [NOUN]and i'll be [ADJ]gonna [VERB] that [NOUN]he [VERB] [WORD] [NOUN]i'll be [ADJ] [WORD]in the [NOUN] [WORD]the [NOUN] [VERB] into [VERB] [WORD] [WORD]you [VERB] your [NOUN][WORD] [VERB] in the [NOUN]no [NOUN] [WORD] [WORD] [WORD]to [VERB] [WORD] [WORD] [WORD]i'll be [ADJ] i'll be [ADJ]to [VERB] [WORD] [WORD] [WORD] [WORD]

Distinctive word

ablebiblebookedburstcheckedcollapseddakotadandan-dandanieldo-do-dodo-dooroo-do-dodocdooroo-do-dodou-dou-doudrewequippedfancygideongideon'sgingrinningherselfhillshimselfhoedownlegslilmagillmatchminingnancyproceededraccoonrevivalrivalrockyrocky'ssaloonscratchshowdownstealingstinking

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Music122 tags

Written in C major and taken at about 79 BPM, 'Rocky Raccoon' is a folk and country piece. The harmony reaches for a 7sus4 chord, heard on nine Beatles records in all, such as 'We Can Work It Out' and 'A Hard Day's Night'. Whether it was meant or not, the chords run C → Am7 → D7 → G7, the same shape 'Real Love' plays as A♭ → Fm → B♭ → E♭.

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Studio12 tags

Recorded in a single session at Abbey Road. McCartney improvised the spoken intro in a mock-cowboy voice during the take. They reached for the Ludwig Super Classic. The studio work runs to VariSpeed, one of 25 Beatles records to use it, going back to 1963. It is taken out on a fade-out, something they started 5 years before and went on doing for 46 songs. 1968 brought 37 songs, and this was the 21st of them, the 167th record of their career.

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Info17 tags

This song was never released as a single, arriving instead with The Beatles (The White Album), November 22, 1968. This track was the 17th of 34 released in that year, and the 159th in the order they were recorded.

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Sources & references

Tags on this page are original analysis, transcribed and cross-checked against the fine work of others: Alan W. Pollack's “Notes on…” series, the Beatles Complete Scores (Hal Leonard), Mark Lewisohn's session histories, Ian MacDonald's Revolution in the Head, Dave Rybaczewski's Beatles Music History and Andy Babiuk's Beatles Gear for the instruments and studio equipment, and others besides - then verified by ear against the recordings. Full bibliography: Sources & thanks.

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