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© 2026 Nadav (Nahdi) Lazar. Beatles music © Apple Corps. Fan-made – not affiliated with The Beatles or Apple Corps.

“In the end, the love you take is equal to the love you make.”

SongsThe Beatles (The White Album)Piggies
Blackbird·Rocky Raccoon
Piggies1968 · The Beatles (The White Album)
The Beatles (The White Album) album cover

Piggies

1968 · The Beatles (The White Album)

“What they need's a damn good whacking!”

Harrison's satirical attack on greedy establishment figures, framed as a baroque pastiche with harpsichord and string octet. Mother Louise Harrison contributed the line about a 'damn good whacking'.
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The Question motif is rare for George Harrison – it appears in just 9% of his sole-written songs (2 of 22), against 37% for John and 30% for Paul: 'Long, Long, Long' and 'Piggies'.

Long, Long, LongGeorge HarrisonQuestion
Year1968
AlbumThe Beatles (The White Album)
Track12 · Side 2
Duration2:04
Songwriter(s)Harrison
Lead VocalGeorge
RecordedSeptember 19 – October 10, 1968
ReleasedNovember 22, 1968

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Text211 tags

Motif

Social commentaryAnimalsCharacterHardnessQuestionFood and drinksColorChildhood

Influence

Literary influenceMusic hall influence

Title

One-word title

Vocabulary

Negative toneCasual language

Narrative

Third personObservationalConversationalSecond person

Lyrical device

Extended metaphorIronyPersonificationAnaphora

Rhyme type

Feminine rhymeHalf rhymeMulti-syllabic rhymePerfect rhymeTriple rhymeInternal rhyme

Song form

AABA formNo verse-chorus

Sections

Standard verses (2-4)No chorusHas outroHas bridgeMultiple instrumentals (2+)Has introHas interludeHas coda

Section links

Interlude based on verseIntro based on verseVerse variation
Word cloud

Recurring words

biggercleanclutchingdinnereateverywherefindgettinggoesliveslivingseensomethingtheirwhiteworsealways havefind thefor allgoes onhave youlife isthe dirtthe littletheir lifethere's somethingthey don'tup thewill findwith allwith theirall the littlecan see themwhat goes onwith all their

Cover-shared words

allalwayscaregoodlifelittlemoreoneplayseethemtheytimeyouall thecan seedon't caremore timeone moreto playwhat theyyou canyou willone more timeyou can see

Lyric shape

[ADV] there's[NOUN] is[VERB] their[WORD] havefor [NOUN]their [NOUN]their [WORD]there's [NOUN]there's [WORD]what [NOUN]with [WORD][NOUN] is [VERB][NOUN] there's [NOUN][VERB] [WORD] and[VERB] [WORD] to[VERB] in the[VERB] their [WORD][VERB] up the[WORD] [NOUN] is[WORD] [VERB] in[WORD] [VERB] up[WORD] [WORD] in[WORD] have [VERB][WORD] with [WORD]can [VERB] themdon't [VERB] whatfor [NOUN] withhave you [VERB]of [WORD] [VERB]their [WORD] [WORD]there's [NOUN] [VERB]they don't [VERB]up the [NOUN]what [NOUN] onwill [VERB] thewith [WORD] theiryou will [VERB][VERB] [WORD] and [WORD][VERB] [WORD] to [VERB][VERB] in the [NOUN][VERB] the [ADJ] [WORD][VERB] up the [NOUN][WORD] [VERB] in the[WORD] and [WORD] to[WORD] have [VERB] [WORD][WORD] of [WORD] [VERB][WORD] the [ADJ] [WORD]have you [VERB] thethe [ADJ] [WORD] [VERB]the [WORD] [WORD] [VERB]will [VERB] the [WORD]you will [VERB] the[WORD] [VERB] in the [NOUN][WORD] [VERB] up the [NOUN]

Cover-shared shape

[NOUN] to[NOUN] with[VERB] around[VERB] in[VERB] on[VERB] the[VERB] them[VERB] up[VERB] what[WORD] a[WORD] and[WORD] in[WORD] of[WORD] the[WORD] to[WORD] witha [WORD]and [WORD]can [VERB]don't [VERB]for [WORD]have [VERB]is [VERB]of [WORD]one [WORD]the [ADJ]the [NOUN]the [WORD]they [WORD]to [VERB]will [VERB]you [VERB][NOUN] to [VERB][VERB] the [ADJ][VERB] the [WORD][WORD] a [WORD][WORD] and [WORD][WORD] of [WORD][WORD] the [ADJ][WORD] to [VERB]in the [NOUN]is [VERB] [ADJ]one [WORD] [NOUN]the [ADJ] [WORD]the [WORD] [WORD]you [VERB] theyou can [VERB][VERB] the [WORD] [WORD]you [VERB] the [WORD]you [VERB] the [WORD] [WORD]

Rhyme scheme

AABABAAABC

Line length

Consistent line lengths8-8-8-8Long meterUnique line length

Distinctive word

backingbaconcrawlingdamnforkskniveslackinglotsneed'spiggiespiggyshirtsstarchedstiesstirringwhackingwives

Music193 tags

Arrangement

Lead vocalsBacking vocalsAcoustic guitarBass guitarHarpsichordPercussionTambourineViolinViolaCelloTape loopsNoisesSound effectsOther percussion

Instrument group

StringGuitarsKeyboardsPercussion

Bass work

Stepwise bass line

Keyboard work

Keyboard introHarpsichord soloKeyboard solo

Music genre

PopBaroque popNovelty songFolk

Influence

Classical music influence

Vocal work

Vocal harmonies

Solo / Riff

Harpsichord soloKeyboard solo

Tempo

Moderate

Key

A♭ major

Time signature

4/4

Song form

AABA formNo verse-chorus

Sections

Standard verses (2-4)No chorusHas outroHas bridgeHas soloMultiple interludes (2+)Multiple instrumentals (2+)Has introHas interludeHas coda

Section traits

Unique codaKeyboard intro

Section links

Interlude based on verseIntro based on verseVerse variation

Section transition

III to vi

Harmony

Modal mixturePerfect cadenceHalf cadenceBorrowed chordCircle of fifthsSecondary dominantDeceptive cadenceParallel minor tonic

Composition

Tonic openingTonic endingBridge in viVerse in ITonic verseNon-tonic bridge

Mode

IonianAeolian

Chord type

majorminordom7min7

Scale degree

IiIIII7iiIII7IVV7Vvivi7

Chord degree

II–V–IV–ii–VIV–Vvi–iiII–VI–V–viI–VV–IV–I–VV–vivi–IIIV–V–vivi–II–Vii–IVIII–IVvi–II–V–IIII–IV–VV–I–V–IV–vi–iiii–IIIII–viii–III–IV–VII–vi–II–VIV–V–vi–iivi–ii–IIIvi–ii–IVII–V–I–VV–vi–IIV–IIIvi–ii–III–IV–Vvi–II–vi–II–VII–V–I–V–Ivi–ii–IV–VI–V–vi–IIII–vi–II

Chord shape

C7 → F → B♭C → F → B♭ → FC → F → C → FC → AC → FmAm → EC → D♭Am → BC → DAm → CAm → DmC → G → AmAm → D → GAm7 → D7 → GC → F → B♭C → GC → G7C → FC7 → FC → F → CC → DmC7 → DmAm → DC → GmAm7 → D7Am → D → Am → D → GAm → D → G → CC → F → B♭ → F → B♭C → Gm → C → FC → A7C → Dm → GC → D → EmAm → B7Am → Dm → FC → D♭ → E♭C → G → Am → DAm → Dm → EAm7 → D7 → G → CAm → Dm → E7C → Gm → CC → G → EC7 → GmC → Gm7C → G7 → AmC → Dm → GmAm → C → DC7 → A7Am → D → G → C → GC → D → Em → AmAm → B → C → DC → F → C → AC → Gm7 → C7C → F → C7C → D → BC7 → D♭C → Dm → G → Dm → G → Dm → GAm → D → Am → D → G → C → GAm → D → G → C → G → CAm → Dm → E → F → GC → Gm7 → C7 → FAm → Dm → F → GC7 → Gm → C

Chord literal

B♭ → E♭Fm → B♭Fm → B♭ → E♭B♭7 → E♭A♭ → E♭E♭ → A♭E♭ → FmA♭ → E♭ → FmB♭ → FmE♭ → CA♭ → E♭ → Fm → B♭B♭ → E♭ → A♭ → E♭Fm7 → B♭7 → E♭E♭ → A♭ → E♭E♭7 → A♭

Studio9 tags

Equipment

Rickenbacker 4001SBaldwin harpsichordEMI REDD.51 console3M M23 8-track recorderGibson J-200

Recording location

EMI Studio 2EMI Studio 1EMI Studios

Session duration

Multi-day

People21 tags

Unique personnel
Missing BeatleProducer plays
Line-up
John Lennon
Backing vocalsTape loopsNoises
Paul McCartney
Backing vocalsBass guitar
George Harrison
Lead vocalsAcoustic guitarNoises
Ringo Starr
Tambourine
Chris Thomas
ProducerHarpsichord
Eric Bowie
Violin
Norman Lederman
Violin
Ronald Thomas
Violin
Songwriter
George Harrison
Producer
Chris ThomasGeorge Martin
Orchestral scoring
George Martin
Recording engineer
Ken Scott
Assistant engineer
Mike SheadyJohn Smith

Info15 tags

Release type

Song on albumSong on AnthologySong on Giles Martin remix

US release

Identical release

Release mix

MonoStereo

Label

AppleApple US

Publisher

Harrisongs

Song type

Original

Duration

Short
Sources & references

Tags on this page are original analysis, transcribed and cross-checked against the fine work of others: Alan W. Pollack's “Notes on…” series, the Beatles Complete Scores (Hal Leonard), Mark Lewisohn's session histories, Ian MacDonald's Revolution in the Head, Dave Rybaczewski's Beatles Music History and Andy Babiuk's Beatles Gear for the instruments and studio equipment, and others besides – then verified by ear against the recordings. Full bibliography: Sources & thanks.

Updated 2026-06-03

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The Beatles (The White Album) album cover
VinylCD

affiliate link – supports this wiki

Year1968
AlbumThe Beatles (The White Album)
Track12 · Side 2
Duration2:04
Songwriter(s)Harrison
Lead VocalGeorge
RecordedSeptember 19 – October 10, 1968
ReleasedNovember 22, 1968
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