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© 2026 Nadav (Nahdi) Lazar. Beatles music © Apple Corps. Fan-made – not affiliated with The Beatles or Apple Corps.

“In the end, the love you take is equal to the love you make.”

SongsPast MastersYes It Is
Bad Boy·I'm Down
Yes It Is1965 · Past Masters
Past Masters album cover

Yes It Is

1965 · Past Masters

“For red is the color that my baby wore”

Lennon's ballad about a new partner haunted by the memory of a former lover associated with the color red. Released as B-side to Ticket to Ride and notable for Harrison's first prominent use of a volume-tone pedal on lead guitar.
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This song is the only Beatles song with a IV to v section transition.

1965IV to v
Year1965
AlbumPast Masters
Track17
Duration2:40
Songwriter(s)LennonCredited as Lennon–McCartney
Lead VocalJohn, Paul, George
RecordedFebruary 16, 1965
ReleasedApril 9, 1965 (Single)March 7, 1988 (Past Masters)
Song familyFragile LennonVulnerable admission of haunted memory, Twin songsTwin of This Boy: 6/8 acoustic ballads with heavy three-part harmony.

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Text188 tags

Motif

TruthColorClothesNostalgiaRelationshipPleaDialogueHappinessCommunicationSadness

Influence

Girl group influenceR&B influence

Title

Pronoun in title

Vocabulary

Negative tone

Narrative

First personConversationalConfessionalImperative

Rhyme type

Identical rhymeExtrametrical rhymePerfect rhymeInternal rhyme

Song form

Verse-chorusAABA form

Sections

Has refrainStandard choruses (1-3)Standard verses (2-4)Has introHas outro

Section links

Verse variationOutro based on verse

Repetition

Consecutive lineRecurring lineRecurring verseConsecutive verses
Word cloud

Recurring words

everybodyforgetknowsprideredremembersideunderstandbe happybut it'sby mycould beeverybody knowsforget heri couldi wouldi'm sureif iit isit's mymy pridethat mythe thingsthings weyes ityou byall the thingsby my sidei could beif i couldmake me blueremember all thethis is whatwhat i saidwill make meyes it isyou by my side

Cover-shared words

allbabyblueclotheshappyheritmakememoremyohpleasesaidshesurethingstonighttruewewearyeahyouall thei saidif youit's truemake memy babyof youoh yesplease don'tthis iswhat iwith youyou wear

Lyric shape

[ADJ] with[NOUN] is[WORD] it's[WORD] we[WORD] werecould [VERB]for [NOUN]i'm [ADJ]is [WORD][ADJ] with you[NOUN] [VERB] i'm[NOUN] that my[VERB] i'm [ADJ][VERB] it's [ADJ][VERB] what i[WORD] it's [ADJ][WORD] of you[WORD] she [WORD][WORD] we [VERB]by my [NOUN]could be [ADJ]for [NOUN] isi could [VERB]i would [VERB]in [WORD] ofis the [NOUN]it is [WORD]it's my [NOUN]that my [NOUN]the [WORD] shewill [VERB] mewould [VERB] [WORD]you [VERB] [NOUN][NOUN] is the [NOUN][VERB] what i [VERB]i could be [ADJ]if i could [VERB]if you [VERB] [NOUN]you by my [NOUN]

Cover-shared shape

[NOUN] that[VERB] don't[VERB] her[VERB] i'm[VERB] it's[VERB] me[VERB] what[WORD] of[WORD] she[WORD] the[WORD] yesbe [ADJ]don't [VERB]i [VERB]in [WORD]it's [ADJ]me [ADJ]my [NOUN]she [WORD]the [NOUN]the [WORD]we [VERB]will [VERB]would [VERB]you [VERB][VERB] [WORD] the[VERB] don't [VERB][VERB] me [ADJ][WORD] the [WORD]don't [VERB] [NOUN]i [VERB] [ADV]if you [VERB]my [NOUN] [WORD]the [NOUN] thatwhat i [VERB][VERB] [WORD] the [WORD]

Rhyme scheme

AABCCDAABCDAABBUnique rhyme scheme

Line length

Unique line length

Distinctive word

colorplannedscarletspitewore

Music234 tags

Arrangement

Lead vocalsBacking vocalsElectric guitarClassical guitarLead guitarRhythm guitarBass guitarOrganDrumsPercussionTambourine

Instrument group

GuitarsKeyboardsPercussion

Guitar work

Volume pedal

Music genre

BalladPopRock

Vocal work

Ooh vocalsThree-part harmonyVocal harmonies

Tempo

Slow

Key

E majorA majorKey change

Time signature

12/8

Song form

Verse-chorusAABABAAABA form

Sections

Has refrainStandard choruses (1-3)Standard verses (2-4)Has introHas outro

Section links

Verse variationOutro based on verse

Repetition

Consecutive verses

Section transition

I to vV to IUnique section transition

Harmony

Ice cream changesRhythm changes (partial)Jazz cadenceModal mixtureBorrowed chordCircle of fifthsPerfect cadenceParallel harmonySecondary dominantDeceptive cadencePlagal cadenceChromatic mediant

Composition

Tonic openingTonic endingVerse in ITonic verseChorus in vNon-tonic chorus

Mode

Ionian

Chord type

majorminordom7min7

Scale degree

II7II7ii7IIIiiiIVV7VVI7vi♭VII

Chord degree

I–vi–ii–VIV–IV–I–viii–V–I–viI–IVii–VV–IIV–♭VIIii–V–IV–I–IVI–IV–♭VIIIV–♭VII–viI–II–I–IVI–vivi–iiV–VI♭VII–VI–IIIVI–IIV–I–vi–iivi–Ivi–ii–VI–vi–iiiii–VIV–iiIV–ii–V♭VII–V–IIII–IVIV–ii–V–I♭VII–viV–I–IV–♭VIIii–V–I–IVV–iiivi–I–I–IVI–IV–iiI–IV–♭VII–VI–IV–ii–Vii–V–iii

Chord shape

C → D → GAm → D → G → EmAm7 → D7 → G → EmC → Am → Dm → GC → EC → D♭C → GC → FC → AmAm → DAm7 → D7C7 → FC → AC → BmAm → CC → F → DmC → Am → DC → Am7 → D7Am → D → GAm7 → D7 → GC → F → B♭C7 → F → B♭C → F → DC → F → EmC → F → B♭ → E♭C → F → D → GC → CC → C7C → C → FAm → DmC → DC → D7C7 → F7C → E → FAm → D → G → CC → A → D → GC → F → Dm → GmC → Am7C → A7Am → Dm → GC → C7 → FC → A → DC → Am → DmC7 → F → DmC → F → B♭ → GC → D7 → G7Am → Dm7C → Am → D → GC → F → Dm → GAm → Dm7 → G7C → A7 → DC → F → D7Am7 → D7 → G → CC → Am → Dm7 → G7Am → C → DC7 → F → Dm → Gm7Am → C → C7 → FC → D♭ → A♭C → F → Dm7Am → D → BmAm → D → G → C → FC7 → F → B♭ → E♭C → F → Dm7 → G7C → F → B♭ → AmC → A7 → D → GAm → C → D7C7 → Am

Chord literal

A → EE → AA → F♯mF♯m → BB → EA → DA → D → BA → D → B → EE7 → ABm → EB7 → ED → BF♯ → BE → EE → A → F♯mD → B7B → E → AE → A → DBm → E → AE → C♯mF♯m → B → ED → B → EB → E → A → DA → F♯m → BA → D → B7E → E7D → B → E → AF♯m → Bm → EF♯7 → B7G♯ → AE → A → D → BE7 → A → F♯mB7 → E → AC♯m → EE → F♯A → F♯m → B → EE → A → F♯m → BF♯m7 → B7 → EF♯m → BmE → G♯E → A → F♯m → BmF♯m → B → E → AB7 → E → A → DD → B7 → E → ABm7 → E7 → AE → E7 → AE → F♯ → BG♯ → A → EE → E → AA → F♯m7D → C♯mE → F♯7

Studio12 tags

Studio technique

Double tracked vocal

Equipment

Jose Ramirez classicalHofner 500/1Hammond RT-3Vox AC30Telefunken M10 4-track recorderLudwig Super ClassicGretsch 6119 TennesseanEMI REDD.51 console

Recording location

EMI Studio 2EMI Studios

Session duration

Single day

People13 tags

Unique personnel
Classic formationProducer plays
Line-up
John Lennon
Lead vocalsClassical rhythm guitar
Paul McCartney
Lead vocalsBacking vocalsBass guitar
George Harrison
Lead vocalsBacking vocalsElectric lead guitar
Ringo Starr
DrumsTambourine
George Martin
ProducerOrgan
Songwriter
John Lennon
Producer
George Martin
Recording engineer
Norman Smith
Assistant engineer
Ken ScottJerry Boys

Info17 tags

Release type

SingleUS singleB-Side singleSong on Anthology

US release

Beatles VI

Release mix

MonoStereo

Label

ParlophoneCapitol

Publisher

Northern Songs

Song family

Fragile LennonTwin songs

Song type

Original

Duration

Medium
Sources & references

Tags on this page are original analysis, transcribed and cross-checked against the fine work of others: Alan W. Pollack's “Notes on…” series, the Beatles Complete Scores (Hal Leonard), Mark Lewisohn's session histories, Ian MacDonald's Revolution in the Head, Dave Rybaczewski's Beatles Music History and Andy Babiuk's Beatles Gear for the instruments and studio equipment, and others besides – then verified by ear against the recordings. Full bibliography: Sources & thanks.

Updated 2026-08-20

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Past Masters album cover
VinylCD

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Year1965
AlbumPast Masters
Track17
Duration2:40
Songwriter(s)Lennon
Credited asLennon–McCartney
Lead VocalJohn, Paul, George
RecordedFebruary 16, 1965
ReleasedApril 9, 1965 (Single)March 7, 1988 (Past Masters)
Song family
Fragile Lennon

Vulnerable admission of haunted memory

Twin songs

Twin of This Boy: 6/8 acoustic ballads with heavy three-part harmony.

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