Past Masters album cover

Yes It Is

1965 · Past Masters

“For red is the color that my baby wore”

Lennon's ballad about a new partner haunted by the memory of a former lover associated with the color red. Released as B-side to Ticket to Ride and notable for Harrison's first prominent use of a volume-tone pedal on lead guitar.

What is unique about this song?

The track is one of two that have a volume pedal, with 'I Need You' as its company, and one of three songs that show the mark of girl group, 'Tell Me Why' and 'When I Get Home' among them. It is also twinned with 'This Boy', both 6/8 acoustic ballads with heavy three-part harmony, and is one of the fragile Lennon songs, showing his more insecure side.

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What happened around it?

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'The Night Before' and 'I Need You' came out of the same visits to the studio. One other thing, 5 days before the session, Ringo married Maureen Cox. Meanwhile, 12 days later, filming began on the Help! film, shot in the Bahamas, Austria, and Twickenham Studios.

Did you know?more like this →

This song is the only Beatles song with a IV to v section transition.

Songwriter(s)LennonCredited as Lennon-McCartney
ReleasedApril 9, 1965 (Single)March 7, 1988 (Past Masters)
Song familyFragile LennonVulnerable admission of haunted memoryTwin songsTwin of This Boy: 6/8 acoustic ballads with heavy three-part harmony.

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Text188 tags

Its subject matter runs to motifs of dialogue, plea and relationship, and the writing is confessional in manner. The clothes motif had already turned up on 'Roll Over Beethoven' and 'Matchbox', 2 years before.

Word cloud

Distinctive word

colorplannedscarletspitewore

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Music234 tags

'Yes It Is' runs near 76 BPM in E major, and it is a ballad and pop piece end to end. The key moves from E major to A major in the chorus. Whether it was meant or not, the harmony moves F♯m7 → B7 → E → A → D, the same shape 'Honey Pie' takes as Em7 → A7 → D7 → G → C. The meter is 12/8, not the usual four.

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Studio12 tags

Cut in fourteen takes at Abbey Road, with Harrison rocking a volume-tone pedal to produce the swelling, vocal-like lead guitar lines. The Hammond RT-3 was played by George Martin. They reached for the Ludwig Super Classic, Starr's own kit since 1964, and 1965 is the year he reached for it most. Double tracked vocal was used on it, as on 139 of their records. This was the 4th of the 33 songs the Beatles recorded in 1965, and the 73rd of their career.

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People11 tags

The song is Lennon's, words and voice. George Martin produces and plays, less common for a Beatles record, with classical guitar among the instruments, which turns up on seven Beatles records in all, such as 'And I Love Her' and 'I'll Be Back'. The electric guitar here is volume-pedal swells, lead, and the backing vocals here are a three-part harmony.

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Info17 tags

The track was issued as the B-side to UK/US chart-topper Ticket to Ride, and it charted independently in the US at #46. It did not reach an American album until Beatles VI, two months later, with remaining Beatles For Sale tracks plus early Help! tracks and singles. This track was the 2nd of 33 released in 1965, and the 71st they ever made.

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Sources & references

Tags on this page are original analysis, transcribed and cross-checked against the fine work of others: Alan W. Pollack's “Notes on…” series, the Beatles Complete Scores (Hal Leonard), Mark Lewisohn's session histories, Ian MacDonald's Revolution in the Head, Dave Rybaczewski's Beatles Music History and Andy Babiuk's Beatles Gear for the instruments and studio equipment, and others besides - then verified by ear against the recordings. Full bibliography: Sources & thanks.

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