A Hard Day's Night album cover

I'll Be Back

1964 · A Hard Day's Night

“You know if you break my heart, I'll go”

Lennon's brooding all-acoustic album-closer for A Hard Day's Night - a study in major/minor ambivalence with irregular phrase lengths and no drums. The first Beatles song to flirt openly with folk textures, and a key signal of where Lennon's songwriting was heading.

What is unique about this song?

This record is one of two that show the mark of Del Shannon, with 'From Me to You' as its company, and one of the fragile Lennon songs, where he drops his guard. On A Hard Day's Night this is the only one that shows buddy Holly influence, and also one of fourteen in all.

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What happened around it?

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'Matchbox' and 'I'll Cry Instead' share the session with it. By the time the Beatles cut it, work on A Hard Day's Night had been going four months. In the same weeks, 3 weeks before the session, the Four by the Beatles EP came out. One other thing, 6 weeks later, the Matchbox / Slow Down / Long Tall Sally single also came out.

Did you know?more like this →

This song is the only Beatles song that carries Andalusian cadence.

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Text240 tags

The track reaches for motifs of love, relationship and greetings, and the telling is confessional in tone. There is anaphora in the writing, and the writing draws on Buddy Holly. Incidentally, the line 'I love you' turns up in 19 Beatles songs, among them 'You Really Got a Hold on Me', 'Words of Love' and 'In My Life'.

Word cloud

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Music132 tags

'I'll Be Back' is a folk rock and ballad song, written in A major and taken at about 108 BPM, with Del Shannon influences. The tune carries an appoggiatura leaning against the chord, which also turns up in 'This Boy', eight months earlier. Also, it reaches for a min6 chord, one that thirteen of the Beatles' records feature, such as 'Michelle' and 'Sie Liebt Dich'. As it happens, the harmony moves Bm → E → D → E, the same shape 'Do You Want to Know a Secret' takes as F♯m → B7 → A → B.

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Studio10 tags

Cut on June 1, 1964 at EMI Studio 2 in 16 takes - the band first attempted the song as a 3/4 waltz before abandoning that arrangement, settling on the irregular-phrased 4/4 reading captured on the final master. The Gibson J-160E was Lennon's acoustic, 1964 being the year it turns up most. The session was set up with the Ludwig Downbeat, Starr's own kit since 1963, and the record carries double tracked vocal, as on 139 of their records. It shares its session day with three others, the 47th to the 50th of their career.

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Info17 tags

The song reached the public as an album track on A Hard Day's Night (UK). Held back from the US LP and issued on Capitol's Beatles '65 in December 1964. Never released as a single in any territory. In the running order it closes the album. It got there five months later, with a mix of Beatles For Sale tracks with recent singles including 'I Feel Fine'. This track was the 19th of 35 released in that year, and the 53rd counting from the start.

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Sources & references

Tags on this page are original analysis, transcribed and cross-checked against the fine work of others: Alan W. Pollack's “Notes on…” series, the Beatles Complete Scores (Hal Leonard), Mark Lewisohn's session histories, Ian MacDonald's Revolution in the Head, Dave Rybaczewski's Beatles Music History and Andy Babiuk's Beatles Gear for the instruments and studio equipment, and others besides - then verified by ear against the recordings. Full bibliography: Sources & thanks.

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