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© 2026 Nadav (Nahdi) Lazar. Beatles music © Apple Corps. Fan-made – not affiliated with The Beatles or Apple Corps.

“In the end, the love you take is equal to the love you make.”

SongsPast MastersLong Tall Sally
Sie Liebt Dich·I Call Your Name
Long Tall Sally1964 · Past Masters
Past Masters album cover

Long Tall Sally

1964 · Past Masters

“Saw Uncle John with long, tall Sally”

A blistering cover of Little Richard's 1956 hit, with McCartney delivering an iconic full-throated vocal in a single live take. A staple of the Beatles' live set since the Cavern days, it gave the EP its title and headlined their 1964–66 concerts.
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The Family motif first appears in the Beatles catalogue on 'Long Tall Sally' (1964).

1964Family
Year1964
AlbumPast Masters
Track10
Duration2:02
Songwriter(s)Little Richard, Robert Blackwell, Enotris Johnson
Lead VocalPaul
RecordedMarch 1, 1964
ReleasedJune 19, 1964 (Single)March 7, 1988 (Past Masters)

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Text147 tags

Motif

CommunicationDanceWomenHappinessFamilyStreetLoveCharacterReal peopleStorytellingSex

Title

Person in title

Vocabulary

Casual languagePositive tone

Narrative

First personThird personObservational

Lyrical device

Alliteration

Rhyme type

Multi-syllabic rhymeInternal rhymeFeminine rhymePerfect rhymeIdentical rhyme

Song form

Verse-chorus12-bar blues

Sections

Standard verses (2-4)Standard choruses (1-3)Has outro

Section links

Chorus variationOutro based on chorus

Repetition

Recurring line
Word cloud

Cover-shared words

aboutahalrightbabybackbuiltcomingeverythingeverything'sfungoinggothelonglotmaryneedsnowohowprettysaidsawshesomesweettelltonightwellwowyeaha lotand heback inbut heeverything thatgoing togot agot everythinghad tohe gothe saidi sawi'm gonnalot ofoh babysome funto havewe're goingyeah yeaha lot ofback in thegot everything thatyeah yeah yeahwe'll have some fun

Cover-shared shape

[ADV] in[NOUN] that[VERB] a[VERB] and[VERB] but[VERB] he[VERB] to[WORD] of[WORD] we're[WORD] witha [WORD]gonna [VERB]have [WORD]he [VERB]i [VERB]of [WORD]she [VERB]that [NOUN]the [WORD]to [VERB]with [VERB][ADV] in the[NOUN] that [NOUN][VERB] [ADV] in[VERB] [NOUN] that[VERB] a [WORD][WORD] [VERB] and[WORD] of [WORD]a [WORD] ofand he [VERB]but he [VERB]had to [VERB]have [WORD] [WORD]he [VERB] [ADV]he [VERB] [WORD]i [VERB] [NOUN]i'm gonna [VERB]in the [WORD]she [VERB] [NOUN]that [NOUN] [WORD]to [VERB] butto have [WORD][ADV] in the [WORD][VERB] a [WORD] of[VERB] and he [VERB]a [WORD] of [WORD]he [VERB] [ADV] inhe [VERB] [WORD] [WORD]i [VERB] [NOUN] [WORD]i'm gonna [VERB] [WORD]that [NOUN] [WORD] [VERB]we'll have [WORD] [WORD][VERB] a [WORD] of [WORD]

Rhyme scheme

AAABCAAABAAABUnique rhyme scheme

Line length

10-159-10Unique line length

Music122 tags

Arrangement

Lead vocalsElectric guitarLead guitarRhythm guitarBass guitarPianoDrums

Instrument group

GuitarsKeyboards

Guitar work

Guitar solo

Music genre

Rock and rollRock

Vocal work

ScreamBelted vocals

Solo / Riff

Guitar soloSolo on chorus

Tempo

Very fast

Key

G major

Time signature

4/4

Song form

Verse-chorusABABAB12-bar blues

Sections

Standard verses (2-4)Standard choruses (1-3)Has outroMultiple solos (2+)Has solo

Section traits

Long chorus

Section links

Chorus variationOutro based on chorusSolo on chorus

Section transition

I to IVV to II to I

Harmony

Half cadencePlagal cadenceRock/Mixolydian cadence

Composition

All major chordsTonic openingTonic endingMinimal harmonyChorus in IVerse in IChorus in IVTonic verseTonic chorusNon-tonic chorus

Mode

Ionian

Chord type

majordom79

Scale degree

II9IVIV7V7

Chord degree

IV–II–VV–IVIV–I–VI–V–IVV–IV–II–IVI–IV–I–VI–II–V–IV–I–V–IVIV–I–V–IV–IIV–I–IIV–I–V–IV–I–VI–IV–I–V–IVI–IV–I–V–IV–I–V

Chord shape

C → G → D → C → GC → GC → G7C → B♭C7 → B♭7C → G → DC → G → D7C → G → FC → B♭ → FC → FC → F → C → GC7 → B♭C → CC → C9C → G → F → C → G → FC → B♭ → F → C → B♭ → FC7 → GC → F → C → G → FC → G → GC → F → C → G → F → C → GC → F → C → G7C7 → B♭7 → FC7 → G → D7C → G7 → F7C7 → B♭ → FC → G7 → FC → G → D → C → G → D

Chord literal

C → GG → DC → G → DG → CG → G9G → D7G → D7 → CC7 → G → D7C → G → D → C → G → DD7 → C → GD7 → C7 → GG → C → G → D7D → C → GD7 → CG → C → G → D → C → G → DD7 → C7C → G → GG → C → G → D → CD → CG → GG → C → G → DG → D → CC7 → GC → G → D7

Studio11 tags

Equipment

Rickenbacker 325Hofner 500/1Vox AC30Gretsch 6122 Country GentlemanTelefunken M10 4-track recorderLudwig DownbeatSteinway VertegrandEMI REDD.51 console

Recording location

EMI Studio 2EMI Studios

Session duration

Single day

People10 tags

Unique personnel
Role swapProducer plays
Line-up
John Lennon
Electric lead guitarElectric rhythm guitar
Paul McCartney
Lead vocalsBass guitarPiano
George Harrison
Electric lead guitar
Ringo Starr
Drums
George Martin
ProducerPiano
Songwriter
Enotris JohnsonLittle RichardRobert Blackwell
Producer
George Martin
Recording engineer
Norman Smith
Assistant engineer
Richard Langham

Info15 tags

Release type

Song on EPSong on Anthology

US release

The Beatles' Second Album

Release mix

MonoStereo

Label

ParlophoneCapitol

Publisher

Venice Music

Cover origin

Rock and Roll

Recording type

First take

Song type

Cover

Duration

Short
Sources & references

Tags on this page are original analysis, transcribed and cross-checked against the fine work of others: Alan W. Pollack's “Notes on…” series, the Beatles Complete Scores (Hal Leonard), Mark Lewisohn's session histories, Ian MacDonald's Revolution in the Head, Dave Rybaczewski's Beatles Music History and Andy Babiuk's Beatles Gear for the instruments and studio equipment, and others besides – then verified by ear against the recordings. Full bibliography: Sources & thanks.

External entity links: Wikipedia · MusicBrainz recording

Updated 2026-05-28

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Past Masters album cover
VinylCD

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Year1964
AlbumPast Masters
Track10
Duration2:02
Songwriter(s)Little Richard, Robert Blackwell, Enotris Johnson
Lead VocalPaul
RecordedMarch 1, 1964
ReleasedJune 19, 1964 (Single)March 7, 1988 (Past Masters)
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