EMI REDD.51 console

Komm, Gib Mir Deine Hand

Cut 1964-01-29, when the REDD.51 replaced it in January 1964 and stayed in use through 1968

I Call Your Name

Studio Two's desk from January 1964, in place for the 1 March 1964 session

Can't Buy Me Love

Cut 1964-01-29, when the REDD.51 replaced it in January 1964 and stayed in use through 1968

You Can't Do That

I'll Cry Instead

When I Get Home

Things We Said Today

I Should Have Known Better

I'm Happy Just to Dance with You

If I Fell

Tell Me Why

Any Time at All

And I Love Her

A Hard Day's Night

I'll Be Back

She's a Woman

I Feel Fine

What You're Doing

Studio Two's desk from January 1964 to 1968, covering the autumn 1964 sessions for this song

I'm a Loser

Baby's in Black

I Don't Want to Spoil the Party

Eight Days a Week

I'll Follow the Sun

No Reply

Every Little Thing

Ticket to Ride

Yes It Is

I'm Down

Help!

The generic 'EMI REDD console' tag should specify the actual desk: EMI Studio Two (where Help!

Another Girl

I Need You

Studio Two's desk from January 1964, in place through the Help! sessions

You've Got to Hide Your Love Away

You Like Me Too Much

The Night Before

You're Going to Lose That Girl

It's Only Love

I've Just Seen a Face

Tell Me What You See

Yesterday

Cut 1965-06-14, when the REDD.51 replaced it in January 1964 and stayed in use through 1968

Run for Your Life

Michelle

The REDD.51 was Studio 2's console for the Beatles' 'Help!

I'm Looking Through You

Studio Two's desk

Girl

Norwegian Wood (This Bird Has Flown)

In My Life

Drive My Car

You Won't See Me

Nowhere Man

Day Tripper

What Goes On

If I Needed Someone

Wait

We Can Work It Out

The Word

Think for Yourself

Rain

The REDD.51 replaced the REDD.37 in Studio Two in January 1964 and stayed until 1968

Paperback Writer

The REDD.51 replaced the REDD.37 in Studio Two in January 1964 and stayed until 1968

Tomorrow Never Knows

The REDD.51 replaced the REDD.37 in Studio Two in January 1964 and stayed until 1968

Love You To

I Want to Tell You

Taxman

Got to Get You into My Life

She Said She Said

The REDD.51 replaced the REDD.37 in Studio Two in January 1964 and stayed until 1968

Doctor Robert

Studio Two's desk right through the Revolver sessions, including this one

Here, There and Everywhere

I'm Only Sleeping

And Your Bird Can Sing

For No One

Good Day Sunshine

Studio Two's desk from January 1964, and the one in the room for the Revolver sessions

Yellow Submarine

Eleanor Rigby

Penny Lane

Strawberry Fields Forever

A Day in the Life

With a Little Help from My Friends

Sgt. Pepper's Lonely Hearts Club Band (Reprise)

The REDD.51 replaced the REDD.37 in Studio Two in January 1964 and stayed until 1968

Good Morning Good Morning

Being for the Benefit of Mr. Kite!

Within You Without You

Getting Better

Lucy in the Sky with Diamonds

Cut 1967-02-28, when the REDD.51 replaced it in January 1964 and stayed in use through 1968

Sgt. Pepper's Lonely Hearts Club Band

Fixing a Hole

Cut 1967-02-09, when the REDD.51 replaced it in January 1964 and stayed in use through 1968

Lovely Rita

When I'm Sixty-Four

EMI Studio 2's control room used the REDD.51 desk (installed 1964) throughout the Revolver/Sgt.

She's Leaving Home

All You Need Is Love

EMI Studio 1/2 desk in mid-1967

I Am the Walrus

Hello, Goodbye

The Fool on the Hill

Your Mother Should Know

Blue Jay Way

Magical Mystery Tour

The REDD.51 replaced the REDD.37 in Studio Two in January 1964 and stayed until 1968

Flying

The Inner Light

Cut 1968-01-12, when the REDD.51 replaced it in January 1964 and stayed in use through 1968

Lady Madonna

The REDD.51 replaced the REDD.37 in Studio Two in January 1964 and stayed until 1968

Revolution

Cut 1968-07-09, when the REDD.51 replaced it in January 1964 and stayed in use through 1968

I Will

Cut 1968-09-16, when the REDD.51 replaced it in January 1964 and stayed in use through 1968

Helter Skelter

Cut 1968-07-18, when the REDD.51 replaced it in January 1964 and stayed in use through 1968

Cry Baby Cry

Cut 1968-07-16, when the REDD.51 replaced it in January 1964 and stayed in use through 1968

Revolution 1

Yer Blues

Glass Onion

Birthday

I'm So Tired

Piggies

The Continuing Story of Bungalow Bill

Cut 1968-10-08, when the REDD.51 replaced it in January 1964 and stayed in use through 1968

Sexy Sadie

Cut 1968-07-19, when the REDD.51 replaced it in January 1964 and stayed in use through 1968

Rocky Raccoon

Cut 1968-08-15, when the REDD.51 replaced it in January 1964 and stayed in use through 1968

While My Guitar Gently Weeps

Cut 1968-07-25, when the REDD.51 replaced it in January 1964 and stayed in use through 1968

Mother Nature's Son

Cut 1968-08-09, when the REDD.51 replaced it in January 1964 and stayed in use through 1968

Revolution 9

Julia

Cut 1968-10-13, when the REDD.51 replaced it in January 1964 and stayed in use through 1968

Long, Long, Long

Why Don't We Do It in the Road?

Cut 1968-10-09, when the REDD.51 replaced it in January 1964 and stayed in use through 1968

Happiness Is a Warm Gun

Cut 1968-09-23, when the REDD.51 replaced it in January 1964 and stayed in use through 1968

Back in the U.S.S.R.

Ob-La-Di, Ob-La-Da

Good Night

Cut 1968-06-28, when the REDD.51 replaced it in January 1964 and stayed in use through 1968

Wild Honey Pie

Cut 1968-08-20, when the REDD.51 replaced it in January 1964 and stayed in use through 1968

Blackbird

Cut 1968-06-11, when the REDD.51 replaced it in January 1964 and stayed in use through 1968

Don't Pass Me By

Everybody's Got Something to Hide Except Me and My Monkey

Cut 1968-06-26, when the REDD.51 replaced it in January 1964 and stayed in use through 1968

All Together Now

Cut 1967-05-12, when the REDD.51 replaced it in January 1964 and stayed in use through 1968

Only a Northern Song

The REDD.51 replaced the REDD.37 in Studio Two in January 1964 and stayed until 1968

Hey Bulldog

Cut 1968-02-11, when the REDD.51 replaced it in January 1964 and stayed in use through 1968

Get Back

Don't Let Me Down

Across the Universe (Wildlife version)

Cut 1968-02-04, when the REDD.51 replaced it in January 1964 and stayed in use through 1968

Let It Be

EMI carried its REDD desks to Apple's Savile Row basement for the Get Back sessions

You Know My Name (Look Up the Number)

The REDD.51 replaced the REDD.37 in Studio Two in January 1964 and stayed until 1968

Dig It

One After 909

The Long and Winding Road

EMI carried its REDD desks to Apple's Savile Row basement for the Get Back sessions

I've Got a Feeling

Two of Us

For You Blue

Dig a Pony

Across the Universe

Cut 1968-02-04, when the REDD.51 replaced it in January 1964 and stayed in use through 1968