| 1 | Komm, Gib Mir Deine Hand | 1964 | Past Masters | John, Paul | Cut 1964-01-29, when the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 2 | I Call Your Name | 1964 | Past Masters | John | The generic 'EMI REDD console' tag should specify the actual desk in place at the time: the REDD.51 was installed in EMI Studio Two in January 1964… |
| 3 | Can't Buy Me Love | 1964 | A Hard Day's Night | Paul | Cut 1964-01-29, when the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 4 | You Can't Do That | 1964 | A Hard Day's Night | John | – |
| 5 | And I Love Her | 1964 | A Hard Day's Night | Paul | – |
| 6 | I'll Cry Instead | 1964 | A Hard Day's Night | John | – |
| 7 | Things We Said Today | 1964 | A Hard Day's Night | Paul | – |
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| 8 | I Should Have Known Better | 1964 | A Hard Day's Night | John | – |
| 9 | When I Get Home | 1964 | A Hard Day's Night | John | – |
| 10 | I'm Happy Just to Dance with You | 1964 | A Hard Day's Night | George | – |
| 11 | I'll Be Back | 1964 | A Hard Day's Night | John | – |
| 12 | A Hard Day's Night | 1964 | A Hard Day's Night | John, Paul | – |
| 13 | Any Time at All | 1964 | A Hard Day's Night | John | – |
| 14 | Tell Me Why | 1964 | A Hard Day's Night | John | – |
| 15 | If I Fell | 1964 | A Hard Day's Night | John, Paul | – |
| 16 | I Feel Fine | 1964 | Past Masters | John | – |
| 17 | She's a Woman | 1964 | Past Masters | Paul | – |
| 18 | Baby's in Black | 1964 | Beatles For Sale | John, Paul | – |
| 19 | Every Little Thing | 1964 | Beatles For Sale | John | – |
| 20 | I'm a Loser | 1964 | Beatles For Sale | John | – |
| 21 | No Reply | 1964 | Beatles For Sale | John | – |
| 22 | I'll Follow the Sun | 1964 | Beatles For Sale | Paul | – |
| 23 | I Don't Want to Spoil the Party | 1964 | Beatles For Sale | John | – |
| 24 | Eight Days a Week | 1964 | Beatles For Sale | John | – |
| 25 | What You're Doing | 1964 | Beatles For Sale | Paul | The specific desk installed in Studio Two - the Beatles' home studio - from January 1964 through 1968 was the EMI REDD.51 (per EMI Studios'… |
| 26 | Yes It Is | 1965 | Past Masters | John, Paul, George | – |
| 27 | Ticket to Ride | 1965 | Help! | John | – |
| 28 | I'm Down | 1965 | Past Masters | Paul | – |
|
| 29 | Help! | 1965 | Help! | John | The generic 'EMI REDD console' tag should specify the actual desk: EMI Studio Two (where Help! |
| 30 | You Like Me Too Much | 1965 | Help! | George | – |
| 31 | The Night Before | 1965 | Help! | Paul | – |
| 32 | Another Girl | 1965 | Help! | Paul | – |
| 33 | Tell Me What You See | 1965 | Help! | John, Paul | – |
| 34 | I've Just Seen a Face | 1965 | Help! | Paul | – |
| 35 | It's Only Love | 1965 | Help! | John | – |
| 36 | You're Going to Lose That Girl | 1965 | Help! | John | – |
| 37 | Yesterday | 1965 | Help! | Paul | Cut 1965-06-14, when the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 38 | I Need You | 1965 | Help! | George | Precision refinement, not a factual error: the REDD.51 was installed in EMI Studio Two in January 1964 and remained the desk used there through the… |
| 39 | You've Got to Hide Your Love Away | 1965 | Help! | John | – |
| 40 | In My Life | 1965 | Rubber Soul | John | – |
| 41 | The Word | 1965 | Rubber Soul | John, Paul | – |
| 42 | We Can Work It Out | 1965 | Past Masters | Paul, John | – |
| 43 | Wait | 1965 | Rubber Soul | John, Paul | – |
| 44 | If I Needed Someone | 1965 | Rubber Soul | George | – |
| 45 | What Goes On | 1965 | Rubber Soul | Ringo | – |
| 46 | Day Tripper | 1965 | Past Masters | John, Paul | – |
| 47 | Nowhere Man | 1965 | Rubber Soul | John | – |
| 48 | Run for Your Life | 1965 | Rubber Soul | John | – |
| 49 | You Won't See Me | 1965 | Rubber Soul | Paul | – |
| 50 | Michelle | 1965 | Rubber Soul | Paul | The REDD.51 was Studio 2's console for the Beatles' 'Help! |
| 51 | I'm Looking Through You | 1965 | Rubber Soul | Paul | Studio Two's desk |
| 52 | Think for Yourself | 1965 | Rubber Soul | George | – |
| 53 | Girl | 1965 | Rubber Soul | John | – |
| 54 | Norwegian Wood (This Bird Has Flown) | 1965 | Rubber Soul | John | – |
| 55 | Drive My Car | 1965 | Rubber Soul | Paul, John | – |
| 56 | Rain | 1966 | Past Masters | John | Resolved from the generic REDD: the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 57 | Paperback Writer | 1966 | Past Masters | Paul | Resolved from the generic REDD: the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 58 | Here, There and Everywhere | 1966 | Revolver | Paul | – |
| 59 | She Said She Said | 1966 | Revolver | John | Resolved from the generic REDD: the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 60 | Got to Get You into My Life | 1966 | Revolver | Paul | – |
| 61 | I Want to Tell You | 1966 | Revolver | George | – |
| 62 | Good Day Sunshine | 1966 | Revolver | Paul | Studio Two at EMI Studios had the REDD.51 tube console installed from 1964 and it was the desk in continuous use there through the Revolver sessions… |
| 63 | Doctor Robert | 1966 | Revolver | John | The generic 'EMI REDD console' value is imprecise: EMI Studio Two's REDD.37 was replaced by the REDD.51 in January 1964, and the REDD.51 was… |
| 64 | Love You To | 1966 | Revolver | George | – |
| 65 | Taxman | 1966 | Revolver | George | – |
| 66 | Eleanor Rigby | 1966 | Revolver | Paul | – |
| 67 | Yellow Submarine | 1966 | Revolver | Ringo | – |
| 68 | For No One | 1966 | Revolver | Paul | – |
| 69 | And Your Bird Can Sing | 1966 | Revolver | John | – |
| 70 | I'm Only Sleeping | 1966 | Revolver | John | – |
| 71 | Tomorrow Never Knows | 1966 | Revolver | John | Resolved from the generic REDD: the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 72 | Strawberry Fields Forever | 1967 | Magical Mystery Tour | John | – |
| 73 | Penny Lane | 1967 | Magical Mystery Tour | Paul | – |
| 74 | With a Little Help from My Friends | 1967 | Sgt. Pepper's Lonely Hearts Club Band | Ringo | – |
| 75 | Sgt. Pepper's Lonely Hearts Club Band | 1967 | Sgt. Pepper's Lonely Hearts Club Band | Paul | – |
| 76 | She's Leaving Home | 1967 | Sgt. Pepper's Lonely Hearts Club Band | Paul, John | The generic 'EMI REDD console' value is not wrong but is imprecise given the scope calls for specific gear/models. |
| 77 | When I'm Sixty-Four | 1967 | Sgt. Pepper's Lonely Hearts Club Band | Paul | EMI Studio 2's control room used the REDD.51 desk (installed 1964) throughout the Revolver/Sgt. |
| 78 | A Day in the Life | 1967 | Sgt. Pepper's Lonely Hearts Club Band | John, Paul | – |
| 79 | Lovely Rita | 1967 | Sgt. Pepper's Lonely Hearts Club Band | Paul | – |
| 80 | Sgt. Pepper's Lonely Hearts Club Band (Reprise) | 1967 | Sgt. Pepper's Lonely Hearts Club Band | Paul, John, George | Resolved from the generic REDD: the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 81 | Fixing a Hole | 1967 | Sgt. Pepper's Lonely Hearts Club Band | Paul | Cut 1967-02-09, when the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 82 | Lucy in the Sky with Diamonds | 1967 | Sgt. Pepper's Lonely Hearts Club Band | John | Cut 1967-02-28, when the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 83 | Being for the Benefit of Mr. Kite! | 1967 | Sgt. Pepper's Lonely Hearts Club Band | John | – |
| 84 | Within You Without You | 1967 | Sgt. Pepper's Lonely Hearts Club Band | George | – |
| 85 | Getting Better | 1967 | Sgt. Pepper's Lonely Hearts Club Band | Paul | – |
| 86 | Good Morning Good Morning | 1967 | Sgt. Pepper's Lonely Hearts Club Band | John | – |
| 87 | All You Need Is Love | 1967 | Magical Mystery Tour | John | EMI Studio 1/2 desk in mid-1967 |
| 88 | Hello, Goodbye | 1967 | Magical Mystery Tour | Paul | – |
| 89 | I Am the Walrus | 1967 | Magical Mystery Tour | John | – |
| 90 | Magical Mystery Tour | 1967 | Magical Mystery Tour | Paul | Resolved from the generic REDD: the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 91 | The Fool on the Hill | 1967 | Magical Mystery Tour | Paul | – |
| 92 | Your Mother Should Know | 1967 | Magical Mystery Tour | Paul | – |
| 93 | Blue Jay Way | 1967 | Magical Mystery Tour | George | – |
| 94 | Flying | 1967 | Magical Mystery Tour | – | – |
| 95 | Lady Madonna | 1968 | Past Masters | Paul | Resolved from the generic REDD: the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 96 | The Inner Light | 1968 | Past Masters | George | Cut 1968-01-12, when the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 97 | Revolution | 1968 | Past Masters | John | Cut 1968-07-09, when the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 98 | Wild Honey Pie | 1968 | The Beatles (The White Album) | Paul | Cut 1968-08-20, when the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 99 | Cry Baby Cry | 1968 | The Beatles (The White Album) | John | Cut 1968-07-16, when the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 100 | Everybody's Got Something to Hide Except Me and My Monkey | 1968 | The Beatles (The White Album) | John | Cut 1968-06-26, when the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 101 | Don't Pass Me By | 1968 | The Beatles (The White Album) | Ringo | – |
| 102 | Happiness Is a Warm Gun | 1968 | The Beatles (The White Album) | John | Cut 1968-09-23, when the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 103 | Piggies | 1968 | The Beatles (The White Album) | George | – |
| 104 | Helter Skelter | 1968 | The Beatles (The White Album) | Paul | Cut 1968-07-18, when the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 105 | Julia | 1968 | The Beatles (The White Album) | John | Cut 1968-10-13, when the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 106 | Mother Nature's Son | 1968 | The Beatles (The White Album) | Paul | Cut 1968-08-09, when the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 107 | Rocky Raccoon | 1968 | The Beatles (The White Album) | Paul | Cut 1968-08-15, when the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 108 | Sexy Sadie | 1968 | The Beatles (The White Album) | John | Cut 1968-07-19, when the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 109 | The Continuing Story of Bungalow Bill | 1968 | The Beatles (The White Album) | John | Cut 1968-10-08, when the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 110 | While My Guitar Gently Weeps | 1968 | The Beatles (The White Album) | George | Cut 1968-07-25, when the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 111 | Back in the U.S.S.R. | 1968 | The Beatles (The White Album) | Paul | – |
| 112 | Why Don't We Do It in the Road? | 1968 | The Beatles (The White Album) | Paul | Cut 1968-10-09, when the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 113 | Revolution 9 | 1968 | The Beatles (The White Album) | – | – |
| 114 | Ob-La-Di, Ob-La-Da | 1968 | The Beatles (The White Album) | Paul | – |
| 115 | I'm So Tired | 1968 | The Beatles (The White Album) | John | – |
| 116 | Birthday | 1968 | The Beatles (The White Album) | Paul, John | – |
| 117 | Glass Onion | 1968 | The Beatles (The White Album) | John | – |
| 118 | Yer Blues | 1968 | The Beatles (The White Album) | John | – |
| 119 | Revolution 1 | 1968 | The Beatles (The White Album) | John | – |
| 120 | Blackbird | 1968 | The Beatles (The White Album) | Paul | Cut 1968-06-11, when the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 121 | I Will | 1968 | The Beatles (The White Album) | Paul | Cut 1968-09-16, when the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 122 | Long, Long, Long | 1968 | The Beatles (The White Album) | George | – |
| 123 | Good Night | 1968 | The Beatles (The White Album) | Ringo | Cut 1968-06-28, when the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 124 | Only a Northern Song | 1969 | Yellow Submarine | George | Resolved from the generic REDD: the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 125 | All Together Now | 1969 | Yellow Submarine | Paul, John | Cut 1967-05-12, when the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 126 | Hey Bulldog | 1969 | Yellow Submarine | John | Cut 1968-02-11, when the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 127 | Get Back | 1969 | Let It Be | Paul | – |
| 128 | Don't Let Me Down | 1969 | Past Masters | John, Paul | – |
| 129 | Across the Universe (Wildlife version) | 1969 | Past Masters | John | Cut 1968-02-04, when the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 130 | Let It Be | 1970 | Let It Be | Paul | EMI carried its REDD desks to Apple's Savile Row basement for the Get Back sessions |
| 131 | You Know My Name (Look Up the Number) | 1970 | Past Masters | John, Paul | Resolved from the generic REDD: the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 132 | I've Got a Feeling | 1970 | Let It Be | Paul, John | – |
| 133 | Dig a Pony | 1970 | Let It Be | John | – |
| 134 | Across the Universe | 1970 | Let It Be | John | Cut 1968-02-04, when the REDD.51 replaced it in January 1964 and stayed in use through 1968 |
| 135 | For You Blue | 1970 | Let It Be | George | – |
| 136 | Two of Us | 1970 | Let It Be | Paul, John | – |
| 137 | Dig It | 1970 | Let It Be | John | – |
| 138 | The Long and Winding Road | 1970 | Let It Be | Paul | EMI carried its REDD desks to Apple's Savile Row basement for the Get Back sessions |
| 139 | One After 909 | 1970 | Let It Be | John, Paul | – |