Past Masters album cover

I Call Your Name

1964 · Past Masters

“Oh, I can't sleep at night since you've been gone”

One of Lennon's earliest compositions, first given to Billy J. Kramer as a B-side before the Beatles cut their own version. Notable for the middle eight's ska-influenced dotted rhythm - one of the first ska appropriations in British pop.

What is unique about this song?

This record is one of three that show the mark of ska, the others are 'Ob-La-Di, Ob-La-Da' and 'Old Brown Shoe', and one of the early songs, and also one of the songs the Beatles gave away.

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What happened around it?

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The same day gave them 'Long Tall Sally' and 'I'm Happy Just to Dance with You'. In the same weeks, two weeks before its release, filming began on the A Hard Day's Night film, shot in black and white by Richard Lester over seven weeks. Then 3 days later, the Sie Liebt Dich / Komm, Gib Mir Deine Hand single came out. Besides that, 2 weeks later, the You Can't Do That single also came out, issued worldwide as the B-side of 'Can't Buy Me Love', and it charted independently at #48 on the US Billboard Hot 100, an unusually strong B-side showing.

Did you know?more like this →

The line "I can't go on" turns up in 3 Beatles songs: 'I Call Your Name', 'We Can Work It Out', and 'You've Got to Hide Your Love Away'.

Songwriter(s)LennonCredited as Lennon-McCartney
RecordedMarch 1, 1964
ReleasedMarch 16, 1964 (Single)March 7, 1988 (Past Masters)
Song familyWritten for others'I Call Your Name' was handed to Billy J.Early songBegun by Lennon in 1958

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Text148 tags

The lyric takes in the motifs of sadness, loneliness and plea, and the words are confessional in manner. It reaches once for extrametrical rhyme ("take it / make"), a habit that peaked in 1963. The writing draws on Buddy Holly. For anyone keeping count, the line "I can't go on" turns up in 3 Beatles songs, among them 'You've Got to Hide Your Love Away' and 'We Can Work It Out'.

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Music135 tags

In E major at roughly 120 BPM, 'I Call Your Name' is a ska and rock song, with ska influences. The tune carries an ostinato, one figure repeating underneath (a lead-guitar figure through the bridge, close cousin to the one in Hold Me Tight), which also turns up in 'Hold Me Tight', six months earlier. Also, it has a guitar solo. Fun fact, the chords run E → C♯7 → F♯7 → B7, the same shape 'Good Day Sunshine' plays as A → F♯7 → B7 → E7.

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Studio10 tags

Cut in seven takes at EMI Studio 2, with Harrison featuring his new Rickenbacker 360/12 electric twelve-string. Lennon reached for the Rickenbacker 325, his rhythm guitar on 1 March 1964, delivered new during the February visit to America, something they had reached for on 'Boys' a year earlier. They reached for the Ludwig Downbeat, Starr's own kit since 1963. Double tracked vocal shaped the finished record, as on 139 of their records. It shares its session day with two others, the 43rd to the 45th of their career.

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Info17 tags

This song was issued as the B-side of the US Capitol single You Can't Do That, which reached the Billboard top ten. In the UK it led the Long Tall Sally EP. The Beatles' Second Album gathered it up in America four weeks later, on Capitol, with leftover With The Beatles tracks plus singles and EP tracks not on Meet The Beatles!. The Beatles have 4 songs written by a Beatle for another artist to record, and they are 'I Wanna Be Your Man', 'Come Together', 'Something' and this one. This is their 38th record, and the 4th of the 35 they released in 1964.

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Sources & references

Tags on this page are original analysis, transcribed and cross-checked against the fine work of others: Alan W. Pollack's “Notes on…” series, the Beatles Complete Scores (Hal Leonard), Mark Lewisohn's session histories, Ian MacDonald's Revolution in the Head, Dave Rybaczewski's Beatles Music History and Andy Babiuk's Beatles Gear for the instruments and studio equipment, and others besides - then verified by ear against the recordings. Full bibliography: Sources & thanks.

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