“Feeling two-foot small”
What is unique about this song?
This song is one of only two that have a flute solo, next to 'The Fool on the Hill', and one of the fragile Lennon songs, showing his more insecure side. It is the first Beatles record with woodwind on it, and still the only one on Help!, out of 22 in the catalogue. Of the four Beatles records that use a sus2 chord, this is the earliest. It brings in woodwind, and this is the first Beatles record to carry woodwind, with the bar running to 6/8.
What happened around it?
see full timeline →The same day gave them 'Tell Me What You See', and the band were recording 'The Night Before' in the same days. In passing, 7 days before the session, Ringo married Maureen Cox. Meanwhile, 12 days later, filming began on the Help! film, shot in the Bahamas, Austria, and Twickenham Studios.
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Text218 tags
The lyric puts its case as a question ("How can I even try?"), and it touches the motifs of relationship and self deprecation. It is confessional, a habit that peaked in 1968. The title carries the word get and also has the word love in it, and the writing takes after Bob Dylan. Fun fact, the line "Let me hear you say" turns up in one other Beatles song, 'Words of Love'.
Recurring words
Lyric shape
Cover-shared shape
Distinctive word
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Music168 tags
Written in G major and taken at about 96 BPM, 'You've Got to Hide Your Love Away' is a folk rock and ballad piece. Also, listen to a capo high on the neck (capo on Lennon's acoustic) and a kit played with brushes. One for the curious, the chords run F → G → C → F → C → G, the same shape 'Baby's in Black' plays as D7 → E7 → A → D → A → E. This song is the earliest of their records to feature flute.
Chord shape
Chord literal
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Studio10 tags
Cut in nine takes at EMI Studio 2, with session player John Scott later overdubbing alto and tenor flutes onto the outro. The Hofner 500/1 was McCartney's bass, a habit that peaked in 1964. The kit in the room included the Ludwig Super Classic, Starr's own kit since 1964. The band reached for double tracked vocal on this one, as on 139 of their records. It shares its session day with one others, the 76th and 77th of their career.
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People11 tags
This one is Lennon's, written and sung. Tenor flute, 12-string acoustic, flute and alto flute were brought in for it, three of them new to a Beatles record.
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Info18 tags
This track reached the public on August 6, 1965, with Help!, and was never a single. Beyond the record itself, it is widely covered (the Silkie, Eddie Vedder, Oasis). In America it arrived seven days later, on Help! (US), a Capitol record, with Only 7 Beatles tracks (versus 14 on the UK album), with 5 Ken Thorne orchestral score tracks filling side two. The song is in one of their films as well as on the record. This is their 76th record, and the 7th of the 33 they released in that year.
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Sources & references
Tags on this page are original analysis, transcribed and cross-checked against the fine work of others: Alan W. Pollack's “Notes on…” series, the Beatles Complete Scores (Hal Leonard), Mark Lewisohn's session histories, Ian MacDonald's Revolution in the Head, Dave Rybaczewski's Beatles Music History and Andy Babiuk's Beatles Gear for the instruments and studio equipment, and others besides - then verified by ear against the recordings. Full bibliography: Sources & thanks.
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