Beatles For Sale album cover

Words of Love

1964 · Beatles For Sale

“Words of love you whisper soft and true”

A faithful cover of Buddy Holly's 1957 single, with Lennon and McCartney sharing a doubled close-harmony lead to honour Holly's pioneering double-tracked vocal. Harrison's double-tracked Tennessean figure traces Holly's original guitar line note-for-note - the Beatles' clearest and most affectionate tribute to a formative influence.

What is unique about this song?

This record is one of three songs that started life as a country record, 'Act Naturally' and 'Honey Don't' among them, and one of the Beatles' love songs as well. Of everything Buddy Holly wrote, this is the only one the Beatles put on a record. Oddly, the mono and the stereo versions differ (mono runs 2:12, stereo 2:02).

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What happened around it?

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'I'll Follow the Sun' and 'Rock and Roll Music' went down at the same sitting. It came out of the marathon session that produced most of Beatles For Sale. As it happened, on the day of the session, feedback was used on a pop record for the first time, on 'I Feel Fine', recorded at Abbey Road.

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This song is the only Beatles song with the AAAA song form.

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Text126 tags

Thematically it touches on communication, plea and sound. The title has the word love in it, which the Beatles had last done on 'All My Loving' a year earlier, and the language is very spare. Whether it was meant or not, the line "Let me hear you say" turns up in one other Beatles song, 'You've Got to Hide Your Love Away'. In 1964, more of their songs put love in the title than in any other year: 3 of them, 'And I Love Her', 'Can't Buy Me Love', and this song.

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Music81 tags

Written in A major and taken at about 122 BPM, 'Words of Love' is a rock and roll and pop piece. Listen for the defining riff, holly's two-note electric guitar figure, double tracked by Harrison. Verse after verse and nothing else, which makes the song strophic, one of sixteen, such as 'Matchbox' and 'Mr. Moonlight'.

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Studio11 tags

Cut on October 18, 1964 at EMI Studio 2 - two takes plus a vocal overdub, with Ringo striking a packing case rather than his snare for the backbeat. Released in distinct mono and stereo mixes (2:12 / 2:02). The Rickenbacker 325 on it was Lennon's guitar, which they had last done on 'Boys' a year earlier. Six songs share the day with this one among them, the 63rd to the 68th of their career.

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People11 tags

Buddy Holly wrote it, and Lennon and McCartney share the lead. It has everybody in their usual roles, with Lennon on rhythm guitar, McCartney on bass, Harrison on lead guitar and Starr on drums, and 12-string guitar is in there too. Starr is credited with packing case struck for the backbeat, a habit that peaked in 1965.

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Info18 tags

The track was never released as a single, arriving instead with Beatles For Sale, December 4, 1964. It reached America six months later, on the Capitol album Beatles VI. This is their 64th record, and the 30th of the 35 they released in that year.

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Sources & references

Tags on this page are original analysis, transcribed and cross-checked against the fine work of others: Alan W. Pollack's “Notes on…” series, the Beatles Complete Scores (Hal Leonard), Mark Lewisohn's session histories, Ian MacDonald's Revolution in the Head, Dave Rybaczewski's Beatles Music History and Andy Babiuk's Beatles Gear for the instruments and studio equipment, and others besides - then verified by ear against the recordings. Full bibliography: Sources & thanks.

External entity links: Wikipedia · MusicBrainz recording · MusicBrainz work · Wikidata

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