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© 2026 Nadav (Nahdi) Lazar. Beatles music © Apple Corps. Fan-made – not affiliated with The Beatles or Apple Corps.

“In the end, the love you take is equal to the love you make.”

SongsRevolverGot to Get You into My Life
I Want to Tell You·Tomorrow Never Knows
Got to Get You into My Life1966 · Revolver
Revolver album cover

Got to Get You into My Life

1966 · Revolver

“I was alone, I took a ride”

McCartney composition for Revolver, lead vocal by McCartney. The Beatles' first track to use a horn section – three trumpets and two tenor saxes close-miked through a limiter – in a Motown/Stax-styled R&B arrangement.
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24 Beatles recordings feature a brass section. The first was 'Got to Get You into My Life' (1966).

1966TrumpetTromboneFrench hornArrangement
Year1966
AlbumRevolver
Track13 · Side 2
Duration2:30
Songwriter(s)McCartneyCredited as Lennon–McCartney
Lead VocalPaul
RecordedApril 7, 1966 – June 17, 1966
ReleasedAugust 5, 1966

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Text308 tags

Motif

LoveDrugsAutobiographyHappinessPleaQuestionStreetLonelinessRelationshipTimeSelf reflectionCommunicationTruthSmoking

Influence

R&B influence

Title

Long titlePronoun in titleGet in title

Vocabulary

Positive toneCasual language

Narrative

First personConversationalSecond personImperative

Lyrical device

Double meaning

Rhyme type

Extrametrical rhymeInternal rhymePerfect rhymeIdentical rhyme

Song form

Verse-chorus

Sections

Has outroStandard verses (2-4)Many choruses (4+)Has introHas bridgeHas codaMultiple bridges (2+)

Section links

Chorus variationOutro based on verseIntro based on chorusCoda based on verse

Repetition

Recurring lineRecurring verse
Word cloud

Recurring words

findliemaybemeetmindrideroadsuddenlytogetherwanteda rideand hadand ifcould seeday ofdid ididn't knowdo ievery dayfor iget youhad youhear mehold youi bei seei wantedi wasi wouldi'll neverif iif i'min timejust tokind ofknow theknow whatnear menever leaveof mindsee yousingle dayto getto holdtold youtook awe'll bewhen i'myou iand i wantand if ii see youi was alonei've got toknow the wayknow what imeant to bethe way thereto be nearto get youto hear meto hold youwhen i'm withyou i wantwere meant to bewhen i'm with you

Cover-shared words

aloneanotherdayeverygetgonegothearholdkindknewknowleavelifememynearneedneveroohrunsayseestaytelltheretimetoldtooktruewantwayyouand ican ido whatgot toi didn'ti doi hadi knowi needi tooki wanti've gotinto mymy lifeneed youof mytell youthe waythen ito beto hearto staywant towant youwhat iwith youyou didn'tyou knewyou toyou werecan i doi need youi tell youi want toi want youof my lifewant to stayi want you towhat can i do

Lyric shape

[ADJ] i[ADJ] i'll[ADV] me[NOUN] where[WORD] thenbe [ADV]could [VERB]i'll [WORD]i'm [ADJ]was [ADJ]we'd [VERB]where [WORD][ADJ] [NOUN] of[ADJ] i [VERB][ADV] [VERB] you[VERB] in [NOUN][VERB] what i[WORD] [NOUN] ofbe [ADJ] [WORD]could [VERB] [WORD]did i [VERB]do i [VERB]had you [VERB]i [ADV] [VERB]i [VERB] thei was [ADJ]i would [VERB]i'll [WORD] [VERB]just to [VERB]to be [ADV]we'll be [ADJ]were [VERB] toyou [VERB] inyou were [VERB][VERB] [WORD] [NOUN] of[VERB] just to [VERB][VERB] to be [ADV][VERB] you [VERB] in[WORD] and i [VERB]and [ADV] i [VERB]and i [VERB] youi [VERB] a [NOUN]i [VERB] the [NOUN]i [VERB] you ii've [VERB] to [VERB]just to [VERB] youwere [VERB] to beyou were [VERB] to[WORD] and i [VERB] youi [VERB] you i [VERB]i [VERB] you i [VERB] you

Cover-shared shape

[ADV] i[NOUN] of[VERB] a[VERB] again[VERB] i[VERB] in[VERB] just[VERB] me[VERB] the[VERB] to[VERB] what[VERB] you[WORD] and[WORD] did[WORD] i[WORD] youa [NOUN]and [ADV]be [ADJ]didn't [VERB]had [VERB]i [VERB]i've [VERB]in [NOUN]my [NOUN]of [VERB]the [NOUN]to [VERB]were [VERB]would [VERB]you [VERB][ADV] i [VERB][NOUN] of [VERB][VERB] a [NOUN][VERB] i [VERB][VERB] the [NOUN][VERB] to [VERB][VERB] to be[VERB] you [VERB][VERB] you to[WORD] and iand i [VERB]i [VERB] ai [VERB] toi [VERB] youi didn't [VERB]i had [VERB]into my [NOUN]of my [NOUN]the [NOUN] [ADV]to [VERB] [ADV]to [VERB] meto [VERB] youyou [VERB] iyou [VERB] youyou didn't [VERB][ADV] i [VERB] you[VERB] the [NOUN] [ADV][VERB] to [VERB] [ADV][VERB] to [VERB] you[VERB] you to [VERB]i [VERB] to [VERB]i [VERB] you toyou [VERB] i [VERB]you [VERB] you [VERB]i [VERB] to [VERB] [ADV]i [VERB] you to [VERB]

Rhyme scheme

ABCBABCBDDEAABAA

Line length

Long meter8-97-7-108-8-8-8Unique line length

Music147 tags

Arrangement

Lead vocalsBacking vocalsElectric guitarBass guitarOrganDrumsPercussionTambourineTrumpetSaxophoneTenor saxophone

Instrument group

GuitarsBrassWoodwindKeyboardsPercussion

Bass work

Melodic bassChromatic bass lineStepwise bass line

Music genre

SoulR&BRockPop

Influence

Motown influenceStax influence

Tempo

Upbeat

Key

G major

Time signature

4/4

Song form

Verse-chorusUnique structure

Sections

Has outroStandard verses (2-4)Has introHas bridgeHas codaMultiple bridges (2+)Standard choruses (1-3)

Section links

Chorus variationOutro based on verseIntro based on chorusCoda based on verse

Section transition

V to IIV to IUnique section transition

Harmony

Plagal cadenceSecondary dominantBorrowed chordBackdoor cadenceHalf cadence

Composition

Tonic openingChorus in IBridge in iiiVerse in ITonic verseTonic chorusNon-tonic bridge

Mode

MixolydianIonian

Chord type

majorminordom7min7slash chord

Scale degree

I7Iii7iiiIVV7♭VII

Chord degree

ii–VI–II–I–IV♭VII–IIV–I–♭VIII–IVIV–II–IV–II–♭VIIIV–I–IV–I–IV–I–♭VIII–I–IV–I–IV–I–IV–IIV–I–IV–I–♭VII–IIV–ii–Viii–IVIV–iiIV–I–IV–I–♭VIII–I–IV–I–IV–II–I–IV–IIV–I–♭VII–II–IV–I–♭VIIiii–IV–ii–VIV–I–IV–I

Chord shape

C → AmAm → DAm7 → D7C → Am → DC → Am7 → D7C → CC → C7C → C → FC → G → C → GC → DC → G → FC → FC7 → FC → GC → G7C → F → CC → B♭C → G → C → G → F → GAm → B♭ → Gm → CC → G → F → GC → Am7C → C7 → FAm → B♭C → F → C → B♭C → C → F → C → F → CAm → B♭ → GmC → C → F → C → F → C → F → CC → G → C → G → C → G → FC → C → F → CC → G → C → G → FC7 → F → CAm → B♭ → Gm7

Chord literal

G → FC → AmF → GC → G → FG → CC → GG → C → GG7 → CC → G7G → G7G → GG → C → G → FC → Am7 → D7C → Am → DG7 → C → GG → G → CC → Am7Bm → CG → G7 → CAm7 → D7Am → DC → G → F → GG → G → C → G → C → G

Studio15 tags

Studio technique

Reduction mixClose mic'ingDouble tracked vocalADTFade-out

Equipment

Rickenbacker 4001SHammond RT-3Studer J37 4-track recorderEMI REDD.51 consoleSonic Blue Fender StratocasterEpiphone Casino ES-230TDLudwig Super Classic

Recording location

EMI Studio 2EMI Studios

Session duration

Multi-month
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People16 tags

Unique personnel
Producer playsOutside orchestrator
Line-up
John Lennon
Electric guitar
Paul McCartney
Orchestral scoringLead vocalsBacking vocalsElectric guitarBass guitar
George Harrison
Electric guitarTambourine
Ringo Starr
DrumsTambourine
George Martin
ProducerOrchestral scoringOrgan
Eddie Thornton
Trumpet
Ian Hamer
Trumpet
Les Condon
Trumpet
Songwriter
Paul McCartney
Producer
George Martin
Orchestral scoring
Paul McCartneyGeorge Martin
Recording engineer
Geoff Emerick
Assistant engineer
Phil McDonald

Info20 tags

Release type

Song on albumSong on AnthologySong on Giles Martin remixSong on compilation

US release

Identical releaseRevolver (US)

Release mix

MonoStereoDistinct mix

Label

ParlophoneCapitol

Publisher

Northern Songs

Song type

Original

Duration

Medium

Chart performance

Top 10 US

Cultural impact

Widely covered
Sources & references

Tags on this page are original analysis, transcribed and cross-checked against the fine work of others: Alan W. Pollack's “Notes on…” series, the Beatles Complete Scores (Hal Leonard), Mark Lewisohn's session histories, Ian MacDonald's Revolution in the Head, Dave Rybaczewski's Beatles Music History and Andy Babiuk's Beatles Gear for the instruments and studio equipment, and others besides – then verified by ear against the recordings. Full bibliography: Sources & thanks.

Updated 2026-05-27

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Revolver album cover
VinylCDMerch

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Year1966
AlbumRevolver
Track13 · Side 2
Duration2:30
Songwriter(s)McCartney
Credited asLennon–McCartney
Lead VocalPaul
RecordedApril 7, 1966 – June 17, 1966
ReleasedAugust 5, 1966
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