| 1 | I Saw Her Standing There | 1963 | Please Please Me | Paul | – |
| 2 | All My Loving | 1963 | With The Beatles | Paul | – |
| 3 | This Boy | 1963 | Past Masters | John, Paul, George | Trio around single vocal mic |
| 4 | If I Fell | 1964 | A Hard Day's Night | John, Paul | Single shared mic for the two leads |
| 5 | Baby's in Black | 1964 | Beatles For Sale | John, Paul | John and Paul shared a single mic, face-to-face |
| 6 | Yesterday | 1965 | Help! | Paul | Vocal and guitar mic'd together; some leakage |
| 7 | Tell Me What You See | 1965 | Help! | John, Paul | – |
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| 8 | Nowhere Man | 1965 | Rubber Soul | John | Bright treble on lead guitars |
| 9 | Rain | 1966 | Past Masters | John | Heavy bass response per Emerick |
| 10 | Paperback Writer | 1966 | Past Masters | Paul | Loudspeaker used as bass mic |
| 11 | Tomorrow Never Knows | 1966 | Revolver | John | Emerick's bass-drum mic inside the kick – broke EMI rules |
| 12 | Eleanor Rigby | 1966 | Revolver | Paul | Emerick mic'd strings closely |
| 13 | Love You To | 1966 | Revolver | George | Ribbon mics on tabla, heavy compression |
| 14 | Good Day Sunshine | 1966 | Revolver | Paul | – |
| 15 | And Your Bird Can Sing | 1966 | Revolver | John | – |
| 16 | She Said She Said | 1966 | Revolver | John | Emerick's Revolver-era drum miking |
| 17 | Got to Get You into My Life | 1966 | Revolver | Paul | Brass mic'd in the bells, through a limiter |
| 18 | For No One | 1966 | Revolver | Paul | – |
| 19 | Strawberry Fields Forever | 1967 | Magical Mystery Tour | John | – |
| 20 | When I'm Sixty-Four | 1967 | Sgt. Pepper's Lonely Hearts Club Band | Paul | – |
| 21 | Good Morning Good Morning | 1967 | Sgt. Pepper's Lonely Hearts Club Band | John | – |
| 22 | She's Leaving Home | 1967 | Sgt. Pepper's Lonely Hearts Club Band | Paul, John | – |
| 23 | With a Little Help from My Friends | 1967 | Sgt. Pepper's Lonely Hearts Club Band | Ringo | – |
| 24 | Sgt. Pepper's Lonely Hearts Club Band | 1967 | Sgt. Pepper's Lonely Hearts Club Band | Paul | – |
| 25 | Sgt. Pepper's Lonely Hearts Club Band (Reprise) | 1967 | Sgt. Pepper's Lonely Hearts Club Band | Paul, John, George | – |
| 26 | Within You Without You | 1967 | Sgt. Pepper's Lonely Hearts Club Band | George | Ribbon mics on tabla |
| 27 | Lovely Rita | 1967 | Sgt. Pepper's Lonely Hearts Club Band | Paul | – |
| 28 | Hello, Goodbye | 1967 | Magical Mystery Tour | Paul | Percussion captured unnaturally close |
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| 29 | Magical Mystery Tour | 1967 | Magical Mystery Tour | Paul | – |
| 30 | Your Mother Should Know | 1967 | Magical Mystery Tour | Paul | – |
| 31 | Lady Madonna | 1968 | Past Masters | Paul | Piano miked close, then heavily compressed |
| 32 | Mother Nature's Son | 1968 | The Beatles (The White Album) | Paul | Drums miked at end of long corridor |
| 33 | Back in the U.S.S.R. | 1968 | The Beatles (The White Album) | Paul | – |
| 34 | Glass Onion | 1968 | The Beatles (The White Album) | John | Tea towels damping drums |
| 35 | Yer Blues | 1968 | The Beatles (The White Album) | John | Small-room cramped setup for spillover |
| 36 | Ob-La-Di, Ob-La-Da | 1968 | The Beatles (The White Album) | Paul | – |
| 37 | Why Don't We Do It in the Road? | 1968 | The Beatles (The White Album) | Paul | Distorted, intimate vocal sound |
| 38 | I Will | 1968 | The Beatles (The White Album) | Paul | Close-miked scat-sung bass line |
| 39 | Because | 1969 | Abbey Road | John, Paul, George | – |
| 40 | The End | 1969 | Abbey Road | Paul | Ringo's drum solo close-miked |
| 41 | Come Together | 1969 | Abbey Road | John | – |