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A splendid tagging database of the complete Beatles catalogue – for the scholars, the dreamers, and the ones who've listened to Abbey Road more times than they can count.

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© 2026 Nadav (Nahdi) Lazar. Beatles music © Apple Corps. Fan-made – not affiliated with The Beatles or Apple Corps.

“In the end, the love you take is equal to the love you make.”

C → G → C → G → FMusic · Chord shape · 5 songs
CategoriesMusicChord shapeC → G → C → G → F
Music · Chord shape

C → G → C → G → F

5-chord shape progression (e.g. F → C/E → F → C/E → B♭; B → F♯ → B → F♯ → E7)

5
songs
See alsoChord degree:IV–I–IV–I–♭VIISection transition:IV to IChord degree:I–IV–I–♭VIIChord degree:IV–I–♭VIIRecurring words:anotherChord literal:B → E → AChart performance:Top 10 USLyric shape:we [VERB]
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Analysis

By Year

Song count per year

By Songwriter

% of each member's catalogue with this tag (by writing credit)

By Era

Early1 · 20%
Mid-period2 · 40%
Late2 · 40%

By Album

Revolver2
Please Please Me1
Abbey Road1
Let It Be1
Past Masters1

Songs(5)

Year
Album
#TitleYearAlbumLead Vocal(s)Notes
1I Saw Her Standing There1963Please Please MePaulas E7 → B7 → E7 → B7 → A7
2Good Day Sunshine1966RevolverPaulas B → F♯ → B → F♯ → E7
3Got to Get You into My Life1966RevolverPaulas C → G7 → C → G → F
4Get Back1969Let It BePaulas D → A → D → A → G
5The End1969Abbey RoadPaulas F → C/E → F → C/E → B♭

I Saw Her Standing There

1963·Please Please Me·Paul

as E7 → B7 → E7 → B7 → A7

Good Day Sunshine

1966·Revolver·Paul

as B → F♯ → B → F♯ → E7

Got to Get You into My Life

1966·Revolver·Paul

as C → G7 → C → G → F

Get Back

1969·Let It Be·Paul

as D → A → D → A → G

The End

1969·Abbey Road·Paul

as F → C/E → F → C/E → B♭

Updated 2026-06-03

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