Please Please Me album cover

Anna (Go to Him)

1963 · Please Please Me

“All of my life I've been searching for a girl”

Cover of Arthur Alexander's 1962 soul ballad, with Lennon delivering an emotionally raw lead vocal while battling a heavy cold. Recorded in three takes during the band's marathon single-day Please Please Me session.

What is unique about this song?

The Beatles went to Arthur Alexander for this and for nothing else. This is among the first of 24 Beatles records to use the Vox AC30, cut the same day as 'Chains' and 'Twist and Shout'.

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What happened around it?

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The band cut 'Twist and Shout' and 'There's a Place' that day as well. Most of Please Please Me went down in one session, and this song was part of it. In the same stretch, four weeks before its release, Northern Songs Ltd was formed.

Did you know?more like this →

This song is the only Beatles song with a vi to IV section transition.

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Text258 tags

The words include a question ('What am I supposed to do?'), and the lyric touches the motifs of plea and loneliness, with the lyric confessional in manner, most at home in the Beatles' 1968 songs. The lyric turns to ring composition, and a triple rhyme arrives once, "go/know/so". A curiosity, the title has had two titles and names somebody in particular. Coincidence or not, the line "I want you to" turns up in 6 Beatles songs, among them 'Now and Then', 'You Really Got a Hold on Me' and 'Dizzy Miss Lizzy'.

Word cloud

Cover-shared shape

[ADV] but[NOUN] and[NOUN] before[NOUN] i've[VERB] and[VERB] for[VERB] he[VERB] i[VERB] me[VERB] my[VERB] to[VERB] you[WORD] had[WORD] of[WORD] than[WORD] what[WORD] witha [NOUN]and [VERB]been [VERB]but [VERB]but [WORD]can [WORD]he [VERB]him [NOUN]him [WORD]i [VERB]i've [WORD]me [ADJ]me [NOUN]me [VERB]my [NOUN]one [WORD]still [VERB]to [VERB]will [VERB]you [ADJ]you [ADV]you [VERB]you [WORD]your [NOUN][NOUN] and [VERB][VERB] and [VERB][VERB] for a[VERB] he [VERB][VERB] i [VERB][VERB] me [ADJ][VERB] me [NOUN][VERB] me [VERB][VERB] my [NOUN][VERB] to do[VERB] to me[VERB] you [ADJ][VERB] you [ADV][VERB] you [WORD][VERB] you so[VERB] you to[WORD] [NOUN] i've[WORD] [VERB] my[WORD] [WORD] of[WORD] [WORD] whata [NOUN] [WORD]am i [VERB]and [VERB] mefor a [NOUN]he [VERB] youi [VERB] toi [VERB] youi still [VERB]i will [VERB]i've [WORD] hadi've been [VERB]my [NOUN] andof my [NOUN]one [WORD] [NOUN]to [VERB] [ADV]to [VERB] meto [VERB] youyou [ADJ] [NOUN]you [VERB] [ADV]you [WORD] [ADV]you can [WORD]your [NOUN] to[VERB] and [VERB] me[VERB] for a [NOUN][VERB] i [VERB] you[VERB] me [VERB] you[VERB] my [NOUN] and[VERB] you [ADJ] [NOUN][VERB] you [ADV] [WORD][VERB] you [WORD] than[VERB] you to [VERB][WORD] [VERB] my [NOUN]and [VERB] me [ADJ]and i will [VERB]he [VERB] you [WORD]i [VERB] to doi [VERB] you [WORD]i [VERB] you toi will [VERB] youso i will [VERB]to [VERB] me [VERB]to [VERB] you [ADJ]you [VERB] and [VERB][VERB] for a [NOUN] [WORD][VERB] my [NOUN] and [VERB]i [VERB] you to [VERB]so i will [VERB] you[VERB] my [NOUN] and [VERB] me

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Music145 tags

'Anna (Go to Him)' is a R&B and ballad piece that moves at about 109 BPM, in D major. The tune carries call and response, one voice asking and the rest answering (Lead/backing 'Anna' answers), 1963 being the year it turns up most. By accident or design, its Em → A → Em → A → D chord progression is the move 'Glass Onion' makes as Gm7 → C7 → Gm7 → C7 → F7.

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Studio10 tags

The session was at EMI Studio 2, cut in three takes during the band's ten-hour debut album session, with George Harrison adapting Floyd Cramer's piano figure to guitar. Harrison played the Gretsch Duo Jet on it, his lead guitar, which the band first reached for on 'Love Me Do' five months earlier. This was one of ten songs started that day, the 5th to the 14th of their career.

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Info18 tags

This song reached listeners on March 22, 1963, as one track among many on Please Please Me. In America it arrived ten months later, on Introducing The Beatles, a Vee-Jay record. This track was the 5th of 32 released in that year, and the 7th in their whole run.

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Sources & references

Tags on this page are original analysis, transcribed and cross-checked against the fine work of others: Alan W. Pollack's “Notes on…” series, the Beatles Complete Scores (Hal Leonard), Mark Lewisohn's session histories, Ian MacDonald's Revolution in the Head, Dave Rybaczewski's Beatles Music History and Andy Babiuk's Beatles Gear for the instruments and studio equipment, and others besides - then verified by ear against the recordings. Full bibliography: Sources & thanks.

External entity links: Wikipedia · MusicBrainz recording · MusicBrainz work · Wikidata

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