What You're Doing
“I've been waiting here for you”
McCartney's plea to an inattentive partner, written on a day off from the 1964 US tour and likely about Jane Asher. The chiming Rickenbacker 12-string ostinato predates the Byrds' folk-rock sound by months.
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15 Beatles recordings open on a single instrument playing alone, before any other player or voice comes in: 1 on bass, 6 on drums, 3 on guitar, 5 on keyboards. This song is one of them.
Songwriter(s)McCartneyCredited as Lennon–McCartney
ReleasedDecember 4, 1964
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Text150 tags
Word cloud
Cover-shared shape
[ADJ] and[ADV] for[VERB] a[VERB] me[VERB] of[VERB] that's[VERB] what[VERB] your[WORD] in[WORD] toa [NOUN]and [ADJ]been [VERB]i'm [VERB]me [VERB]no [WORD]so [WORD]that's [ADJ]to [VERB]too [WORD]you [VERB]your [VERB][ADJ] and [ADJ][VERB] [ADJ] and[VERB] [ADV] for[VERB] a [NOUN][VERB] me [VERB][VERB] of you[VERB] your [VERB][WORD] to [VERB]a [NOUN] that'si've been [VERB]me [VERB] [NOUN]you [VERB] ayou [VERB] me[VERB] [ADJ] and [ADJ][VERB] me [VERB] [NOUN]a [NOUN] that's [ADJ]you [VERB] a [NOUN]
Music162 tags
Chord degree
II–VIV–VV–II–IV–VIV–V–IV–I–IVV–I–IV–Ivi–III–IVIV–IIV–vivi–IVvi–IV–IIV–I–IV–Vvi–II–VI–IV–I–IV–VIV–V–I–IV–IIV–I–IV–I–IV–VI–IV–I–IV–I–IV–VIV–I–IV–V–IV–I–IV–I–IVI–IV–viIV–I–IV–I–IV–I–IV–VV–I–IV–I–IV–Ivi–IV–I–IVIV–I–IV–I–IV–V–II–IV–I–IV–vivi–IV–I–IV–IIV–V–I–IVIV–vi–IIIV–V–I–IV–I–IV–IIV–I–IV–I–IV–vivi–IV–vi–II–VI–IV–vi–IV
Chord shape
Am → D → GC → DC → F → GC → D → GC → F → B♭C → D → G → CC → F → B♭ → FC → F → G → C → FAm → DAm → F → CC → FC → GC → EmAm → FAm → F → Am → D → GC → F → C → F → GC → F7C → G → C → G → C → DC → F → B♭ → F → B♭C → D → G → C → GC7 → GC → G → C → DC → F → AmC → G → C → D → GC → F → C → F → C → F → GC → Em → AC → F → B♭ → F → B♭ → FC → G → C → EmC7 → EmC → G → C → G → C → G → C → DC → G → C → G → C → D → GC → Em → A → DAm → F → C → FC → F → C → F → AmAm → F → C → F → CC → Em → C → GC → Em → CC → D → G → C → G → C → GC → Em → C → Em → A → DC → G → C → G → C → EmC → F → C → F → Am → FC → Em → C → G → C → GC → F → B♭7
People11 tags
Sources & references
Tags on this page are original analysis, transcribed and cross-checked against the fine work of others: Alan W. Pollack's “Notes on…” series, the Beatles Complete Scores (Hal Leonard), Mark Lewisohn's session histories, Ian MacDonald's Revolution in the Head, Dave Rybaczewski's Beatles Music History and Andy Babiuk's Beatles Gear for the instruments and studio equipment, and others besides – then verified by ear against the recordings. Full bibliography: Sources & thanks.
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