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© 2026 Nadav (Nahdi) Lazar. Beatles music © Apple Corps. Fan-made – not affiliated with The Beatles or Apple Corps.

“In the end, the love you take is equal to the love you make.”

SongsLet It Be·Past MastersLet It Be
Dig It·Maggie Mae
Let It Be1970 · Let It Be
Let It Be album cover

Let It Be

1970 · Let It Be

“Mother Mary comes to me”

McCartney's hymn-like piano ballad inspired by a dream of his late mother Mary, recorded during the band's strained Get Back sessions. Album version features a heavier Harrison guitar solo and a Phil Spector orchestral overdub absent from the single. It is the title song of the band's 1970 documentary film.
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Did you know?more like this →

4 Beatles songs appear on more than one official UK studio LP (or Past Masters) – for example 'Get Back' (Let It Be + Past Masters), 'Let It Be' (Let It Be + Past Masters), and 'Love Me Do' (Past Masters + Please Please Me).

Get BackLove Me DoLet It BePast MastersPlease Please Me
Year1970
AlbumLet It BePast Masters
Track6 · Side 132
Duration4:03 (Let It Be album)3:50 (single)
Songwriter(s)McCartneyCredited as Lennon–McCartney
Lead VocalPaul
RecordedJanuary 31, 1969 – January 4, 1970
ReleasedMarch 6, 1970 (Single)May 8, 1970 (Let It Be)
Song familyPiano song

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Text188 tags

Motif

SpiritualMotherSoftnessWeatherTimeLightSoundCommunicationReligionPhilosophicalDreamsFamilyAutobiographyDarknessPleaInstructional

Title

Imperative in titlePronoun in titleTitle in chorusTitle is album title

Vocabulary

Positive tonePoetic lyricsLimited vocabulary

Narrative

First personImperative

Lyrical device

AnaphoraDouble meaning

Rhyme type

Perfect rhymeTriple rhymeExtrametrical rhymeIdentical rhyme

Song form

Verse-chorus

Sections

Has introMany choruses (4+)Standard verses (2-4)Has interlude

Section links

Intro based on verseOutro based on bridgeChorus variation

Repetition

Consecutive chorusesRecurring lineConsecutive line
Word cloud

Recurring words

agreeanswerfindfronthourlightlivingmotherpeopleshineshinesspeakingstandingtimestomorrowa chancean answeri findit belet itmay benight isof musicthat theythe soundthere isup towhen thewill bea chance thatand in myand when thei wake upsound of musicthere will be

Cover-shared words

chancecomesitletmarymemusicmymyselfnightohrightseeshesoundtheretheythoughuntilwhisperwordsworldyeahand whenbe yeahin myof meon meshe isthe nightthe worldto mewhen iwords of

Lyric shape

[NOUN] isan [NOUN]is [WORD]the [VERB][ADV] will be[NOUN] in [NOUN][NOUN] is [WORD][NOUN] of [NOUN][NOUN] that they[VERB] [NOUN] in[VERB] [NOUN] of[VERB] in the[VERB] up toi [VERB] upin [NOUN] ofin [WORD] ofis [VERB] [NOUN]may be [VERB]the [NOUN] isthe [NOUN] ofthe [VERB] [NOUN]to the [NOUN]when the [NOUN][NOUN] [WORD] [VERB] to[VERB] in the [NOUN]and in my [NOUN]i [VERB] up tothe [NOUN] of [NOUN]to the [NOUN] of[VERB] in the [NOUN] [VERB]and when the [NOUN] isin my [NOUN] of [NOUN]

Cover-shared shape

[ADV] is[NOUN] in[NOUN] of[NOUN] that[VERB] in[VERB] it[VERB] myself[VERB] of[VERB] on[VERB] that[VERB] to[VERB] up[WORD] of[WORD] theya [NOUN]a [VERB]be [VERB]be [WORD]for [WORD]i [VERB]in [NOUN]in [WORD]is [VERB]my [NOUN]of [NOUN]of [VERB]that [NOUN]the [NOUN]will [VERB][VERB] of [NOUN][VERB] on me[VERB] that [NOUN][VERB] to me[WORD] [VERB] it[WORD] [VERB] to[WORD] of [VERB]a [NOUN] thatin my [NOUN]in the [NOUN]the [NOUN] [VERB]when i [VERB][WORD] [VERB] to me

Rhyme scheme

AABAUnique rhyme scheme

Line length

Unique line length

Distinctive word

broken-heartedcloudydarknesspartedtroublewisdom

Music158 tags

Arrangement

Lead vocalsBacking vocalsElectric guitarLead guitarRhythm guitarBass guitarPianoElectric pianoOrganDrumsPercussionMaracasViolinCelloTrumpetTromboneSaxophoneBaritone saxophoneTenor saxophone

Instrument group

GuitarsStringOrchestralBrassKeyboardsWoodwindPercussion

Guitar work

Guitar solo

Bass work

Stepwise bass line

Music genre

GospelBalladRock

Influence

Gospel influence

Vocal work

SingalongThree-part harmonyVocal harmonies

Solo / Riff

Guitar soloSolo on verseSolo on chorus

Melody

Appoggiatura

Tempo

Slow

Key

C major

Time signature

4/4

Song form

Verse-chorusUnique structure

Sections

Has introHas soloMany choruses (4+)Standard verses (2-4)Has interlude

Section links

Intro based on verseSolo on verseOutro based on bridgeChorus variationSolo on chorus

Repetition

Consecutive choruses

Section transition

I to viI to II to IV

Harmony

Deceptive cadenceBorrowed chordPlagal cadenceRock/Mixolydian cadenceDouble plagalAxis of awesomeParallel harmonySensitive female

Composition

Tonic openingTonic endingOnly basic triadsChorus in viVerse in IChorus in ITonic verseTonic chorusNon-tonic chorus

Mode

Ionian

Chord type

majorminormin7maj7slash chord6

Scale degree

Iii7iiiiiIVmaj7IV6IVVvi♭VII

Chord degree

I–V–vi–IVI–V–IVV–IV–Ivi–IVI–VV–IVV–viI–V–viIV–I–VV–vi–IVIV–II–vivi–iiivi–IV–I–Vvi–IV–IIV–I–viiii–IVI–vi–iiiiii–IV–Ivi–iii–IVIV–I–V–viV–IV–I–vivi–iii–IV–IV–vi–IV–I

Chord shape

C → G → Am → FC → GAm → FC → DmC → G → DC → G → AmC → B♭C → G → FC → B♭ → FC → Dm → B♭Am → F → CC → AmAm → EmC → G → EmC → Am → EmAm → F → C → GAm → B♭Am → B♭ → FAm → Em → FC → B♭ → F → DmC → G → D → EmC → Dm → B♭ → FAm → Em → F → CC → Am → Em → FC → G → Am → F → C → G → FC → G → Em → Bm

Chord literal

G → FC → GG → AmF → CC → G → FAm → FC → AmC → G → AmF → C → GAm → EmG → F → CC → Am → EmEm → F → CAm → Em → F → CG → Am → FC → G → Am → F → C → G → FF → C → Am → EmF → C → G → Am

Studio16 tags

Studio technique

Reduction mix

Equipment

Fender Rosewood TelecasterRickenbacker 4001SBlüthner grand pianoHammond M-102Ludwig Hollywood Maple3M M23 8-track recorderEMI REDD.51 consoleEpiphone Casino ES-230TDLeslie speakerHohner Pianet

Recording location

Apple StudiosEMI StudiosMulti-studio recordingExternal location

Session duration

Multi-month

People22 tags

Unique personnel
Producer playsBeatles teamSpecial guest
Line-up
John Lennon
Backing vocalsRhythm guitar
Paul McCartney
Lead vocalsBacking vocalsBass guitarPianoElectric pianoMaracas
George Harrison
Backing vocalsElectric lead guitar
Ringo Starr
Drums
Billy Preston
Organ
Linda Mccartney
Backing vocals
Uncredited
ViolinCelloTrumpetTromboneTenor saxophoneBaritone saxophone
Songwriter
Paul McCartney
Producer
Phil SpectorGeorge MartinChris Thomas
Orchestral scoring
George Martin
Recording engineer
Glyn JohnsPhil McDonaldJeff Jarratt
Assistant engineer
Alan ParsonsRichard LanghamNick Webb
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Info30 tags

Release type

Song on albumSingleA-Side singleSong on compilationSong on AnthologySong on Let It Be... NakedSong on Giles Martin remix

US release

Identical release

Release mix

StereoMonoDistinct mix

Label

AppleApple US

Publisher

Northern Songs

Recording type

Two versions

Song family

Piano song

Song type

Original

Duration

LongMedium

Chart performance

Number one USTop 10 UK

Cultural impact

Beatles film soundtrackWidely coveredGrammy nominatedGrammy Hall of Fame
Sources & references

Tags on this page are original analysis, transcribed and cross-checked against the fine work of others: Alan W. Pollack's “Notes on…” series, the Beatles Complete Scores (Hal Leonard), Mark Lewisohn's session histories, Ian MacDonald's Revolution in the Head, Dave Rybaczewski's Beatles Music History and Andy Babiuk's Beatles Gear for the instruments and studio equipment, and others besides – then verified by ear against the recordings. Full bibliography: Sources & thanks.

External entity links: Wikipedia · MusicBrainz recording · MusicBrainz work · Wikidata

Updated 2026-08-09

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Got a tag idea for Let It Be? Or think we've got it all wrong – no, no, no? Don't let it be.

Let It Be album cover
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Year1970
AlbumLet It BePast Masters
Track6 · Side 132
Duration4:03 (Let It Be album)3:50 (single)
Songwriter(s)McCartney
Credited asLennon–McCartney
Lead VocalPaul
RecordedJanuary 31, 1969 – January 4, 1970
ReleasedMarch 6, 1970 (Single)May 8, 1970 (Let It Be)
Song family
Piano song
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