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© 2026 Nadav (Nahdi) Lazar. Beatles music © Apple Corps. Fan-made – not affiliated with The Beatles or Apple Corps.

“In the end, the love you take is equal to the love you make.”

SongsRubber SoulWhat Goes On
Michelle·Girl
What Goes On1965 · Rubber Soul
Rubber Soul album cover

What Goes On

1965 · Rubber Soul

“I could feel my future fold”

A John Lennon country-style number dating back to 1963, dusted off and rewritten with Paul and Ringo as Ringo's lead-vocal spot on Rubber Soul. The unique three-way Lennon-McCartney-Starkey credit is the only such co-billing in the catalog before Ringo's solo Octopus's Garden.
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This song is the only Beatles song with carl perkins influence as a discernible influence.

1965Carl Perkins influence
Year1965
AlbumRubber Soul
Track8 · Side 2 · Side opener
Duration2:50
Songwriter(s)Lennon, McCartney, Starkey
Lead VocalRingo
RecordedNovember 4, 1965
ReleasedDecember 3, 1965
Song familyEarly songWritten early 1959 (Quarrymen); middle eight added 1965

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Text316 tags

Motif

RelationshipQuestionStorytellingSadnessTime referenceDeathAnatomyStreetLoveTimeChildhoodSelf reflectionWomenCommunicationTruth

Influence

Country influenceBuddy Holly influence

Title

Pronoun in title

Vocabulary

Negative toneCasual language

Narrative

First personConversationalConfessionalSecond personImperative

Lyrical device

AnaphoraSimile

Rhyme type

Half rhymeFeminine rhymePerfect rhymeIdentical rhyme

Song form

Verse-chorus

Sections

Standard choruses (1-3)Standard verses (2-4)Has outro

Section links

Solo based on chorusVerse variationOutro based on verseIntro based on verse

Repetition

Recurring line
Word cloud

Recurring words

alongblinddieeasyelsefuturegoesliemetmindotherroadsamesomeoneturningunkindwalkedas ibut whenday idid youdidn't evenfeel mygoes oni couldi meti wasit's sojust theme oohme whyno onenow theof timeother daysaw yousee thatthe otherthe roadthe samethink ofto lieto thinkwaiting foryou areyou inyou oohyour mindbut when ican see thati can seei saw youjust the samelike you tono one elsesee that itell me whythat i waswaiting for thewhat goes onwhen i sawwith you oohyou in theyou mean toa girl like youto break my heartyou in the morning

Cover-shared words

apartbreakdayfeelgirlhearthimlikememeanmorningmynamenowoneoohsawseetellthinktimetreatwaitingwatchyouyoura girlbut nowbut youcan seei cani sawin yourlike youme apartme somy heartof metell methat itreat meused towhen iwhen youwith youyou didn'tyou toyou treatyou wereyour heartfor a girli used toin the morningmy heart andyou treat me

Lyric shape

[ADJ] for[ADV] the[VERB] himare [VERB]as [NOUN]could [VERB]even [VERB]was [ADJ]what [NOUN][ADV] the [WORD][NOUN] [VERB] you[NOUN] with a[VERB] for the[VERB] me why[VERB] of me[VERB] you in[WORD] [NOUN] ias i [VERB]can [VERB] thatdid you [VERB]didn't even [VERB]i [VERB] himi could [VERB]i was [ADJ]is [VERB] [WORD]just the [ADJ]my [NOUN] [NOUN]no one [WORD]to [VERB] ofwas [ADJ] [WORD]what [NOUN] onwith a [NOUN]with you [WORD]you are [WORD]your [NOUN] in[NOUN] with a [NOUN][VERB] [WORD] the [NOUN][VERB] for the [WORD][VERB] in your [NOUN][VERB] my [NOUN] [NOUN][VERB] that i was[VERB] you in the[WORD] [NOUN] i [VERB]a [NOUN] [VERB] youbut when i [VERB]i [VERB] you ini was [ADJ] [WORD]in the [NOUN] [WORD]the [WORD] of [NOUN]to [VERB] [WORD] [WORD]to [VERB] my [NOUN]when you [VERB] mewith a [NOUN] [WORD]you are [VERB] meyou in the [NOUN][NOUN] i [VERB] you [WORD][VERB] me [VERB] [WORD] [WORD][VERB] to [VERB] my [NOUN]i [VERB] [WORD] the [NOUN]i could [VERB] my [NOUN]to [VERB] [WORD] [WORD] [WORD]i [VERB] you in the [NOUN]

Cover-shared shape

[ADJ] to[NOUN] and[NOUN] i[NOUN] with[VERB] for[VERB] in[VERB] me[VERB] my[VERB] of[VERB] on[VERB] that[VERB] to[VERB] you[WORD] is[WORD] me[WORD] of[WORD] thea [NOUN]and [VERB]are [WORD]but [ADV]can [VERB]i [ADJ]i [VERB]is [VERB]me [ADJ]me [VERB]me [WORD]my [NOUN]of [NOUN]one [WORD]so [ADJ]the [ADJ]the [NOUN]the [WORD]to [VERB]you [VERB]you [WORD]your [NOUN][ADJ] to [VERB][NOUN] and [VERB][NOUN] i [VERB][VERB] [WORD] the[VERB] me [ADJ][VERB] me [VERB][VERB] me so[VERB] my [NOUN][VERB] that i[VERB] to [VERB][VERB] you [WORD][VERB] you to[WORD] is [VERB][WORD] of [NOUN][WORD] the [NOUN]a [NOUN] [VERB]a [NOUN] [WORD]and [VERB] mefor a [NOUN]for the [WORD]i [ADJ] toi [VERB] [WORD]i [VERB] youi can [VERB]in the [NOUN]in your [NOUN]my [NOUN] andof [NOUN] [WORD]one [WORD] [WORD]the [ADJ] [WORD]the [NOUN] [WORD]the [WORD] [NOUN]the [WORD] ofto [VERB] [WORD]when i [VERB]when you [VERB]you [VERB] meyou [VERB] to[NOUN] i [VERB] you[VERB] me [VERB] [WORD][VERB] my [NOUN] and[VERB] you to [VERB][WORD] of [NOUN] [WORD]and [VERB] me [VERB]i [ADJ] to [VERB]i [VERB] you [WORD]you [VERB] to [VERB][VERB] my [NOUN] and [VERB][VERB] my [NOUN] and [VERB] me

Rhyme scheme

ABCBDDABABCCUnique rhyme scheme

Line length

Unique line length

Distinctive word

foldtearintearingtidetides

Music113 tags

Arrangement

Lead vocalsBacking vocalsElectric guitarLead guitarRhythm guitarBass guitarDrums

Instrument group

Guitars

Guitar work

Guitar solo

Music genre

CountryCountry rockRockRockabilly

Influence

Carl Perkins influence

Vocal work

Ooh vocalsVocal harmoniesTwo-part harmony

Solo / Riff

Guitar soloSolo based on chorusSolo on chorus

Melody

Call and responseAppoggiatura

Tempo

Upbeat

Key

E major

Time signature

4/4

Song form

Verse-chorusBABABAB

Sections

Standard verses (2-4)Has soloHas outroMany choruses (4+)

Section traits

Chorus before verse

Section links

Solo based on chorusVerse variationOutro based on verseIntro based on verseSolo on chorus

Section transition

I to I

Harmony

Plagal cadencePerfect cadenceBorrowed chord

Composition

Tonic openingTonic endingVerse in IChorus in ITonic verseTonic chorus

Mode

Ionian

Chord type

majorminordom7sus4

Scale degree

IIVivV7V

Chord degree

I–VV–II–IVIV–IV–VIV–I–VV–V–II–IV–I–Viv–II–IV–I–IV–I–VI–ivI–V–VI–IV–I–IV–I–IV–I–Viv–VIV–I–IV–I–VI–IV–I–V–VI–iv–VIV–I–IV–I–IV–I–Viv–V–I

Chord shape

C → GC → G7C → FC7 → FC → CC → G → DC → C → FC → F → C → GC → FmAm → EAm → BC → G → C → G → C → G → DC → G → GC → F → C → F → C → GAm → B7C → G → D → DC → F → C → F → C → F → C → GC → Fm → GC → F → C → G → GC → G → D → D → GAm → B7 → ECsus4 → C7C → G → C → G → DC → Gsus4

Chord literal

B → EE → AA → EE → AmA → E → BB7 → EAm → EE → A → E → A → E → BE → B7E → A → E → BAm → BE → BE → A → E → A → E → A → E → BA → E → A → E → B

Studio10 tags

Studio technique

Fade-out

Equipment

Rickenbacker 325Rickenbacker 4001SGretsch 6119 TennesseanStuder J37 4-track recorderLudwig Super ClassicEMI REDD.51 console

Recording location

EMI Studio 2EMI Studios

Session duration

Single day
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People15 tags

Unique personnel
Beatles onlyClassic formationUnique writing creditSong for Ringo
Line-up
John Lennon
Backing vocalsElectric rhythm guitar
Paul McCartney
Backing vocalsBass guitar
George Harrison
Electric lead guitar
Ringo Starr
Lead vocalsDrums
Songwriter
John LennonRingo StarrPaul McCartney
Producer
George Martin
Recording engineer
Norman Smith
Assistant engineer
Ken ScottJerry BoysGraham Platt
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Info18 tags

Release type

Song on albumUS singleUS-only single

US release

Yesterday and Today

Release mix

MonoStereo

Label

CapitolParlophone

Publisher

Northern Songs

Recording type

First take

Song family

Early song

Song type

Original

Duration

Medium
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Sources & references

Tags on this page are original analysis, transcribed and cross-checked against the fine work of others: Alan W. Pollack's “Notes on…” series, the Beatles Complete Scores (Hal Leonard), Mark Lewisohn's session histories, Ian MacDonald's Revolution in the Head, Dave Rybaczewski's Beatles Music History and Andy Babiuk's Beatles Gear for the instruments and studio equipment, and others besides – then verified by ear against the recordings. Full bibliography: Sources & thanks.

Updated 2026-06-03

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Rubber Soul album cover
VinylCDMerch

affiliate link – supports this wiki

Year1965
AlbumRubber Soul
Track8 · Side 2 · Side opener
Duration2:50
Songwriter(s)Lennon, McCartney, Starkey
Lead VocalRingo
RecordedNovember 4, 1965
ReleasedDecember 3, 1965
Song family
Early song

Written early 1959 (Quarrymen); middle eight added 1965

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