“You made a fool of everyone”
What is unique about this song?
The song stands as one of three that use flanging/phasing, 'Blue Jay Way' and 'Magical Mystery Tour' being the others, and one of the songs written in India, and also one of the piano songs. This is the first Beatles song that was recorded with a Gibson Les Paul Standard, and eleven more followed, such as 'Yer Blues' and 'Back in the U.S.S.R.'. It is where the Gibson Les Paul Standard first turns up on a Beatles record, with eleven more to follow, alongside 'While My Guitar Gently Weeps' and 'Yer Blues'.
What happened around it?
see full timeline →Seven weeks after work on The Beatles (The White Album) started, 'Helter Skelter' and 'Cry Baby Cry' were cut in the same stretch of studio time. On the studio floor, 3 days before the session, Geoff Emerick quit mid-White Album.
'Ask Me Why' plays E → F♯m7 → G♯m7 → A and 'Please Please Me' plays E → F♯m → G♯m → A: the same progression in different keys, which 'Here, There and Everywhere' and 'Sexy Sadie' also make.
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Text218 tags
Religion turns up in the lyric (Spiritual teacher's betrayal), next to the motifs of anger and autobiography, one of 12 songs spread over 5 years of writing. It uses anaphora (every verse opens 'Sexy Sadie'). The title names a person, and the language is full of nonsense words ('Waw-waw-waw' backing vocals).
Recurring words
Lyric shape
Cover-shared shape
Distinctive word
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Music174 tags
Written in G major and taken at about 104 BPM, 'Sexy Sadie' is a psychedelic and rock piece. Listen for an appoggiatura, a note taking its time to resolve. It reaches for a maj7 chord, which 21 Beatles songs use, such as 'No Reply' and 'Michelle'. Also, the performance shows a descending bass. One for the curious, the chords run Bm → C → D → G, which is 'You Know My Name (Look Up the Number)''s F♯m → G → A → D in another key. 'Ask Me Why' plays E → F♯m7 → G♯m7 → A and 'Please Please Me' plays E → F♯m → G♯m → A, the same progression in different keys, which 'Here, There and Everywhere' and this song also make.
Chord shape
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Studio18 tags
The tape rolled at EMI Studio 2, sessions opened on 19 July 1968 with multiple unsatisfactory takes. The band finally cut a usable arrangement on 13 August, with overdubs and mixing completed on 21 August. The Hamburg Steinway was played by Paul McCartney, and they played the Ludwig Super Classic. The record carries tape echo, flanging/phasing and leslie speaker processing, in use since 1964 and heard on twenty Beatles records in all, such as 'Tomorrow Never Knows' and 'I Want to Tell You'. It is taken out on a fade-out, as it does in 'Baby It's You', 5 years earlier. This was the 16th of the 37 songs the Beatles began recording in 1968, and the 162nd of their career.
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People11 tags
The words and the music are both Lennon's (You can hear 'Sexy Sadie, she's the greatest' on it). There is a role swap on it, McCartney on guitar. It has nobody but the four of them playing or singing, true of 12 of the 37 songs they cut in 1968. McCartney is credited with a Hammond organ.
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Info18 tags
The song was released November 22, 1968, as part of The Beatles (The White Album). This song was the 26th of the 34 records they released in that year, and the 168th in their whole run.
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Sources & references
Tags on this page are original analysis, transcribed and cross-checked against the fine work of others: Alan W. Pollack's “Notes on…” series, the Beatles Complete Scores (Hal Leonard), Mark Lewisohn's session histories, Ian MacDonald's Revolution in the Head, Dave Rybaczewski's Beatles Music History and Andy Babiuk's Beatles Gear for the instruments and studio equipment, and others besides - then verified by ear against the recordings. Full bibliography: Sources & thanks.
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