“I can't believe it's happened to me”
What is unique about this song?
This is the first Beatles record that shows R&B influence, and the only one on Please Please Me, with 25 more to follow. Of the seven Beatles records that reach for doo-wop, such as 'Please Mr. Postman' and 'Boys', this is the earliest.
What happened around it?
see full timeline →The same day's work produced 'Please Please Me'. By the time the Beatles cut it, work on Please Please Me had been going three months.
This song is the only Beatles song with a I+ to IV section transition.
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Text242 tags
Some of it is put as a question, and the lyric touches the motifs of love and communication, which the Beatles used more in 1968 than in any other year. The writing draws on R&B, and worth a footnote, the line "I'm always thinking of you" turns up in one other Beatles song, 'You Really Got a Hold on Me'.
Recurring words
Cover-shared words
Lyric shape
Cover-shared shape
Distinctive word
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Music197 tags
'Ask Me Why' is a merseybeat and R&B song with Motown influences underneath (modeled on Smokey Robinson & the Miracles), in E major at roughly 108 BPM. No Beatles song before it reaches for aug, and it has no chorus. A curiosity, the chords run A → B7 → E → B7 → E, the same move 'Hey Jude' makes as B♭ → C7 → F → C7 → F7.
Chord shape
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Studio9 tags
The track came out of EMI Studio 2, remade in six takes after a June attempt with Pete Best was deemed unsuitable. The Gibson J-160E was Lennon's rhythm guitar, which they used more in 1964 than in any other year. This one came out of a two-song day, the 3rd and 4th of their career.
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People9 tags
The words and the music are both Lennon's. It was played the way the band normally lined up, with Lennon on rhythm guitar, McCartney on bass, Harrison on lead guitar and Starr on drums, 1963 being the year it turns up most.
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Info18 tags
This song was issued as the B-side of 'Please Please Me' in the UK and US. Not separately charted. America got it twelve months later, on Introducing The Beatles, put out by Vee-Jay. This track was the 1st of 32 released in 1963, and the 3rd they ever made.
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Sources & references
Tags on this page are original analysis, transcribed and cross-checked against the fine work of others: Alan W. Pollack's “Notes on…” series, the Beatles Complete Scores (Hal Leonard), Mark Lewisohn's session histories, Ian MacDonald's Revolution in the Head, Dave Rybaczewski's Beatles Music History and Andy Babiuk's Beatles Gear for the instruments and studio equipment, and others besides - then verified by ear against the recordings. Full bibliography: Sources & thanks.
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