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© 2026 Nadav (Nahdi) Lazar. Beatles music © Apple Corps. Fan-made – not affiliated with The Beatles or Apple Corps.

“In the end, the love you take is equal to the love you make.”

SongsReunion singlesReal Love
Free as a Bird·Now and Then
Real Love1996 · Reunion singles
Reunion singles album cover

Real Love

1996 · Reunion singles

“Seems that all I really was doing was waiting for you”

Lennon home-demo ballad from 1979–80, completed by McCartney, Harrison and Starr at Paul's Hog Hill Mill studio in 1995. Released as the second Beatles reunion single, the surviving members overdubbed instruments and harmonies onto Lennon's cleaned cassette vocal.
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This song is the only Beatles song to feature banjolele.

1996Banjolele
Year1996
AlbumReunion singles
Track2
Duration3:54
Songwriter(s)LennonCredited as Lennon–McCartney
Lead VocalJohn
Recorded1979; February 6–7 and May 15–16, 1995
ReleasedMarch 4, 1996

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Text162 tags

Motif

LoveSelf reflectionNostalgiaAnatomyLonelinessChildhoodTruthWomen

Title

Love in title

Vocabulary

Positive toneCasual language

Narrative

First personConversational

Lyrical device

AnaphoraSimile

Rhyme type

Extrametrical rhymeTriple rhymePerfect rhyme

Song form

Verse-chorus

Sections

Standard verses (2-4)Standard choruses (1-3)Has outroHas pre-chorusHas introHas interlude

Section links

Outro based on chorusOutro based on verseChorus variationPre-chorus based on verseIntro based on chorus

Repetition

Recurring lineConsecutive line
Word cloud

Recurring words

dreamsforgottengirlsmomentplanstheirthoughtwantedall myall webe afraidfrom thisgirls andi reallyi wantedi'd beenin lovemy littleno needon iseems likethat allthis momentwaiting forwe reallywill gowith theiryes it'sin my heartto be alonewas waiting forbeen in love before

Cover-shared words

allaloneboysgoheartknowlifelikelittlelostlovemoremyneedplayingrealseemssomewaitingweyouall ifor youi knowin myjust likemy heartmy lifeneed toseems thatto be

Lyric shape

[ADV] where[VERB] before[VERB] i'd[VERB] yes[WORD] wein [VERB][VERB] [WORD] i[VERB] and [WORD][VERB] for [VERB][VERB] for you[VERB] it's [ADJ][WORD] i really[WORD] my [ADJ]it's [ADJ] [VERB]my [NOUN] imy [NOUN] willno [NOUN] toon i [VERB]to be [ADJ]was [VERB] for[ADJ] [WORD] and [WORD][NOUN] i [VERB] [WORD][VERB] [VERB] [WORD] i[VERB] to be [ADJ]been in [VERB] beforemy [NOUN] i [VERB]in my [NOUN] i [VERB]

Cover-shared shape

[NOUN] i[NOUN] on[NOUN] will[VERB] and[VERB] for[VERB] it's[VERB] that[VERB] to[VERB] with[WORD] and[WORD] i[WORD] myand [WORD]be [ADJ]for [VERB]i [VERB]it's [ADJ]just [VERB]my [ADJ]my [NOUN]no [NOUN]that [WORD]this [NOUN]was [VERB]will [WORD][ADJ] [VERB] and[NOUN] i [VERB][NOUN] will [WORD][VERB] that [WORD][VERB] to be[WORD] and [WORD]i [VERB] [WORD]in my [NOUN]

Rhyme scheme

AABCAAABABAABA

Line length

6-67-8-9-4Unique line length

Distinctive word

exactlyschemestoys

Music201 tags

Arrangement

Lead vocalsBacking vocalsElectric guitarAcoustic guitarBass guitarPianoHarpsichordHarmoniumSynthesizerDrumsPercussionDouble bassCelestaOther percussionBanjolele

Instrument group

GuitarsKeyboardsStringPercussion

Guitar work

Guitar and piano doublingSlide guitarGuitar solo

Bass work

Stepwise bass line

Keyboard work

Guitar and piano doubling

Music genre

BalladPopRock

Vocal work

Three-part harmonyVocal harmonies

Solo / Riff

Guitar solo

Melody

Appoggiatura

Tempo

Slow

Key

E major

Time signature

4/4

Song form

Verse-chorusABABA

Sections

Standard verses (2-4)Standard choruses (1-3)Has outroHas pre-chorusHas introMultiple pre-choruses (2+)Has interludeHas solo

Section links

Outro based on chorusOutro based on verseChorus variationPre-chorus based on verseIntro based on chorus

Section transition

V to iiV to IUnique section transition

Harmony

Modal mixtureDeceptive cadenceHalf cadenceBorrowed chordCircle of fifthsSecondary dominantPerfect cadenceRoyal road (partial)50s variantJazz cadencePlagal cadence

Composition

Non-tonic openingNon-tonic endingChorus in iiChorus in IVerse in ITonic verseTonic chorusNon-tonic chorus

Mode

Ionian

Chord type

majorminordom7augsus4slash chord

Scale degree

II7iiiiiIVVVI7vi♭VI+

Chord degree

I–I–IVI–IV–II–vivi–IVIV–VI–vi–IVV–I–viIV–V–Ivi–IV–Vvi–VV–viI–iiiiii–viI–II–IVIV–II–iii–viii–V–IV–I–IV–Iii–VV–Vii–VIvi–IV–V–II–vi–IV–VIV–V–vi–VVI–iiV–iiV–I–vi–IVIV–V–viVI–ii–VIV–V–I–viIV–iiIV–ii–Vii–V–I–IV–I–I–IVIV–ii–V–Iii–V–VI–vi–IV–V–viii–V–I–I–IVV–I–I–IV–IIV–I–IVI–ii–V–V

Chord shape

C → F → FC → C → FC → F → CC → GmAm → FC → DC → D → GAm → F → GAm → GC → DmC → EmC → Em/BC → FC → CC → GC → Em → AmC → Em/B → AmC → Am → DC → Am → FAm → D → GC → F → DmAm → DAm → DmC → AmC → Fm → B♭C7 → FmC → FmAm → EAm → F → G → CC → Am → F → GC → F → Dm → B♭Am → E7Csus4 → CC → Fm → B♭ → B♭C → G → GC → D → G → EmC → D → EmC → F → F → B♭Am → D → DC → Am → D → GAm → D → G → GAm → E → Am → DAm → D → G → G → CAm/E → DmC → Am → F → G → AmAm → Dsus4Am → E7 → Am → Dsus4 → DC → F → F → B♭ → FC → D → Em → DAm → A♭aug

Chord literal

B♭ → E♭Fm → B♭Fm → B♭ → E♭A♭ → E♭Fm → CE♭ → A♭A♭ → B♭Cm → A♭ → B♭A♭ → B♭ → E♭E♭ → GmGm → CmB♭ → FmB♭ → B♭C → FmFm → B♭ → E♭ → E♭ → A♭E♭ → Cm → A♭ → B♭Cm → A♭ → B♭ → E♭E♭ → Gm → CmE♭ → A♭ → E♭B♭ → E♭ → CmE♭ → Gm/DFm → C7

Studio12 tags

Studio technique

VariSpeedDouble tracked vocalNoise reduction

Equipment

Mannborg harmoniumSonic Blue Fender StratocasterFender Jazz BassBill Black double bassNeve 8078 console

Recording location

External locationHog Hill MillHome recording

Session duration

Multi-month
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People14 tags

Unique personnel
Producer playsRole swap
Line-up
John Lennon
Lead vocalsPiano
Paul McCartney
ProducerBacking vocalsAcoustic guitarBass guitarHarpsichordHarmoniumSynthesizerPercussionDouble bassCelesta
George Harrison
ProducerBacking vocalsElectric guitarAcoustic guitarPercussionBanjolele
Ringo Starr
ProducerBacking vocalsDrumsPercussion
Jeff Lynne
ProducerElectric guitar
Songwriter
John Lennon
Producer
Jeff LynnePaul McCartneyGeorge HarrisonRingo Starr
Recording engineer
Geoff Emerick
Assistant engineer
Jon Jacobs

Info18 tags

Release type

SingleA-Side singleSong on Anthology

US release

Identical release

Label

AppleCapitol

Publisher

Northern Songs

Recording type

Reunion recordingRevived recording

Song type

Original

Duration

Medium

Chart performance

Top 10 UKTop 40 USRIAA Gold single

Cultural impact

Promotional video
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Sources & references

Tags on this page are original analysis, transcribed and cross-checked against the fine work of others: Alan W. Pollack's “Notes on…” series, the Beatles Complete Scores (Hal Leonard), Mark Lewisohn's session histories, Ian MacDonald's Revolution in the Head, Dave Rybaczewski's Beatles Music History and Andy Babiuk's Beatles Gear for the instruments and studio equipment, and others besides – then verified by ear against the recordings. Full bibliography: Sources & thanks.

External entity links: Wikipedia · MusicBrainz recording · MusicBrainz work · Wikidata

Updated 2026-06-03

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Reunion singles album cover
Year1996
AlbumReunion singles
Track2
Duration3:54
Songwriter(s)Lennon
Credited asLennon–McCartney
Lead VocalJohn
Recorded1979; February 6–7 and May 15–16, 1995
ReleasedMarch 4, 1996
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