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A splendid tagging database of the complete Beatles catalogue – for the scholars, the dreamers, and the ones who've listened to Abbey Road more times than they can count.

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© 2026 Nadav (Nahdi) Lazar. Beatles music © Apple Corps. Fan-made – not affiliated with The Beatles or Apple Corps.

“In the end, the love you take is equal to the love you make.”

i–i–iMusic · Chord degree · 4 songs
CategoriesMusicChord degreei–i–i
Music · Chord degree

i–i–i

3-chord degree progression (e.g. Fm → Fm(maj7) → Fm7; Bm → Bm6 → Bm7)

4
songs
See alsoChord shape:Am → Am → AmChord shape:Am → Am → Am → FScale degree:i6Scale degree:i7Composition:Chorus in iChord shape:Am → Am → FChord shape:Am → AmHarmony:Line cliché
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Analysis

By Year

Song count per year

By Songwriter

% of each member's catalogue with this tag (by writing credit)

By Era

Early0 · 0%
Mid-period3 · 75%
Late1 · 25%

By Album

Rubber Soul1
Revolver1
Magical Mystery Tour1
Yellow Submarine1

Songs(4)

Year
Album
Writer
Lead vocal(s)
#TitleYearAlbumLead Vocal(s)Notes
1Michelle1965Rubber SoulPaulas Fm → Fm(maj7) → Fm7
2Eleanor Rigby1966RevolverPaulas Em → Em7 → Em6
3The Fool on the Hill1967Magical Mystery TourPaulas Dm → Dm(maj7)/C♯ → Dm7/C
4Hey Bulldog1969Yellow SubmarineJohnas Bm → Bm6 → Bm7

Michelle

1965·Rubber Soul·Paul

as Fm → Fm(maj7) → Fm7

Eleanor Rigby

1966·Revolver·Paul

as Em → Em7 → Em6

The Fool on the Hill

1967·Magical Mystery Tour·Paul

as Dm → Dm(maj7)/C♯ → Dm7/C

Hey Bulldog

1969·Yellow Submarine·John

as Bm → Bm6 → Bm7

Updated 2026-08-09

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