| 1 | Michelle | 1965 | Rubber Soul | Paul | Text influence | Parisian chanson pastiche |
| 2 | Paperback Writer | 1966 | Past Masters | Paul | Text influence | Character-sketch narrative style |
| 3 | Yellow Submarine | 1966 | Revolver | Ringo | Genre | – |
| 4 | Good Day Sunshine | 1966 | Revolver | Paul | Genre | – |
| 5 | Eleanor Rigby | 1966 | Revolver | Paul | Text influence | Character vignette in British storytelling tradition |
| 6 | Yellow Submarine | 1966 | Revolver | Ringo | Text influence | – |
| 7 | Good Day Sunshine | 1966 | Revolver | Paul | Text influence | Ragtime/stride piano solo and outro |
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| 8 | Being for the Benefit of Mr. Kite! | 1967 | Sgt. Pepper's Lonely Hearts Club Band | John | Genre | – |
| 9 | Lovely Rita | 1967 | Sgt. Pepper's Lonely Hearts Club Band | Paul | Genre | – |
| 10 | When I'm Sixty-Four | 1967 | Sgt. Pepper's Lonely Hearts Club Band | Paul | Genre | – |
| 11 | Sgt. Pepper's Lonely Hearts Club Band | 1967 | Sgt. Pepper's Lonely Hearts Club Band | Paul | Text influence | Edwardian variety-show address to audience |
| 12 | She's Leaving Home | 1967 | Sgt. Pepper's Lonely Hearts Club Band | Paul, John | Text influence | Sentimental narrative ballad |
| 13 | Being for the Benefit of Mr. Kite! | 1967 | Sgt. Pepper's Lonely Hearts Club Band | John | Text influence | – |
| 14 | Sgt. Pepper's Lonely Hearts Club Band (Reprise) | 1967 | Sgt. Pepper's Lonely Hearts Club Band | Paul, John, George | Text influence | Variety-show farewell to the audience |
| 15 | Lovely Rita | 1967 | Sgt. Pepper's Lonely Hearts Club Band | Paul | Text influence | – |
| 16 | When I'm Sixty-Four | 1967 | Sgt. Pepper's Lonely Hearts Club Band | Paul | Text influence | Edwardian parlour-song style |
| 17 | Your Mother Should Know | 1967 | Magical Mystery Tour | Paul | Genre | Deliberate British music-hall pastiche |
| 18 | Magical Mystery Tour | 1967 | Magical Mystery Tour | Paul | Text influence | Carnival/fairground barker tradition |
| 19 | Your Mother Should Know | 1967 | Magical Mystery Tour | Paul | Text influence | British music-hall sing-along pastiche; the whole conceit is a 'hit before your mother was born' |
| 20 | Lady Madonna | 1968 | Past Masters | Paul | Text influence | – |
| 21 | Martha My Dear | 1968 | The Beatles (The White Album) | Paul | Genre | – |
| 22 | Ob-La-Di, Ob-La-Da | 1968 | The Beatles (The White Album) | Paul | Genre | Singalong character, narrative verse |
| 23 | Honey Pie | 1968 | The Beatles (The White Album) | Paul | Genre | – |
| 24 | Martha My Dear | 1968 | The Beatles (The White Album) | Paul | Text influence | Victorian parlour-song style |
| 25 | Rocky Raccoon | 1968 | The Beatles (The White Album) | Paul | Text influence | – |
| 26 | Honey Pie | 1968 | The Beatles (The White Album) | Paul | Text influence | – |
| 27 | Piggies | 1968 | The Beatles (The White Album) | George | Text influence | Satirical character-sketch tradition |
| 28 | Cry Baby Cry | 1968 | The Beatles (The White Album) | John | Text influence | Storybook court characters and nursery-rhyme cadence |
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| 29 | All Together Now | 1969 | Yellow Submarine | Paul, John | Genre | – |
| 30 | All Together Now | 1969 | Yellow Submarine | Paul, John | Text influence | – |
| 31 | Maxwell's Silver Hammer | 1969 | Abbey Road | Paul | Genre | – |
| 32 | Mean Mr. Mustard | 1969 | Abbey Road | John | Genre | Character-sketch lineage |
| 33 | Her Majesty | 1969 | Abbey Road | Paul | Genre | – |
| 34 | Maxwell's Silver Hammer | 1969 | Abbey Road | Paul | Text influence | – |
| 35 | You Never Give Me Your Money | 1969 | Abbey Road | Paul | Text influence | Boogie-woogie middle section |
| 36 | Mean Mr. Mustard | 1969 | Abbey Road | John | Text influence | – |
| 37 | Polythene Pam | 1969 | Abbey Road | John | Text influence | Comic character sketch |
| 38 | Her Majesty | 1969 | Abbey Road | Paul | Text influence | – |
| 39 | You Know My Name (Look Up the Number) | 1970 | Past Masters | John, Paul | Genre | – |
| 40 | You Know My Name (Look Up the Number) | 1970 | Past Masters | John, Paul | Text influence | – |
| 41 | Free as a Bird | 1995 | Reunion singles | John, Paul, George | Text influence | Ukulele tag echoes Formby tradition |